• Title/Summary/Keyword: 디지털예술

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A Study on Differences of Aesthetic Experience in the Exhibition of Artworks and the Remediated Exhibition of Artworks: A Comparative Study between and (예술작품의 원작으로 구성된 전시와 원작을 재매개한 디지털 전시의 미적 경험에 대한 상이성 연구: <모네,빛을 그리다전(展)>와 <풍경으로 보는 인상주의전(展)>의 비교연구)

  • Rhee, Boa;Choi, Sumin;Hong, Yong Seok
    • The Journal of the Korea Contents Association
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    • v.17 no.5
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    • pp.153-164
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    • 2017
  • This research concurrently conducts literature review and quantitative research methodology in order to compare aesthetic experience of and . From the perspective of viewing attitudes, two types of perception equally coexist in both exhibitions: convergent perception is predominant over distracted perception in IL while distracted perception is higher than convergent perception in MIE. However, the influence of convergent perception on the degree of satisfaction and immersion is proved only in MIE. In terms of roles of viewer, there is a tendency to weigh on passive role in both exhibitions. In particular, it is worth noting that the role is relatively high in MIE. The role of viewer do not correlate with on the degree of satisfaction and immersion, as well as modes of perception. The elements of aesthetic experience are highly rated and the use of previous knowledge acts as a positive influence on the role of viewers in IL. Through this study, we witness the fact that visitors who are familiar with traditional artworks depend upon both modes of perception as well as passive role of viewer in the digital exhibition. In conclusion, remediation through digital technology has blurred the boundary of the dichotomy of a viewing attitude and a role of viewer depending on exhibit media, consequently MIE bears both natures of traditional artworks and digital media.

디지털 사이니지의 위치기반 서비스 기술의 현황 및 전망

  • Ryu, Chun-Yeol
    • Information and Communications Magazine
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    • v.33 no.5
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    • pp.26-34
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    • 2016
  • 최근 디지털 사이니지 분야는 광고분야의 한정적 매체 특성을 벗어나 첨단 기술과 서비스 콘텐츠를 결합하여 다양한 분야에서 새로운 형태의 매체로 변화하고 있다. 특히, 광고 업계의 침체와 기존 단순 영상 송출의 한계를 증강현실, 동작인식, 다양한 매체간 목적성 연동, 위치기반 맞춤형 서비스 등을 제공하며 융합적, 결합적 서비스 매체로 진화하고 있다. 2000년대 초 디지털 사이니지의 국내 보급은 국외를 포함해서 보급이 매우 빨랐다. 디지털 사이니지는 광고 목적으로 시작됐지만, 외형적 성장 속도에 비해 매체를 통해 제공되는 콘텐츠, 서비스, 운용 기술 및 S/W 개발 등의 질적 성장은 상대적으로 소극적이었다. 그러나 최근 아시아를 중심으로 한류 열풍이 확산되면서 K-POP, 화장품, 의류, 바이오 등 산업을 중심으로 디지털 사이니지의 수요가 증가하는 추세이며, IT와 융복합되면서 교육, 정보 제공, 예술분야에 적극 활용됨에 따라 국내 디지털 사이니지 산업이 새로운 전기를 맞고 있다. 특히, 위치 기반 서비스는 2000년 후반 차량용 네비게이션 시장을 시작으로 현재 스마트폰에 기본으로 장착되면서 이제는 서비스 전분야에 직/간접적으로 활용되는 다양한 기술이 개발되고 있는 실정이다. 이와 같이 디지털 사이니지는 첨단 기술과 결합하여 다양한 형태의 지능적 처리 능력을 이용함으로써 현재 광범위하게 사용되는 위치 기반 기술과 서비스를 결합한 새로운 매체 인프라로 생활 공간에서 급속히 확산되고 있다. 본고에서는 현재 뜨거운 화두가 되고 있는 디지털 사이니지와 위치 기반 기술의 기술 및 시장 현황을 살펴보고, 기술 및 서비스 융복합에 따른 앞으로의 디지털 사이니지 분야와 결합된 위치 기반 서비스의 미래를 전망해 본다.

콘텐츠라인 / 서울 국제미디어아트 비엔날레

  • Gwon, Gyeong-Hui
    • Digital Contents
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    • no.1 s.140
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    • pp.100-101
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    • 2005
  • 세계적인 미디어 예술 축제로 자리를 잡아가고 있는 서울 국제 미디어아트 비엔날레(미디어 시티 서울 2004)의 막이 올랐다. 올해로 3회를 맞은 이 비엔날레의 주제는 '게임,놀이' 15일 개막해 오는 2월 6일 까지 40여일 동안 서울시립미술과 전관과 서울시 일대에서 펼쳐진다. 이번 비엔날레에서는 우리 일상생활에서 경험하는 게임과 놀이의 각종 게임과 유희에 담긴 사회문화적 메세지들을 총체적으로 살펴볼 수 있는 자리다.

