• Journal of Internet Computing and Services
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• v.19 no.1
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• pp.97-103
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• 2018

In oriental paintings, there is Luo-kuan that expressed in a single picture by compressing the artist's information. Such Luo-kuan includes various information such as the title of the work or the name of the artist. Therefore, information about Luo-kuan is considered important to those who collect or enjoy oriental paintings. However, most of the letters in the Luo-kuan are difficult kanji, kanzai, or various shapes, so it is difficult for the ordinary people to interpret. In this paper, we developed an Luo-kuan search application to easily check the information of the Luo-kuan. The application uses a search algorithm that analyzes the captured Luo-kuan image and sends it to the server to output information about the Luo-kuan candidates that are most similar to the Luo-kuan images taken from the database in the server. We also compared and analyzed the accuracy of the algorithm based on 170 Luo-kuan data in order to find out the ranking of the Luo-kuan that matched the Luo-kuan among the candidates. Accuracy Analysis Experimental Results The accuracy of the search algorithm of this application is confirmed to be about 90%, and it is anticipated that it will be possible to develop a platform to automatically analyze and search images in a big data environment by supplementing the optimizing algorithm and multi-threading algorithm.

• Journal of Science of Art and Design
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• v.12
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• pp.97-124
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• 2007

The paper examined whether the fine arts education needed concept of 'Yu' that was suggested by, 'Soyoyu' of Jangja, a representative philosopher of Doka. At first, the paper defined concept of 'Yu' of Jangja as well as background and needs of the fine arts education, and investigated values of 'Yu' of the Oriental painting in aesthetic way to examine whether today's Yu concept can be applied to modern Oriental fine arts education to express. Chapter 2 examined concept and thought of 'strolling (Yu)', and Chapter 3 did background and needs of the fine arts education. Chapter 4 examined an access to practical technique education of the Oriental painting through 'strolling (Yu)': At first, the chapter investigated 'Heosil' of space concept that was researched at Chapter 2, 'Pilmuk' of expression technique, and 'Saeui' of state of spiritual canvas of painters. The findings were as follow: Firstly, when relation between Yu and Oriental paintings was investigated based on formative idea, 'Heo' reminded appreciators of association of ideas, hint and imagination, etc by, 'Sil' that other objects disclosed intrinsic attributes so that it indicated border of positive forgetfulness expressed by artists to have same border between 'Heo' and 'Yu'. Therefore, both 'Heo' and 'Sil' could build up expression as well as appreciation ability by experiencing formative idea to develop creativity and to build emotion and to cognize needs of the fine arts education. Secondly, the artistic state of 'Shin', 'Ki (Simjae)', 'Jeonshin' and, Saeui', etc could be expressed with strength and weakness of both Yin and Yang of Pilmuk. Therefore, the Pilmuk were linked even with creation of both Hyeongsa and artistic form of Saeui. Therefore, freedom at border of spiritual 'strolling' could produce creative power being expressed by thinking, natural appreciation ability, and education that could judge values of aesthetic culture. Therefore, cultivation of aesthetic eye, development of creativity, build up of formative ability and education of human nature, etc could keep identity of the Oriental fine arts education at various modern fine arts.

• Korea Information Processing Society Review
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• v.15 no.3
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• pp.63-69
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• 2008

• (The)Study of the Eastern Classic
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• no.32
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• pp.245-278
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• 2008

The purpose of this paper is to create an inter-religious dialogue between the Western Christian concept of the spirit and Eastern ch'i philosophy within the category of panentheism. The Hebrew term ruah means 'moving air' and 'wind' which derive from the particular experience of the ancient Hebrew people living in the desert. The Greek pnuema also means 'life' and 'wind' which denote the natural power. Both ruah and pneuma consist of the main idea of the spirit exploring the symbol of relationality of the divine in Western tradition. Eastern ch'i philosophy indicates a vital force for keeping the body and soul alive, which is unconscious and spontaneous. Ch'i as a vital force constitutes cosmogony and cosmology with the constant movement of yin and yang. Yin and Yang as representing earth and heaven are dynamic breaths, blending harmoniously to become all existence. The ethical implication of the inter-religious dialogue between the spirit and ch'i would be the integration and interconnection of heaven, earth, and human beings. The dialogue suggests becoming one body with nature and human community through embodying the non-dualistic spirit of life. The inter-relationality means that since all modalities of existence are made of the cosmic life, human beings are part of the divine cosmic process. This is related to degree of spirituality in the entire chain of being: rocks, trees, animals, humans, and goods represent different levels of spirituality based on the varying composition of the spirit and ch'i. All beings that internally embody with the spirit and ch'i are organically inter-connected, and they are integral part of a continuous process of transformation of life towards holistic liberation of human and nature community.

