• Journal of Digital Convergence
• /
• v.19 no.3
• /
• pp.345-352
• /
• 2021

Based on the exploration of the reasons why Shunji Iwai is called "Wong Kar-wai of Japan", this paper compared and studied the image style of two directors films, and explored the theoretical characteristics of their similarities and differences, so as to provide inspiration for the development of Chinese national films. This is the purpose of this paper. Through the search of literature, cultural background analysis of the two directors, film style comparison and film aesthetics comparative analysis and other research methods, this paper made a more in-depth theoretical research on the films of the two directors. It was found that the films of the two directors showed the characteristics of narrative abstraction and image beautification, but there were also some differences in the choice of narrative subjects. The research of this paper provided a new train of thought and starting point for us to study and explore the films of two directors, and pointed out a new direction for us to explore the trend of national films.

• The Journal of the Convergence on Culture Technology
• /
• v.10 no.5
• /
• pp.437-444
• /
• 2024

Video games, recognized as the "ninth art," carry not only entertainment functions but also the significant responsibility of disseminating ideas and culture. Increasingly, game developers are integrating specific cultural elements into their games, aiming to foster cultural heritage and emotional resonance. This study explores the modern transformation of traditional artistic concepts in the digital gaming field, starting from the Chinese painting theory of 'Woyou'. By examining game examples, the study analyzes the forms of expression of 'Woyou' in virtual landscape spaces and how player identity influences the 'Woyou' experience. The findings suggest that digital games offer new forms of traditional aesthetic wisdom and that Chinese traditional painting theory can gain modern interpretation in the context of digital game design. This provides theoretical support for optimizing game visual design and promotes the expansive development of traditional art concepts in the new media era.

• Proceedings of the Korea Contents Association Conference
• /
• 2006.11a
• /
• pp.312-316
• /
• 2006

Todays many image digital media are in existence. Image digital media are connecting communication closely between receiver and transmitter. Development of image digital media enabled intensive image communication through internet and communicative media. Development of these image digital media brought visual information transmission and time reduction. Image digital media is connecting producers and consumers as indirect intermeditation called advertisement. Development of image digital media made field called motion graphic. Development of motion graphic made a lot of image technique and effect to enable. These ads. images are also operating or performing sensitive-communication by stimulating desire of consumers. An investigator in this study will be in search of an effect and an operation that motion graphic as a field of image expression technique gives insentive communication through an intance investigation.

• Journal of Digital Contents Society
• /
• v.19 no.8
• /
• pp.1443-1451
• /
• 2018

The genre of digital games is not a fixed and invariable system, but a generative system of revisions and changes. The purpose of this study is to define a concept of alternative genre for digital games. The alternative genre of digital games should be presented in combinations of various genre elements and reflected the genre awareness of the user. In this context, user tags of the game transform the classical genre concept into a family resemblance based categorization and establish a user-driven bottom-up genre system. User tags as the form of alternative genre can spread the 'small' genre through multiplicity of genre elements and strengthen the communicative function of the genre.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2018.06a
• /
• pp.136-138
• /
• 2018

본 논문에서는 미술품의 물리적 특징을 디지털화 하는 방법과 디지털 정보를 사용한 미술품 복원 방법을 다룬다. 미술품으로부터 취득할 수 있는 물리적 특성은 색상정보, 기하정보, 반사특성 등이 있고 미술품의 종류에 따라서 필요한 물리적 특성을 획득하기 위해서 미술품을 크게 2D, 2.5D, 3D 로 분류할 수 있다. 2D 미술품은 평면에 그려진 미술품으로 높은 해상도와 정확한 색상 정보 취득을 주 목적으로 하고, 2.5D 미술품은 평면의 미술품에 깊이가 추가된 유화나 판화의 형태로 2D 미술품의 특징에서 깊이표현 정보와 반사특성 정보를 추가로 취득한다. 3D 미술품은 입체적인 미술품으로 3 차원의 기하정보를 중심으로 디지털화 한다. 이렇게 취득한 미술품의 물리적 정보는 2D 미술품은 프린터로, 2.5D, 3D 미술품은 3D 프린터로 출력하여 복원하거나 디스플레이를 통해 가상으로 재현할 수 있다. 본 논문에서 다루는 디지털화 기술과 복원 기술은 높은 정확도를 위해 연구되었기 때문에 다양한 미술품의 디지털화와 복원에 사용될 뿐 아니라 다양한 분야에서 사용될 것으로 기대된다.

• Journal of Digital Convergence
• /
• v.15 no.11
• /
• pp.407-412
• /
• 2017

In the film Inception, we can see that the human dream world is depicted using Freud's psychoanalytical subconscious theory. Through the expression of the subconscious, And the ability to think and think deeply of human nature, such as presenting a new perspective to insight and expression. Based on Freud 's subconscious theory, this paper explores the expression of the dream world and the subconscious in the film and examines the meaning expression of the film through it. The main character is well described as living a chaotic life in obsession with obsessions and obsessions due to his subconscious uncontrollable through his dreams and dreams of being satisfied by the way the oppressed thoughts and desires are disguised I feel that I feel my foolishness and mood as a masturbation by dreaming and dreaming to turn back the moments of regret. In addition, conflicts and confrontations between consciousness and subconscious are expressed well in the form of confusion in reality and dreams. This application and application of humanities studies is a good example of the production of in-depth popular arts content, as we can see that it can add to the weight of depth setting, plot development, and above all creative time and space creation.

