• Journal of Digital Convergence
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• v.12 no.9
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• pp.343-351
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• 2014

This study poses questions on the role of a movie sequences partially deployed in the comic strips style in the movie. Though both the movie and the comic strips's image is expressed in the flat space, it is different to the reciever's manner in the interpretation of the media's narrative. Comic strip has a media's characteristic of the aggressive interpretation. It can be create the objective and critic point of view for an audience as the visual style in the ideology movie. Comic strip Style has a flat frame, a form of comic strip's mise-en-scene, montage and camera working. This paper studies expression of 'La Chinoise' using 'Comic strip style' for the objective point of view.

• Journal of Digital Convergence
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• v.15 no.11
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• pp.463-470
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• 2017

Currently, virtual reality contents using VR images are spotlighted since they can be easily created and utilized. But because VR images are in a state of lack of interaction, there are limitations in their applications and usability.In order to overcome this problem, we propose a new method in which 360 degree panorama image and game engine are utilized to develop a high resolution of interactive VR service in real time. In particular, since the background image, which is represented by a form of panorama image, is pre-generated through a heavy rendering computation, it can be used to provide a immersive VR service with a relatively small amount of computation in run time on a low performance device. In order to show the effectiveness of our proposed method, an interactive game of a virtual zoo environment was implemented and illustrated showing that it can improve user interaction and immersion experience in a pretty good way.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.31 no.2
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• pp.159-164
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• 2013

It is well known that a single moving camera video is capable of extracting the 3-dimensional position of an object. With this in mind, current research performed image-based monitoring to establish a floating structure model using a camcorder system. Following this, the present study extracted frame images from digital camcorder video clips and matched the interest points to obtain relative 3D coordinates for both regular and irregular wave conditions. Then, the researchers evaluated the transformation accuracy of the modified SURF-based matching and image-based displacement estimation of the floating structure model in regular wave condition. For the regular wave condition, the wave generator's setting value was 3.0 sec and the cycle of the image-based displacement result was 2.993 sec. Taking into account mechanical error, these values can be considered as very similar. In terms of visual inspection, the researchers observed the shape of a regular wave in the 3-dimensional and 1-dimensional figures through the projection on X Y Z axis. In conclusion, it was possible to calculate the displacement of a floating structure module in near real-time using an average digital camcorder with 30fps video.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2020.07a
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• pp.557-560
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• 2020

최근, 광소자에서 공간 변조되는 wavefront profile 특성을 광소자의 표면 단차 변화 없이 단일 두께 박막 상에서 자유로이 구현할 수 있는 기하위상 홀로그램 (geometric phase hologram) 기반의 optical component에 대한 관심이 증대되고 있다. 특히 이를 이용해 제작된 기하위상 렌즈 (geometric phase lens)는 dynamic phase의 공간적 차이에 의해 구현되던 기존 bulk optics 기반의 lens 대비 초박형으로 제작이 가능한 파장 선택적 flat optics 기술로써, 다초점 및 경량화를 요구하는 차세대 디스플레이 기술 (augmented reality 또는 AR, mixed reality 또는 MR) 및 광파변조 및 제어를 요구하는 홀로그래픽 카메라 분야에 대한 응용처로 많은 주목을 받고 있다. 이에 본 논문에서는 해당 기하 위상렌즈에 대한 원리 및 이에 따른 개발이슈 및 해결법에 대해 연구 하였으며, 이에 대한 응용처로 기하위상 렌즈의 편광에 따른 이중초점특성을 이용해, 기존 단일 초점 형성이 가능한 AR기기 대비, 다초점 형성이 가능한 switchable dual-depth 3D AR device를 compact한 모듈과 함께 구현하였다. 또한, 기하위상렌즈의 광파 변조 및 분리특성을 이용한 기하위상 렌즈기반의 자가간섭 홀로그래픽 시스템(GP-self-interference incoherent digital holographic, GP-SIDH)에 편광 이미지센서 적용과 함께 맞춤형 설계/제작된 기하 위상렌즈를 적용함으로써, 기존 GP-SIDH 시스템대비 안정적으로 실시간 복소 홀로그램 획득이 가능한 실시간 공간영상정보 획득용 GP-SIDH을 동영상 프레임으로 구현하였다.

• Cartoon and Animation Studies
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• s.49
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• pp.651-676
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• 2017

Shadow images are a representative medium and means of expression for the imagination that exists between consciousness and unconsciousness for thousands of years. Wherever light exists, people create play with their own shadows without special skills, and have made a fantasy at once. Shadow images have long been used as subjects and materials of literacy, art, philosophy, and popular culture. Especially in the field of art, people have been experimenting with visual stimulation through the uniqueness of simple silhouettes images. In the field of animation, it became to be recognized as a form of non - mainstream areas that are difficult to make. However, shadow images have been used more actively in the field of digital arts and media art. In this Environment with technologies, Various formative imaginations are being expressed more with shadow images in a new dimension. This study is to introduce and analyze these trends, the aesthetic transformations and extended methods focusing on digital silhouette animation and recent media art works using shadow images. Screen-based silhouette animation combines digital technology and new approaches that have escaped conventional methods have removed most of the elements that have been considered limitations, and these factors have become a matter of choice for the directors. Especially, in the display environment using various light sources, projection, and camera technology, shadow images were expressed with multiple-layered virtual spaces, and it becomes possible to imagine a new extended imagination. Through the computer vision, it became possible to find new gaze and spatial images and use it more flexibly. These changes have given new possibility to the use shadow images in a different way.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.34 no.12C
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• pp.1138-1146
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• 2009

