• Journal of Digital Convergence
• /
• v.13 no.1
• /
• pp.525-533
• /
• 2015

This study presents a favoured pattern of makeup and psychology according to it by recognition type, through an examination of recognition for it in order to understand interest and awareness regarding it among female college students. The makeup is emotionally effective for confidence and positive thought, and is considered to be a category of social manner. The subjects can be grouped according to difference in recognition of makeup: contemplation, reception, observation and correspondence group. Although there is slight difference in the interest of four types of makeup depending on recognition difference, the behavior of makeup plays a large part in establishing personal relationships. The pattern of makeup favours natural style which places an emphasis on skin tone. The female college students in their 20s, who are at the center of current beauty trend market, were asked to conduct questionnaire of makeup, so interest and awareness of makeup behavior can be understand. If these findings are actively used in the beauty trend, various and effective beauty cultures are considered to be created.

• Proceedings of the Costume Culture Conference
• /
• 2003.09a
• /
• pp.97-99
• /
• 2003

메이크업은 대중매체의 발달, 화장품 산인의 발달, 토탈 패션 개념의 발달 등으로 패션에 편승하여 그 중요성이 점차 높아지면서 최근 들어 메이크업에 관한 연구 또한 의류학 분야에서 차지하는 비율이 점차 증가하고 있다. 그러나 이러한 중요성에도 불구하고 아직까지는 메이크업에 관한 연구가 미흡하게 이루어지고 있는 실정이며, 세부 연구 분야 역시 다양하게 이루어지고 있지 않다. (중략)

• Science of Emotion and Sensibility
• /
• v.2 no.2
• /
• pp.67-74
• /
• 1999

본 연구는 실제 현장에서 적용할 수 있는 보다 구체적인 감성 데이터를 제공하기 위한 시도로서, 메이크업의 주요한 색채특성을 평가변인으로 하여 칼라 시뮬레이션 실험 및 분석을 실시하여, 최종적으로 색채감성 분석기법에 의한 이미지 유형별 예측모델을 작성하였다. 그 결과, $\ulcorner$품위있는.귀족적인$\lrcorner$, $\ulcorner$깔끔한.여성스러운$\lrcorner$, $\ulcorner$강렬한.도발적인$\lrcorner$, $\ulcorner$캐주얼한.경쾌한$\lrcorner$, $\ulcorner$수수한.부드러운$\lrcorner$의 5가지 이미지유형이 추출되었고, 이미지유형별로 이미지와 색채특성간의 정량적 예측모델을 작성한 후, 그 결과를 토대로 이미지유형별 색채팔레트를 제시하였다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
• /
• 1999.11a
• /
• pp.324-329
• /
• 1999

본 연구는 실제 현장에서 적용할 수 있는 보다 구체적인 감성 데이터를 제공하기 위한 시도로서, 메이크업의 주요한 색채특성을 정가변인으로 하여 칼라 시뮬레이션 실험을 실시한 후, 색채감성 분석기법에 의한 이미지유형별 예측모델을 작성하였다. 그 결과, $\ulcorner$품위있는ㆍ귀족적인$\lrcorner$, $\ulcorner$깔끔한ㆍ여성스러운$\lrcorner$, $\ulcorner$강렬한ㆍ도발적인$\lrcorner$, $\ulcorner$캐주얼한ㆍ경쾌한$\lrcorner$, $\ulcorner$수수한ㆍ부드러운$\lrcorner$ 의 5가지 이미지유형이 추출되었고, 이미지유형별로 이미지와 색채특성간의 정량적 예측모델을 작성한 후, 그 결과를 토대로 이미지유형별 색채팔레트를 제시하였다.

• Journal of Digital Convergence
• /
• v.18 no.11
• /
• pp.459-464
• /
• 2020

This study is a study that analyzes the user experience of a virtual makeup application in the beauty industry where color or formulation testing is important. Recently, cases of beauty smart stores and beauty applications using AR and AI are increasing. However, since virtual makeup is different from testing a real product, it is necessary to derive needs through research from the user's side. In order to compare user preferences by using AR and AI cases, six factors based on the emotional interface model were analyzed through a questionnaire to identify items with statistically significant figures. As a result, the user felt comfortable with the virtual makeup function, but showed that it needs to be supplemented in terms of reliability. Since this study focused on the customer experience as a real user and identified the main experience factors and needs of virtual makeup through two types of comparison, it is hoped that this study will be useful as a prior study.

• Science of Emotion and Sensibility
• /
• v.14 no.2
• /
• pp.321-330
• /
• 2011

Images of smoky make up illustrations with different the brightness tones for typical Korean eyes (standard one, small single eyelid and tailed up style) were systematically analyzed using vision-based emotional descriptive language for students majoring makeup and professional group. We identified that various images could be expressed by changing smoky makeup tones on eyes types through analysis of the emotional descriptive language. The smoky make up image recognition of smoky make up illustrations was almost consistent between the students and the professional group, but there was the distinct difference of image perception by two groups for some smoky make up illustrations due to the generation gap as well as their make up expertise and techniques. We suggested the image positioning maps which expressed the emotional reaction felt according to eyes shapes and smoky make up tones. The positioning maps were to provide criteria for various images to be able to express by smoky make up.

