• Title/Summary/Keyword: 보존수리

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Replacement Model Following the Expiration of NFRRW (비 재생무료교체-수리보증이 종료된 이후의 교체모형)

  • Jung, Ki-Mun
    • The Korean Journal of Applied Statistics
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    • v.23 no.6
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    • pp.1147-1156
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    • 2010
  • This paper proposes a replacement policy following the expiration of a non-renewing free replacement-repair Warranty(NFFRW). The non-renewing free replacement-repair warranty is defined and then the maintenance model following the expiration of the NFRRW is studied from the user's point of view. As the criteria to determine the optimality of the maintenance policy, we consider the expected cost rate per unit time from the user's perspective. All maintenance costs of the system incurred after the expiration of the warranty are paid by the user. Given the cost structures during the life cycle of the system, we determine the optimal maintenance period following the expiration of a NFRRW. Finally, the numerical examples are presented for illustrative purposes.

Conservation of Wooden Furniture in Presidential Archives of National Archives of Korea (국가기록원 대통령기록관 소장 목가구 보존처리)

  • Lee, Kwang-Hee;Park, Jung-Hae;Kim, Su-Chul
    • Journal of Conservation Science
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    • v.35 no.3
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    • pp.245-251
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    • 2019
  • In this paper, conservation treatment processes for the wooden furniture in the Presidential Archives are introduced. Conservation treatment strategies for modern wooden cultural heritage have been increasingly studied. The current study uses materials similar to those used by the existing conservation treatment method. Material analysis showed that the chair(Lee136-2) and desk(Yun37) in the Presidential Archives are made of Dipterocarpaceae, and both are coated with two layers of varnishing. FT-IR analysis showed that the varnish has a similar spectrum to that of a nitrocellulose-based lacquer(Lee136-2) and top coat(Yun37) and confirmed that a synthetic material was used. Pollutants had adhered to the surface of the wooden furniture and it was also in structurally unstable condition because of cracks and damage to the varnish and wood. Therefore, a conservation treatment was carried out to restore the damaged areas to their original appearance using similar kinds of materials, based on data obtained by materials analysis.

The Study of Environment Improvement Flow with Revision of River Law (하천법 개정에 따른 환경개선용수의 활용방안 연구)

  • Kim, Gee-Hyoung;Lee, Dong-Ryul;Kim, Jeong-Kon
    • Proceedings of the Korea Water Resources Association Conference
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    • 2008.05a
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    • pp.424-428
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    • 2008
  • 경제개발에 따른 현실적인 하천의 모습은 각종 오염원으로 인한 수질악화와 산업화 및 도시화에 의한 물순환시스템의 붕괴로 인한 하천 생태계의 파괴로 나타나고 있다. 따라서 훼손된 하천을 친자연적으로 보존하고 더 나아가 하천을 자연생태계와 인간이 공존할 수 있는 공간으로 조성하기 위한 시도가 늘어나고 있다. 2006년 수립된 수자원장기종합계획에서는 자연환경보존과 생활환경 개선을 위한 유량확보의 필요성을 제기하고 있다. 이중 생활환경개선에 필요한 물은 청계천의 사례처럼 최근 들어 하천 및 수변생태계 복원, 보전 사업과 연계된 거주성(Amenity)차원의 새로운 용수수요로써 급격히 증가하고 있는 실정이다. 이러한 환경개선용수는 인위적으로 공급되기 때문에 환경개선용수를 필요로 하는 구간의 상 하류의 자연적인 물순환시스템에 영향을 미치게 되어 하천수 사용에 대한 수리권에 직접적으로 영향을 주게 된다. 따라서 환경개선용수를 사용하고자 하는 경우에는 이를 공급하는 공급원 지점과 환경개선용수를 사용하는 구간을 중심으로 상세한 물수지분석을 통해 기존의 수리권에 대한 영향 여부를 검토하여야 한다. 새로운 수요인 환경개선용수는 하천의 일부 구간 또는 일부 지역에 대해 거주성(Amenity) 차원에서 사회환경을 개선 정비하는데 활용하기 위하여 수혜자의 요구에 의해 인위적으로 공급되는 용수인 것이다. 따라서 국가가 산정하는 하천유지유량과 달리 환경개선 용수는 수혜자가 직접 산정하여야 하며, 산정된 환경개선용수는 하천관리자(국가)로부터 사용허가를 받아야 한다.

