• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.299-300
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• 2016

청년실업 문제가 심각한 현대에 특히 무용부분의 사회진출과 취업은 매우 심각한 문제가 아닐 수 없다. 각 대학과 정부차원에서 대학 평가 등을 통해 취업을 장려하고 있는 실정이지만 예능계의 특수한 상황으로 전문적이지만 취업을 하기 위한 발판이나 환경에는 제도적, 환경적인 문제들이 있음을 문제 의식화하여 본 연구는 무용수 직업능력에 대한 인식을 알아보기 위해 무용 교수자, 학습자, 전문무용수를 대상으로 설문을 실시하였다. 각 40명씩 총 120명을 대상으로 이들의 직업 관련 인식도와 직업 관련 요구도를 조사하였다. 분석방법은 SPSS 18.0을 사용하여 기술통계를 실시하였고, 빈도를 분석하였다. 연구결과 취업 어려움에 대한 체감도가 교육가와 무용수는 높았으나 예비무용수들은 낮게 나타났다. 교육가들과 무용수들은 취업을 위해 전공 능력을 발휘하여야 하며, 인턴십 제도의 정착이 중요하다고 응답하였다. 그러나 예비무용수들은 무용 외에도 다양한 능력 개발의 필요성을 느낀다고 응답하였다.

• Proceedings of the Korean Society for Information Management Conference
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• 2000.08a
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• pp.143-146
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• 2000

본 연구에서는 국내 무용인들의 정보요구를 수렴한 학술정보 시스템의 구축 방안을 제시하기 위해, 현재 운영되고 있는 국내 web 무용정보의 정보량과 품질을 분석하였고, 설문조사를 통해 무용정보 시스템의 실질적인 이용자인 국내 무용인의 정보이용 현황 및 정보요구를 분석하였다. 1999년 8월 현재 국내 무용 web site는 68개이고, 이중 98.6% 가 구축하고 있는 web 문서의 수는 40 페이지 미만이었다. 시스템과 이용자 인터페이스 측면과 정보제공 측면으로 품질을 평가한 결과 대부분이 개략적이고 형식적으로 구축되어 이들로부터 유용한 정보를 입수하는 것은 기대할 수 없는 상황이었다. 국내 무용인을 대상으로 설문조사를 한 결과 대부분의 무용인들은 web에서 무용정보를 이용하는 것을 중요하다고 느끼고 있으나, 국내 web 무용정보가 부실하기 때문에 이용률이 저조했다. 따라서 본 연구에서는 국내 무용인들에게 보다 실질적이고 효과적인 무용정보 시스템을 구축하기 위한 기초 연구로 기존 국내 Web 무용정보를 분석하여 문제점과 개선점을 제시하였고, 실질적인 국내 무용인의 구체적인 정보요구를 파악하였다.

• The Journal of the Korea Contents Association
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• v.12 no.1
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• pp.265-274
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• 2012

This study aims to examine the physical language of dance art's acceptability of the discourse method of story-telling as a narrative discourse system from the view of story-telling of cultural contents. Dance, through the establishment of relationship between dancers and stage art, can form a discourse system with various literary devices including figures of speech, metaphors, and symbols. The argument over manifestation of dance's narrative components in the concept of story-telling is shown as follows; the background as an object can offer time and spatial backgrounds through stage art and the dancers' performance elements; and, for the character, the dancer himself can be the first-person-narrator and possibly makes plane personality descriptions. As for the elements of main affairs of dance, the stage art components present the background of primary motif of incident and the dancer's diverse relationships form conflicts through the correlation of solo dance, duet, and group dance. The plot as a process of developing the main affair is led by actant such as the dancer's mime actions, gestures, facial expressions, etc. The element of dance's revealing narration is the dance art itself and the developing structure of narration is the dance language's own grammar. Choreographers should compose persuasive dance texts to convey stories efficiently through character decisions, their actions, stage art's elements that display the time and spatial backgrounds, and the development of plot, as a narrative discourse of dance.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.319-320
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• 2017

이 연구는 작품 <간 때문이야!>의 무용수를 움직이게 하는 청각적 요소와 무용수의 움직임이 만들어내는 소리를 탐색함으로써 '움직임과 소리의 대화'라는 안무의 접근 방식을 풀어내고자 하였다. 메트로놈, 기타와 같은 비신체적 청각요소와 무용수, 소리꾼의 신체에서 발생된 소리인 아니리, 판소리(소리), 숨소리 등은 욕망을 표현하는 적절한 움직임을 끌어내는데 충분한 자극이 되었다. 또한 움직임으로 인한 소리의 발생은 다시 또 움직일 수 있는 자극으로 순환되는 과정을 거쳤다.

• Journal of Digital Convergence
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• v.16 no.4
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• pp.387-395
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• 2018

The purpose of this study is to ponder men's perception and experience of military service revealed in Korean society by looking into the military service exception cases of a Korean male dancer. this study used non-participation observation, in-depth interviews and bibliographic data, etc. targeting a total of 6 persons covering 3 male dances who received military service privileges by winning a prize at home & overseas dance concours, and another 3 male dancers who fulfilled military duties. Then, this study did a qualitative analysis of the collected data. The deducted results through this process are as follows: First, all the surveyed male dancers consented to the necessity of military service as Korean people, but it was found that they wished to get miliary service privileges in order to maintain the career they actually had achieved. Second, the male dancers, who fulfilled military service, were found to make endless effort to catch up with the tendencies of dance suited for the relevant period after returning to society due to career discontinuity and social severance caused in the process of fulfilling military service.

