• Title/Summary/Keyword: 레오나르도 다 빈치

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A Comparative Study on the Different Usage of the Grids between Leonardo da Vinci and J.N.L. Durand (레오나르도 다 빈치와 J.N.L. 뒤랑의 그리드 사용법에 관한 비교 연구)

  • Hwang, Minhye
    • Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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    • v.7 no.8
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    • pp.189-199
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    • 2017
  • The purpose of this study is to compare the grid usage that is common to Leonardo da Vinci and J.N.L. Durand in the process of designing the architectural plan. In the days when there was no proper measurement tool, auxiliary lines relied entirely on the architect's personal mindset and design convenience. Therefore, it is considered that studying the auxiliary lines drawn by the architects will be useful for studying the human perception system. Among auxiliary lines, the grid has been used by many architects. Leonardo da Vinci and J.N.L. Durand are famous. However, these two show a significant different grid usage. As auxiliary grid and space ares added the center of the Leonardo da Vinci grid continues to move, and the grid in his sketch is becoming a building space itself. So I call it 'conceptual grid'. In the case of J.N.L. Durand, the one center of the grid is always at the center of the drawing. That is, all the positions of the grid can be determined in phase around a common point, and all of the same specifications are assumed. The grid is a kind of filter. That's why his grid is a visual abstraction of the process of thinking. In this paper, I will call the grid of J.N.L. Durand as 'abstract grid'.

세계과학기술사 (서양편) -르네상스과학-

  • 송상용
    • 발명특허
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    • v.5 no.8 s.54
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    • pp.20-22
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    • 1980
  • 르네상스 휴머니스트들은 대체로 과학에 무관심하거나 무지했다는 점에서 인문주의자라는 말이 잘 어울린다. 따라서 흔히 근대로 오인되고 있는 르네상스는 실은 근대 이전이라고 해야 옳다. 그런데 여기에 중요한 예외가 한사람 있으니 그가 바로 레오나르도 다 빈치(Leonardo da Vinci, $1452\~1519$이다. 레오나르도 $\lceil$최후의 만찬$\rfloor$$\lceil$모나 리자$\rfloor$를 그린 빼어난 화가로 알려져 있지만 발명가, 기술자, 해부학자이기도 했다. 그는 여러 방면에 능했을 뿐 아니라 모든 분야에서 뛰어났다. 그는 르네상스의 모든 찬란한 요소를 자신 속에 담고 있었다.

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A Study on 'The Influence of the Theory of Cusanus on the Leonardo's Theory of the Centralized plan' ('쿠사누스 철학이 레오나르도 다 빈치의 중앙집중형 공간 연구에 미친 영향'에 관한 연구)

  • Hwang Min-Hye;Lee Ji-Min
    • Korean Institute of Interior Design Journal
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    • v.15 no.4 s.57
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    • pp.12-20
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    • 2006
  • The purpose of this study is to analyze the influence of theory of Cusanus on the Leonardo's theory of the centralized plan. In Renaissance, Neo-Platonism was so popular that is wat influenced nearly every architecture, literature, painting, sculpture and so on. Theory of Neo-Platonism was so various that every Neo-Platonist had his own theory. Among them, Cusanus focused his theory on rationality, mathematics rather than the medieval symbolism and studied the relationship between the God and men. In the same age, Leonardo da Vinci studied the planning system influenced on many architects works, including Bramante s. His planning system came not from symbolic appearance but from his scientific and rational researches as the theory of Cusanus. This study is to compare Cusanus Neo-Platonism theory and artistie view shown in Leonardo da Vinci's memorandum and drawing and to ascertain the influential relationship, abstracting the common things, and to substitute the characteristics that are seen in his centralized space sketch, abstracting the key words. The study on Cusanus will take advantage of the issued books and will requote Cusanus's copied ones.