• Journal of the Korean Society of Costume
• /
• v.61 no.2
• /
• pp.116-130
• /
• 2011

Ethnic fashion and makeup were studied. 264 fashion designs from pret-$\`{a}$-porter collections in Milan and New York from 2001 S/S to 2005 F/W were analyzed. The major conclusions of the study are as the following: 1. The major types of ethnic fashion and makeup were Africa. American Indian. Japan, India. China and Inca. Makeup types expressed in ethnic fashion were soft smoky, smoky, retro, nature, avant-garde, eastern. 2. Makeup types expressed in ethnic fashion were used for the image for the designer's collections rather than ethnic features. Soft smoky and smoky makeup types were more used than others. 3. Soft smoky makeup types were more expressed in S/S seasons than in F/W seasons. In F/W seasons soft smoky and smoky makeup types were more expressed than other types. 4. Soft smoky and smoky makeup types were more expressed than others in Milan and New York collections commonly. 5. To emphasize the ethnic image for ethnic fashion, ethnic makeup arts like China, Japan, India, Africa, American Indian, Inca makeup arts and soft smoky, smoky makeup arts were represented.

• Journal of the Society of Cosmetic Scientists of Korea
• /
• v.37 no.1
• /
• pp.23-36
• /
• 2011

The purpose of this study is to make theoretical examinations into the makeup trend shown in digital communication environment and thereby determine potential associations of makeup trend with digital communication environment and characterize said trend, so that it can provide reference materials required for follow-up studies. This study comes to the following findings: First, it is found that there are sociocultural characteristics of digital communication environment, such as interactivity, technology-orientedness, sentiment-orientedness and mixture of time and space. Secondly, it is found that trends developed in makeup fall categorically into interactivity, virtuality, amusement and mobility. Thirdly, it is found that each type of digital communication adopts a mixture and juxtaposition of contemporary styles or categories with traditional ones through eclectic combination based on open-minded and horizontal ideas. Fourthly, it is found that a trend from digital communication environment doesn't coincide perfectly with any makeup trend, but the former trend works interactively and organically with the latter trend on the basis of homogeneity and similarity within a general framework that represents external esthetics of human being. With the creation of digital communication environment, our contemporary society forms as the complex phenomena of digital society in a combination and destruction of different categories beyond any certain international boundary, so that a hybrid tendency appears in contemporary makeup trend as well. Based on these findings, this study has its implications in the sense that it gives a new viewpoint based on design, formative characteristics and expression styles of makeup, and also provides useful reference materials for related industrial sectors.

• The Research Journal of the Costume Culture
• /
• v.15 no.5
• /
• pp.863-874
• /
• 2007

The propose of the study was to evaluate impression effects and likeness of clothing styles and make-up types. The stimuli were composed of 4 clothing styles(base, natural, romantic, classic) and 4 make-up types(no make-up, natural, romantic, classic). The subjects were 512 male and female university students in Daejeon and Chungnam province. The study consisted of a survey and quasi- experiment. The experimental materials used for this study were 16 stimuli, 32 hi-polar adjectives, and likeness scale were composed of 7-point Likert type scales. As a result, the clothing styles and make-up types effected on the 4 impressional dimensions: grace, evaluation, salience, and dynamism. The clothing styles effected on grace, salience and dynamism dimension and the effect of dynamism dimension was the most powerful among the dimensions. The make-up types effected on all of the 4 impression dimensions and the effect of salience dimension was the most powerful among the dimensions. The interaction effects existed between the clothing styles and make-up types in salience dimension. The likeness showed significant difference only on the make-up types. The effect of grace dimension was the most powerful among the dimensions. The main reason that make-up effect appears greatly could be analyzed into that clothes color is controlled by white. The results suggest the necessity of succession study about the effect of clothes color.

• Journal of the Korean Society of Costume
• /
• v.64 no.4
• /
• pp.1-20
• /
• 2014

The purpose of this study is to suppose makeup design based on formative elements of facial image according to the facial image type of Korean women in their 20s. For this study, literature review were performed. Surveys were conducted twice for empirical research. The survey targeted 220 university students in their 20s. SPSS 12.0 statistics program was used to analyze the results, and T-test, ANOVA, Scheff$\acute{e}$ test. The results of the study are as follows. First, it was concluded that the effective structural formative elements are different according to the types of facial image. Second, by analyzing the differences in perceiving naked facial image and modified face shape image, modified skin color image, modified makeup color image of all types of facial image, it was found that the formative elements are different according to facial images, and that there are differences in the effectiveness of each factors.