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A study on the appropriateness of using traditional technique in the field of Architectural heritage conservation - Through Comparing properties - (건조물 문화재 수리에 있어서 전통기술의 적합성 연구 - 기술의 속성 비교를 통하여 -)

  • Oh, Kyusung
    • Journal of architectural history
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    • v.31 no.5
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    • pp.7-20
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    • 2022
  • Traditional building technique has been used as the main technology in the field of architectural heritage conservation in South Korea. It has remained this way with very little resistance until now. But the time has come to question the appropriateness of traditional technique as conservation technique. In this paper a study was done on the properties of the traditional technique and the architectural heritage conservation technique in order to define the appropriateness between the two techniques. As a result the traditional technique was found to be unfit for conservation technique. The reasons are as follows. First, there is a time gap between the traditional technique and the time when the heritage was first built. Second, conservation work is about retaining the values of being a heritage while the traditional technique is about safeness and practicality. Third, the use of traditional technique comes with using the tools of its time which cannot ensure the safety of the heritage. The traditional technique must be looked upon as one of an option in the field of conservation. We must develop a better conservation technology by finding balance between the traditional technique and modern science. And further more an aggressive investment must be made in order to realize this objective.

Repair and Restoration of Joseon Historical Document Box (조선왕조 실록함의 수리복원)

  • Yi, Yonghee;Park, Junghae;Park, Suzin
    • Conservation Science in Museum
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    • v.15
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    • pp.122-137
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    • 2014
  • The National Museum of Korea own a historical document box K976 that was once used to store Joseon Wangjo Sillok Annals of the Joseon Dynasty of the Joseon Dynasty. The rectangular box has a lid, and the entire surface is varnished with black lacquer. The wood of the box had become warped and the upper part of the wooden frame had been damaged. In some areas, the paint was flaking off, exposing the underlying wood, and an iron ring that connected the lid to the body of the box was missing. Thus, in 2013, Conservation Science Department in National Museum of Korea began to repair and restore the Joseon document box. Before the treatment, analyses were conducted to examine the box's structure, damaged parts, species of wood, and lacquering techniques. The wood was found to be that of a linden tree. As for the lacquering technique, the surface of the box was first coated with a layer of lacquer and bone ash, and then covered with Korean traditional paper. Next, the box was painted with a layer of mud and ashes, followed by a layer of black pigment mixed with soot, and then varnished again with lacquer.

A Study on Landscaping Repair Work Classifications in Cultural Heritage Industry (문화재 수리의 조경분야 공종 분류에 관한 연구)

  • Kim, Min-Seon;Lee, Jae-Yong;Kim, Choong-Sik
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.40 no.2
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    • pp.59-66
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    • 2022
  • The purpose of this study was to suggest the landscaping repair work classification, the standard for securing the independence of and establishing the scope of landscaping repair works. Standard construction specifications currently specify the landscaping repair work classification around the planting construction, while standard work estimate does not include the field of landscaping. The landscaping construction specifications and the standard work estimate in the construction industry should be, however, applied, so it is difficult to specifically understand what is the landscaping repair work classification in the cultural heritage industry. From 1961 to 1980, not only the tree planting but also a variety of landscaping facilities had been specified as the landscaping repair works, and it was found that all of these work classifications are established as the landscaping repair work classifications in the construction industry. A total of 20 work classifications were verified by comprehensively arranging those specified in notices of tender for working drawing services for cultural heritages during three years, from 2018 to 2020, except for those for the maintenance and Dancheong of architectures, plant protection and conservation. All 20 work classifications corresponded to the landscaping work classifications in the construction industry. On the basis of the landscaping work classifications in the construction industry, this study divided the landscaping repair work classifications into site-building and shaping, planting work, facility construction, paving work, ecological landscape architectural construction and vegetation maintenance, by considering the specialty of cultural heritage space.

The Field Operation and Policies of Repair Works for Architectural Treasures in Late Japanese Colonial era based on Repair Works of Hwaumsa Kakhwangjeon (화엄사 각황전 수리공사를 통해 본 「보존령」 제정 이후 일제강점기 보물 건조물 수리공사의 현장운영과 수리방침)

  • Seo, Hyo-Won;Jeon, Bong-Hee
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.34 no.1
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    • pp.41-52
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    • 2018
  • The purpose of this study is to examine the circumstances of repair works after enacting "Low for Conservation of Joseon Treasure, Historic Site, Scenic Beauty & Natural Monument (朝鮮寶物古跡名勝天然記念物保存令)". For this purpose, the official documents produced by the Government-general Museum of Joseon were analyzed. They included the contents of repair works of Hwaumsa Kakhwangjeon(華嚴寺 覺皇 殿). As a result, this study reveals that the repair work of Hwaumsa Kakhwangjeon had become a momentum of introducing specific guidelines such as "Guidelines for Architectural Treasure's Repair 寶物建造物修理施行準則", "Regulations for administration of Hwaumsa Kakhwangjeon's repair work 華嚴寺覺皇殿修理工事取扱手續)". The guidelines and regulations systematized the planning phase of the repair works and provided to organize the field office formed by experts. In spite of these positive changes, the repair works were controlled by the central government to the certain extent, and the Japanese repair techniques were mingled with traditional techniques recklessly.