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Digital archive structure in the film "Camille Claudel" (영화 「카미유 클로델」의 디지털 아카이브 구축)

  • Cha, young-sun
    • Proceedings of the Korea Contents Association Conference
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    • 2016.05a
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    • pp.359-360
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    • 2016
  • "카미유 클로델" 영화에서 주요하게 다뤄지는 것은 예술작품이 완성되는 창작 과정의 재현 및 복원으로서 영화는 조각에 관한 지식과 정보, 기술을 전수하는 과정뿐 아니라 결과물인 작품을 데이터베이스 하는 과정에 초점을 맞추고 있다.

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A Study on the Communicative Aesthetics in UCC New Media Art (UCC 뉴미디어아트에 나타난 소통미학에 관한 연구)

  • Kim, Eel-Kwon;Suh, Yong-Duck
    • The Journal of the Korea institute of electronic communication sciences
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    • v.6 no.1
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    • pp.68-76
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    • 2011
  • Today the new social and cultural area is generated by development of digital media and internet. Especially UCC is the new cultural area of this time, UCC is applicated and delivered the individual image and contents by digital equipment. This research tried to study the communication esthetics with the relation of a user. And it study about the function of the media communication, the cultural possibility, the value by art of UCC. From now I have not to see the UCC media technology the level of technical limit and we see it variously the level of cultural and artistic. I study the meaning of them and try the analysis. And I will study about the communication between the individual and the community. And I will study also the short aspect and the synthesize aspect of digital network, and how possible the realization of free culture. And I will analyse the meaning and system of UCC contents that product and copy today and then I will suggest that contribute the UCC culture development.

Responsive new media art research using digital technology (디지털 기술을 활용한 반응형 뉴미디어 아트 연구)

  • Yoon, Hee-Sun;Kim, Ki-Beom;Chung, Jean-Hun
    • Journal of Digital Convergence
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    • v.18 no.9
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    • pp.337-342
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    • 2020
  • Art work based on computer and internet media technologies such as digital art, computer art, internet art, interactive art. Through examples, we studied the interaction and communication method between the audience and the exhibition objects. It was confirmed that the new media works are expressed in a new form by fusion with various technologies of experimental propensity, and research and analysis of overseas media-related exhibition cases and interactive media use cases of works exhibited at the 'Media City Exhibition' in Korea were conducted. Was able to confirm the main characteristics of new media art. I think it will be a more meaningful study by setting specific criteria and focusing on the fields of application of new media art and comparing and analyzing the future values of the times.

Research on the Attributions of Digital Game Using AHP (AHP를 활용한 디지털 게임의 속성에 관한 연구)

  • Kwon, Yong-Man
    • Journal of Digital Convergence
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    • v.14 no.7
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    • pp.431-437
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    • 2016
  • Since the game is industrialized in the 1970s, efforts to study attributions throughout the definition of the game has been continued. This study analyzed the importance of 7 attributions including rule, goal, conflict, activity, decision-making, voluntary, art that were collectively organized by Katie Salen & Eric Zimmerman using AHP. For this, we analyzed the data after subjected to pair-wise comparison survey through the gaming industry experts, and the result was confirmed that match the analysis model comparing with the survey of game players. In this analysis of the importance, Goal(24%) is the greatest important in the seven factors mentioned above. Art(16%),Voluntary(15%), Rule(13%) followed after it. So, We can find out which attributes are considered important in the game development process through this Research.

A Study of Digital Convergence And Integration Contents Utilizing Ink Painting Technique (수묵화 기법을 활용한 디지털 융복합 콘텐츠연구)

  • Guo, Dawei;Chung, Jeanhun
    • Journal of Digital Convergence
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    • v.17 no.9
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    • pp.391-397
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    • 2019
  • Ink painting is an important art creation method in oriental culture. Although ink painting lacks of sense of reality compared to western painting, it contains its unique drawing skills, which is of great significance to the inheritance and development of Oriental culture. Animation or game utilizing by ink painting technique are derivative contents from ink painting. This paper will through research the brief history of 3D ink contents works and traditional drawing skills to research existing ink works' art characters and the general production method. Also describe the extensibility of 3D ink animation contents. There has extremely high research value of new convergence contents as mobile game, VR / AR etc. And according to those research ink style image contents can be assumed get further development in the future.

Preference Factors of the Korean MZ Generation vis-à-vis the Online Programs of Museums Abroad (비대면 시대 해외 뮤지엄의 온라인 프로그램에 대한 한국 MZ 세대의 선호요인 연구)

  • Kwak, Song-Bi;Kwon, Cheeyun
    • Journal of Digital Convergence
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    • v.20 no.4
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    • pp.565-573
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    • 2022
  • This study aims to analyze the preference factors of the Korean MZ generation with regards to the online programs developed by museums abroad during the COVID-19 pandemic. World renown museums such as the British Museum, the National Gallery of London, Van Gogh Museum, J. Paul Getty Museum, Hasting Contemporary, Uffizi Gallery, and the Guggenheim Museum tackled the social-distancing situation with various creative online programs and events to continue their role as socially relevant institutions. Ten acclaimed programs conducted by these museums were shown to the Korean MZ generation, the most digitally savvy and frequent visitors to museums, to extract their responses to the various types of programs. The study showed that the Korean MZ generation prefer online programs which most closely reflect the onsite experience of a museum, and online contents with educational elements.