• 한국기후변화학회지
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• 제4권3호
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• pp.279-290
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• 2013

본 연구는 도시 메타볼리즘 관점에서 기후변화에 대응하기 위한 향후 도시계획의 방향을 모색하는데 그 목적이 있다. 본 연구는 크게 이론고찰과 사례연구로 구성되어 있으며, 이론고찰은 기후변화대응 도시계획의 패러다임 및 도시 메타볼리즘의 개념 및 특성을 살펴보았다. 사례연구는 에너지 절감 및 자원 폐기물의 효율적 이용에 대한 계획수립 및 실천방안이 적극적으로 실현되고, 지역을 선정하여 투입 에너지 최소화, 재생 가능한 에너지 활용, 폐기물 재활용, 자원 재이용의 네 가지 측면을 분석의 틀로 하여 분석을 실시하였다. 그 결과, 모든 사례에서 본 연구에서 제시한 도시 메타볼리즘 체계가 구축되어 있었다. 또한, 사례마다 주력하는 계획요소가 다른 것을 발견할 수 있었는데, 이는 각 지역의 여건을 고려하여 쉽게 얻을 수 있고, 활용이 쉬운 자원을 이용하는 계획을 중점적으로 적용하고 있었다. 이에 향후 메타볼리즘 관점의 기후변화대응 도시 계획을 수립하기 위해 가장 먼저 고려되어야 할 부분은 지역의 주변 환경 및 여건분석을 통해 지역의 잠재력을 극대화 시킬 수 있는 요소를 선택적으로 도입해야 한다는 것을 확인할 수 있었다.

• 한국산학기술학회논문지
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• 제16권1호
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• pp.827-836
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• 2015

본 연구는 다양하고 복잡한 이론체계지만, 일관된 건축개념의 전개방식과 작품의 논리구성에서 한국의 건축계가 달성해야할 '한국성의 세계화'에 대해 도움이 될 만한 일본의 세계적인 건축가 키쇼 쿠로가와의 건축개념에 대한 논문이다. 그의 건축개념은 메타볼리즘, 메타몰포스시스, 심바이오시스 등으로 나눌 수 있다. 그리고 이런 주요 개념에 변화하는 과정적 단계의 매체로서 작용하는 이론인 중간영역, 애매성, 다의성 등이 있는데, 메타몰포시스의 매체로서 사용되며 심바이오시스 를 구현시킨다. 메타볼리즘은 메타몰포시스와 심바이오시스의 개념을 내재하고 있다. 심바이오시스는 메타볼리즘과 메타몰 포스시의 개념으로 구성되며, 이 모든 개념들의 궁극적인 목적이기도 하다. 메타몰포시스는 메타볼리즘에서 심바이오시스로 변화하는 과정적 단계에서 매체의 개념으로서 작용한다.

• 건축사
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• 3호통권251호
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• pp.48-55
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• 1990

• 건축사
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• 통권522호
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• pp.104-105
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• 2012

• 대한건축학회연합논문집
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• 제20권6호
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• pp.9-16
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• 2018

The purpose of this research was influenced by the historical background of Japanese modern architecture by the circulation of Kuma Kengo's architectural works and he wanted to look at the values and directions he was pursuing and how they were expressed in his works. The results of the review are summarized as follows. First, metabolism was developed as a reaction of modernism in modern architecture, focusing on growth through infinite reproduction by looking at architecture and cities as organisms and by using unit space as cells. Kuma Kengo, on the other hand, argues that focusing on the possibility of decimation of unit members by sequencing the elements that make up the space smaller than the unit space is closer to an ecological architecture. Second, what Kuma Kengo says is "erase the architecture" that is naturally related to the environment and disappears when its use is exhausted. His argument is expressed in individual architectural works through 'visual erase', 'particle painting of materials' and 'independence through dependency.' Through this, Kuma Kengo's ecological architectural languages were influenced by the ecological causes of metabolism, but they differed from the perspective of seeing architectural circulation as an organism. If metabolism was intended to realize circulation with growth potential based on the module of unit space, Kuma Kengo sought to implement circulation with the extinction of the unit members of space.

• 건축역사연구
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• 제24권1호
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• pp.17-28
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• 2015

This study aims to research the Kisho Kurokawa's architectural concepts and expressions that are comprised of various and complex theories system for Korean's globalization of architecture. Kurokawa's architectural concepts are composed by Metabolism, Metamorphosis and Symbiosis. And intermediate zone, ambiguity, multivalence are theories that work as media in changing process levels to three main concepts and these are used as media of Metamorphosis which embody Symbiosis. Metabolism include concepts of Metamorphosis and Symbiosis. Symbiosis is comprise of concepts of Metabolism and Metamorphosis, and is a ultimate goal of these three main concepts. Metamorphosis works as a medium in changing process levels from Metabolism to Symbiosis. The architectural expressions are embodied according to these main three concepts and theories of media in changing process levels. And these architectural expressions are analyzed by three elements as follows: form, material & color, structure & technique.

• 한국실내디자인학회논문집
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• 제23권4호
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• pp.72-82
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• 2014

The Contemporary paradigm to understand the complexity and diversity is moving to 'Becoming' that taken place in reviewing at the relation of various concepts. In Japan, After the collapse of modern architecture has been declared 'Metabolism' was appeared. They tried to apply organism's metabolic system to buildings based on ecological thoughts. But Metaboilsm's projects had revealed limitations of representation that the city on the mechanical system became a huge scale. As a result, It caused a break the cultural context of the region in Japan. After then, Japanese Architects expressed a pluralistic aspects of modern society for the restoration of disconnected cultural context. From this perspective, The thought of 'becoming' is a new role for Contemporary Japanese Architect. This research is focused of projects of SANAA, Ito Toyo, Sou Fujimoto, because they have spatial thought about realizing the space through the ways organizing the various potential possibilities in the simple external form not stimulated. They are realize the 'becoming-space' within the architecture. This 'becoming-space' gives people in building the new characteristics and experience that potential interactions among user, architecture and nature. It is non-representational space not fixed, but changing organically and variably.

• 건축역사연구
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• 제12권3호
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• pp.101-116
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• 2003

The word 'Neo-Modern' means the revival of modernism, specially the concept of the White Geometry of Le corbusier and Mies van de Rohe, and the Neo-Modern movement in architecture indicates the leading aspects appeared in 1990's. Modern architecture was a formalistic art movement. With its historical roots, in Europe extending back to the avant- garde modern architecture in 1920's, Neo-Modern appeared with the name of New York Five, in 1970's. In Japan, there has been an outstanding movements presenting Modernism architectural charateristics, since 1980's. The characteristics of these works can be discerned from the those of Regionalism of Historicalism in 1980's. This study is to investigate and analyze the characteristics of the works of Japanese Neo-Modern architects and to contribute to defining the word, 'Neo-Modernism'. In chapter one, the background, purpose and methode of study are presented. In chapter two, the concept and historical background of 'Neo-Modernism' are studied. In chapter three, the characteristics of Neo-Modernism are studied on the basis of the main concepts and formal characteristics of modernism and New york Five. In chapter four, the tradition of Modernism inside the history of Japanese architecture were studied, specially focused on Metabolism. In chapter five, The characteristics of Neo-modern expressions used in the 18 exhibition and cultural facilities in Japan, established after 1980, are analyzed in terms of 4 expression categories. In chapter six, a synthetic conclusion is presented.