Conservation Treatment and Production Technique of the Golden Crown (Treasure No. 339) Excavated from Seobongchong Tomb in Gyeongju (경주 서봉총 출토 금관(보물 339호)의 보존처리와 제작기법 연구)

  • Kwon, Yoonmi
    • Conservation Science in Museum
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    • v.26
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    • pp.83-182
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    • 2021
  • This study summarized the results of the conservation treatment and investigation on the production method of the golden crown (Treasure No. 339) excavated from Tomb No. 129 (also known as Seobongchong Tomb) in Noseo-dong, Gyeongju-si, Gyeongsangbuk-do Province. The golden crown from Seobongchong Tomb was discovered during the excavations conducted by the Museum of the Government-General of Korea in 1926 during the Japanese colonial era. It is currently in the collection of the National Museum of Korea. A total of six Silla golden crowns have survived in Korea, among which the crown from Seobongchong Tomb is the only example with a dome-shaped hemispherical decoration attached with a bird ornament while otherwise showing the typical features of Silla crowns. The crown had been repaired following its excavation using metallic materials and adhesives, but due to the partial deformation and damage brought about by the repair materials, it required further conservation treatment. This article describes in detail the overall process of the conservation treatment and the restoration of the original form of the golden crown from Seobongchong Tomb, particularly the method of reinforcing the joints to secure the stability of the crown. It presents the characteristics of the crown's production as revealed in the investigation during the conservation treatment, and further analyzes the relationship of this crown from Seobongchong Tomb with other Silla crowns through a comparison of their production techniques. The investigation revealed that the crown was primarily decorated with golden sequins at the time of its production. At a later point some of the sequins in the upright ornament were replaced with comma-shaped jade beads and additional comma-shaped jade beads were added to the headband. In order to determine if such modifications to the decoration had occurred with other Silla crowns, the decoration of the six extant Silla golden crowns were investigated. The crown from Cheonmachong Tomb features traces of this same modification to the decoration and possesses other similarities with the crown from Seobongchong Tomb.

A Study of Stone Cultural Heritage on Filler Status and Clinical Trials of Conservation Treatment in Cracks - Focusing on the Change in Surface of the Filler by Mixing the Talc - (석조문화재 균열부 보존처리 충전제의 현황과 임상실험 고찰 - 활석을 혼합 한 충전제의 표면변화를 중심으로 -)

  • Lee, Tae Jong;Oh, Hyeon Jung;Kim, Sa Dug;Lee, Jang Jon
    • Journal of Conservation Science
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    • v.30 no.4
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    • pp.383-393
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    • 2014
  • It is used for the epoxy resin, a mixture of various fillers conservation of cracks of the stone cultural heritage. Such as conservation treatment is need to for long-term conservation. However, field research and experiments on the conservation treatment results when included 54 cases of talc filler was confirmed that the damage, such as discoloration and cracks. The field research is talc was used to determine whether the reports and conservator interviews conducted, microscopy, ICP analysis of the samples collected from the field site. Experiments is color difference measurement and Ultrasonic measurement were arried out, and artificial weathering tests to investigate the effect of talc. As a result, lower the property of matter of the samples containing the talc. Therefore, we propose that the selection process is not allowed to use talc as the filler of stone powder filler cracks is conservation treatment.

Scientific Conservation of Underwood Typewriter(Hangi6863) in National Hangeul Museum (국립한글박물관 소장 언더우드 영문 타자기(한기6863)의 과학적 보존)

  • Kim, Yu Jin;Chung, Kwang Yong
    • Conservation Science in Museum
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    • v.28
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    • pp.1-16
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    • 2022
  • Treatment was performed to conserve the Underwood Typewriter (Hangi 6863) from the collection of the National Hangeul Museum. Since the typewriter was presumably manufactured in the modern or contemporary era and bore patterns of damage such as component loss, corrosion, and paint loss, as well as being made of multiple materials, a condition survey and a scientific analysis were conducted ahead of the conservation treatment in order to carry out appropriate treatments for each material. The analysis confirmed that the typewriter was made of various materials including metal, paint, and rubber, and the conservation treatment was performed in the sequence of removal of contamination, reinforcement, and restoration under conditions where each material was stable. Conservation treatment was completed in a stable state by strengthening the layer of damaged paint and restoring the lost leg. These processes have enabled a better understanding of the materials and characteristics of typewriters manufactured in the early modern era, which is expected to provide basic data for typewriter conservation research to be conducted in the future.