Digital cameras adopting a single CCD detector collect image color by subsampling in three color planes and successively interpolating the information to reconstruct full-resolution color images. Therefore, to recovery of a full-resolution color image from a color filter array (CFA) like the Bayer pattern is generally considered as an interpolation issue for the unknown color components. In this paper, we first calculate luminance component value by combining R, G, B channel component information which is quite different from the conventional demosaicing algorithm. Because conventional system calculates G channel component followed by computing R and B channel components. Integrating the obtained gradient edge information and the improved weighting function in luminance component, a new edge sensitive demosaicing technique is presented. Based on 24 well known testing images, simulation results proved that our presented high-quality demosaicing technique shows the best image quality performance when compared with several recently presented techniques.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.27 no.4
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• pp.429-435
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• 2009

This paper propose color assessment method using HSI model to evaluate quantitative quality of mosaic images by aerial digital frame camera. Firstly, we convert RGB color into HSI model and we extract six pixel information of S and I corresponding to H from adjacency image by using HSI model. Secondly, a method to measure similarity and contrast is proposed and performed for assesment of observation regarding adjacency images. Through these procedure, we could generate four parameters. We could observe that both of the evaluation results by proposed method and the evaluation results by visual were almost similar. This facts support that our method based on several formula can be an objective method to evaluate a quality of mosaic images itself.

• Journal of Broadcast Engineering
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• v.22 no.3
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• pp.366-374
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• 2017

Since a display device such as TV or digital signage is getting larger, the types of media is getting changed into wider view one such as UHD, panoramic and jigsaw-like media. Especially, panoramic and jigsaw-like media is realized by stitching video clips, which are captured by different camera or devices. However, a stitching process takes long time, and has difficulties in applying for a real-time process. Thus, this paper suggests to find out 2D Adjacency Matrix, which tells spatial relationships among those video clips in order to decrease a stitching processing time. Using the Discrete Cosine Transform (DCT), we convert the each frame of video source from the spatial domain (2D) into frequency domain. Based on the aforementioned features, 2D Adjacency Matrix of images could be found that we can efficiently make the spatial map of the images by using DCT. This paper proposes a new method of generating 2D adjacency matrix by using DCT for producing a panoramic and jigsaw-like media through various individual video clips.

• Proceedings of the Korean Information Science Society Conference
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• 2006.10b
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• pp.535-538
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• 2006

디지털 기술이 급격하게 발전함에 따라서 사용자들은 더 현실감을 느낄 수 있고 능동적으로 상호작용 할 수 있는 방송을 원하게 되었다. 최근 들어서 삼차원 다시점 방송이 이러한 것을 만족시키는 서비스로서 많은 관심을 받으면서 두각 되고 있다. 일반적으로 서버에 입력되는 모든 영상들은 전부 클라이언트로 전송되게 된다. 이후에 사용자는 전체 시점 중에서 몇 개의 시점을 골라서 보게 된다. 하지만 이러한 종류의 시스템은 클라이언트와 서버 모두가 막대한 처리 능력을 필요로 하게 되고 이것은 응용 프로그램을 구현하는데 있어서 어려운 문제가 된다. 이러한 문제를 극복하기 위해서 두 개의 시점을 선택하여 클라이언트로 전송하는 간략한 방법이 사용 가능하다. 본 논문의 시점 선택 과정은 MPEG-21 DIA (Digital Item Adaptation)와 융합되어있기 때문에 우리의 시스템은 MPEG-21 멀티미디어 프레임워크와 완벽하게 호환된다. 그리고 다시점 카메라와 시스템에 대한 XML 형식의 다시점 명세서를 최초로 소개한다. 마지막으로 우리는 다시점 입체 영상을 시청하는 동안에 사용자가 느낄 수 있는 불편함을 최소화 하는 방법으로 IVR (Intermediate View Reconstruction) 제안한다.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.44 no.1
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• pp.17-25
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• 2007

In most electronic imaging applications, image with high resolution(HR) are desired. HR means that pixel density within an image is high, and therefore HR image can offer more details that may be critical in various applications. Digital images that are captured by CCD and CMOS cameras usually have a very low resolution, which significantly limits the performance of image recognition systems. Image super-resolution techniques can be applied to overcome the limits of these imaging systems. Super-resolution techniques have been proposed to increase the resolution by combining information from multiple images. To techniques were consisted of the registration algorithm for estimation and shift, the nearest neighbor interpolation using weight of acquired frames and presented frames. In this paper, it is proposed the image interpolation techniques using the wavelet base function. This is applied to embody a correct edge image and natural image when expend part of the still image by applying the wavelet base function coefficient to the conventional Super-Resolution interpolation method. And the proposal algorithm in this paper is confirmed to improve the image applying the nearest neighbor interpolation algorithm, bilinear interpolation algorithm.,bicubic interpolation algorithm through the computer simulation.