• Journal of Digital Convergence
• /
• v.18 no.5
• /
• pp.455-463
• /
• 2020

This researcher has sorted out the development process of death aesthetics contained in human art through advanced research. This research is a follow-up study of related research, which studies the aesthetic meaning of death in Alexander McQueen's fashion works. This study first classifies the aesthetic characteristics of death, and then analyzes and sorts out the aesthetics of death in Alexander McQueen's clothing works based on this. The results of this study are as follows: first, the aesthetic manifestations of death are divided into three categories: reproducibility, symbolic and religious. Among them, the representation of reproducibility includes the representation of real objects and the representation of virtual objects, and the symbolic performance includes two types of external performance and internal performance. Second, in Alexander McQueen's works, the reproducibility of death was mainly reflected by virtual stage scenes and costumes. Thirdly, the symbolic death is not only reflected in the skeletons and blood etc. directly related to the death of the body, but also in the various emotions and psychological states caused by the death. Fourth, the religious nature of death was represented in Alexander McQueen's works through such representative things as crosses and religious stories.

• The Journal of the Korea Contents Association
• /
• v.16 no.1
• /
• pp.521-529
• /
• 2016

This paper presents the historical development process and expressive style of motion graphics which are intended to artistic expression, and discusses the value of artistic expressions in motion graphics through the works and activities of F5 and Semi-Permanent which are the representative organization of that. Commercial use of digital motion graphics has been rapidly widespread and used in most of the picture contents by changes in the digital video production environment with the development of the computer. Motion graphics begins with a graphic design applied to the motion graphic content and is transferred from the abstract representation of the animation at the same time. Since then motion graphics have been developed as an independent genre on the basis of graphic design and animation, and take the important position for the understanding and development of the contemporary design and content industry. Moreover, the motion graphics which present the experiment of various techniques and the aspect of mixed genres contribute to the development and diversification of the visual image. This paper is covered on not only F5 and Semi-Permanent that have published experimental artistic motion graphics but also the analysis of the developed ways and expressive patters to produce experimental motion graphics of their works. Furthermore, it discusses the experimental artistic value of these works.

• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2019.11a
• /
• pp.242-245
• /
• 2019

실제 인간의 눈이 가장 어두운 물체와 가장 밝은 물체 사이의 차이를 인식하는 동적 영역의 범위는 10¹⁴(cd/㎡)이다. 이를 디지털 영상으로 가능한 최대로 표현하기 위해 HDR 영상을 생성하는 다양한 기술이 개발되었다. 하지만, 기존 디스플레이 장치의 동적 영역은 10³(cd/㎡)로 사람의 동적 영역에 비해 상대적으로 작은 동적 영역을 가진다. 따라서, HDR 영상을 LDR 디스플레이에 효과적으로 표현하기 위해서는 HDR 영상과 시각적으로 유사한 영상을 생성하는 방법인 톤 매핑 기법 (Tone Mapping Operator: TMO)이 필수적이다. 본 논문에서는 HDR 영상을 LDR 디스플레이에 표현하기 위해 개발된 톤 매핑 기법과 톤 매핑 기법의 품질을 평가하는 방법을 소개하고, 각각의 톤 매핑 기법의 품질 점수를 비교한다.

• Electronics and Telecommunications Trends
• /
• v.31 no.2
• /
• pp.41-50
• /
• 2016

언어나 문자를 대신하여 소통하고 감정을 전달하는 다양한 장르의 콘텐츠 중에 기호나 그림 등을 이용해 아이콘, 이모티콘, 스티커, 캐릭터 등으로 표현하는 디지털 형상들을 비주얼 감성콘텐츠라 할 수 있다. 초기 감성콘텐츠는 소통의 보조수단으로 간단한 이미지였으나, 현재에는 움직이고 소리 나는 영상에 이르기까지 수천 종류가 유통되고 있으며, 메신저 사업의 킬러 서비스로 부상하고 있다. 향후 감성콘텐츠는 언어나 문자로 표현하기 곤란한 사용자의 생각과 느낌을 주고받는 소통의 대체수단으로 정착될 전망이다. 또한, 변형과 편집이 가능한 감성콘텐츠가 개발되어 사용자는 간단한 조작만으로 다양한 감성을 표현할 수 있을 것으로 보인다. 이 논문은 대체소통으로서 비주얼 감성콘텐츠의 개념을 정립하고, 주요 감성콘텐츠의 추진내용과 사업동향 분석, 비즈니스 전략과 기술혁신 발전방향을 제시하고 있다.