• Trans-
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• v.2
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• pp.1-38
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• 2017

Dance, as an art which expresses thoughts and emotions by movement human, is included in work that its copyright has to be protected, choreographers who are creators and dancers who are performing can exercise their rights included in copyright laws. However, artists who work in the dancing scene have lack of awareness about copyrights and the application level is low. The purpose of this thesis is to look into the current status and issues about dance copyright and to discuss activation plans and effectiveness plans for dance copyrights. The main point is to check into the level of awareness for dance copyrights with choreographers, dancers and students majoring in dance who are in charge of the art of dancing, to present issues about the necessity of the dance copyrights protection plans by analyzing interviews-in-depth and to prepare the dance copyrights protection plans which are concretely realistic. For the research methods, first, I looked into ideas and contents about copyrights through a document research and then, wanted to prepare theoretical background by reviewing actual cases of performing art copyrights related to dance. Next, I carried out surveys about awareness of copyrights with students majoring in dance, choreographers and dancers then carried out analysis of actual proof. Also, I chose three famous dancers who are actively performing in the current dancing scene and did interviews-in-depth about dance copyrights then carried out a recording analysis. I tried to complement the analysis by discussing deeper which I couldn't deal with in the previous surveys and to contemplate awareness activation of dance copyrights and plans. As a result of the research, the level of the awareness about dance copyrights through age, major, education and career was very low. The level of awareness was almost same compared to the previous research 10 years ago. 'Music', which can be an element of copyright issue in dance, was the highest in rate, and dance was recognized as an art which is combined with various elements as a combination work. The way of protection for works of choreography and performance only used data preservation and contracts and didn't register copyrights or record in dace notation. Majority of responders answered that they couldn't have any education about copyrights while they were recognizing the necessity of education and management for copyrights. The analysis of interviews-in-depth was also matched to the result of the previous surveys and a deeper discussion about the status of dance copyrights and issues was carried out. The plans of effectiveness for dance copyrights through the result of previous research are as followings. First, an advanced education is necessary above all to increase the awareness and application of copyrights in dancing scene. Long-term education like study curriculums and short-term education like special courses and seminars should be combined, and education about copyrights for dance groups, choreographers, dancers and students majoring in dance should keep on going. Second, revision of performing art works is necessary for the activation of dance copyrights, and establishing a dance copyright association to manage copyrights systematically and training dance copyright experts are necessary as well. Third, as the way of copyright protection for choreographers and dancers, an establishment for relation gain and loss about copyrights is necessary when creating dance works and performing, and registration of dance works should be activated. Also, the dancing scene should sign contracts for choreography and performance and this contract culture should be activated, and it should systematically preserve and manage choreography and performance records through basic ways. Hereby, it is considered to prepare a foundation to foster the awareness of dance copyrights and activate dance copyrights.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.325-326
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• 2017

물은 색, 맛, 향이 없는 물질이지만 인간을 구성하는 주요 요소이며 모든 생명력의 근원이다. 물은 여러 성질을 지니고 있지만 그 중 물의 운동성에서 호기심이 자극된다. 또한 물은 형체가 없을 뿐만 아니라 스스로의 운동성이 없고 물과 에너지의 관계는 어떤 면에서 무용수와 안무가의 관계와 많은 유사성을 가지고 있다. 무용수는 안무가의 의도와 만나 움직임으로 표현하며 그 움직임들은 각 무용수 개성에 따라 또 다른 이미지를 발산하게 된다. 본 연구는 심상으로부터 인지되는 수류(Flow of Water)가 다양한 움직임의 이미지로 만들어지는 과정을 표현한다.

• Journal of Industrial Convergence
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• v.19 no.3
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• pp.107-116
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• 2021

The purpose of this study was to analyze and clarify the relationship among dance socialization organizers, dance intervention, and dance effort variables of dance majors. The subjects of this study were college students majoring in dance located in Seoul and Gyeonggi-do, and the purposive sampling was used. The results of the study are as follows. First, the agent of dance socialization influences the dance intervention. Second, the agent of dance socialization influences the effort to achieve dance. Third, dance intervention affects dance achievement efforts. Therefore, it is thought that, through the active efforts of the dancers, various programs that can link industry and academia as well as support at the national level should follow for the cultural heritage that can be passed on to future generations.

• Journal of Digital Convergence
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• v.16 no.11
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• pp.621-631
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• 2018

The purpose of this study is to grasp the research trends of domestic journals about dance expression ability. The thesis was selected from 36 articles selected from Korean Academic Information (KISS) provided by KERIS from 2001 to December, 2017 and articles related to dance expressions included in DBpia, Research methods, research subjects, and research themes. First, the research trends of the academic journals by year were on average 3 from 2004 to 2017. Second, the research method is mostly related to quantitative research methods. Third, research theme trends were dance expressiveness, body expression ability, and dance expressiveness. Fourth, the research subjects were dance students major, dance program, dance expression in order. In the future, it is necessary to confirm the research techniques and overcome the researches to overcome the research tendency based on questionnaire scales or statistical results.

• The Journal of the Korea Contents Association
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• v.12 no.1
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• pp.244-253
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• 2012

The purpose of this study was to understand the relationship between stress factor and burnout of dancers. For this, a survey was performed, of which the subjects were selected out of a great number of dancers in several dance. Finally, a total of 535 completed questionnaires were used for statistical inspections, such as independent t test and one-way ANOVA analysis. The results of this study can be summarized as follows: there was a significant difference to burnout of dancers as a function of sex, major, record and position at p<.05 level. there was a significant difference to stress of dancers as a function of sex, record and position at p<.05 level. there was a significant difference to the stress level dancers within the lower factors including demotivation, emotional exhaustion and lack of improvement at p<.01 level. as result above system must be set up for dancers can maintain psychological stability and increase dancer performance.