• Journal of Korean Medical classics
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• v.18 no.4 s.31
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• pp.83-92
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• 2005

도금일(到今日), 동양의학재한중일삼국수저자기적특색이연구발전이래(東洋醫學在韓中日三國隨著自己的特色而硏究發展而來). 이차저한중일삼국위료동양의학적세계화(而且這韓中日三國爲了東洋醫學的世界化), 과학화부단지재진행협조화노력(科學化不斷地在進行協助和努力). 유우동양의학이경주상료세계화(由于東洋醫學已經走上了世界化), 저삼국재소용적의학술어화기유적나사문헌자료적교류수요취월래월고료(這三國在所用的醫學述語和旣有的那些文獻資料的交流需要就越來越高了). 가시재문헌교류화의학용어적표준화과정중발현료일개흔대적장애, 저개장애취시(這個障碍就是)unicode. 당연(當然)unicode시위료재국가지간사적저사정보령활교류이제정작성적(是爲了在國家之間使的這些情報靈活交流而制定作成的). 가시(可是)unicode제정지전(制定之前), 각국이경위료각각적수구이연발료적합자기적한자계통(各國已經爲了各各的需求而硏發了適合自己的漢子系統). 현재적(現在的)unicode취시용나사기유적한자(就是用那些旣有的漢子)code제정적(制定的). 유우(由于)unicode피저양제정종이산생불소계통상적모순문제(被這樣制定終而産生不少系統上的矛盾問題). 저사문제불근영향도료계통지외(這些問題不僅影響到了系統之外), 이차우조애료한의학정보적령활교류(而且又阻碍了韓醫學情報的靈活交流). 위료해결저사문제(爲了解決這些問題). 본인이상한론위연구대상래비교료일하한국화중국적한자(本人以傷寒論爲硏究對象來比較了一下韓國和中國的漢子)code차이(差異).

• 전기의세계
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• v.39 no.7
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• pp.52-59
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• 1990

이미 외국에서는 출력소(Sevice Bureau)가 잘 발달되어 있어 소규모의 투자로 인화지나 필름출력을 쉽게 얻을 수 있게 되어 있다. End User와 출력소간의 WAN이 활발히 운용되고 있으며 우리나라에서도 ELEX BBS가 개설됨으로서 Macintosh출력소와 End User간의 화일 전송이 가능하게 되어 또 한 걸음의의 진보를 보게 되었다. 마지막으로 한글화에 대한 문제를 언급하기 위해 DTP의 일반적 구성요소를 다음과 같이 놓고 보자. - Writing and editing - Text Scanning - Image Scanning - Image Processing - Painting and Drawing -Typography - Page Prepress -Color Prepress - Printing - Presentations - Workgroup Publishing 이중에서 System자체의 처리 능력으로 보면 Writing and Editing은 한글 문제가 거의 해결되었다고 볼 수 있고 Image 및 Color의 관계 처리는 실용화 단계에 있으며 Printing도 Postscript가 동양권을 위한 2byte postscript이 발표되어 이미 실용화 해서 쓰고 있다. 2byte용의 Postscript서체는 동양권에서도 우리나라에 가장 많이 서체가 개발되어 있다. 개발되어 있는 서체는 계속 다듬어지고 있으므로 곧 사용자는 질 좋고 다양한 서체를 사용할 수 있을 것이다.

• 한국HCI학회:학술대회논문집
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• 2009.02a
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• pp.1176-1179
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• 2009

Currently the time when we are living the large majority is harmonizing with digital medium together. From the calligraphy which is traditional in the example is reconstituted with digital and with the element which is one design is being born again. This about one being time is not a fun in rediscovery and as the design where the traditional form which seems hardly is modern is mixed in digital medium and is going. In this paper when digitalizing the expressive technique of calligraphy from the work which is analog time knows the important element of the actual conditions which appear and the report person does. The ink which appears from joke from actual work or calligraphy technique analyzes the actual condition spreading and this digitalization at the time of height boil time.

• Journal of the Korean Institute of Landscape Architecture
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• v.37 no.6
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• pp.85-95
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• 2010

East-Asian intellectual societies in the pre-modem age sustained a holistic system of poem-calligraphy-painting trinity until the coming of Western modernism. Therefore, it has been insisted that the principles of traditional landscape gardening were greatly influenced by those of landscape painting and related literature. This study examined those influences closely to discover the essence of traditional Asian landscape architecture through a comparative study between Chinese landscape painting theory and landscape gardening theory within the dual categories of 'contents(value and meaning)' and 'form(view and spatial structure)'. The most important theme of landscape painting theory in contents category was 'Chi and its Vitality(氣韻生動)'. The matching theme in landscape design field was 'Feng-Shui(風水)' and 'Yi-Jin'g(意境)'. The most important theme of landscape painting theory in formal category was 'the Three Ru1es of Perspective(三遠法)'. And the matching theme of landscape design theory was 'Yindi(因地)' and 'Jie-Jing(借景)'. The most important theme of landscape painting theory in formal category was 'the Three Rules of Perspective(三遠法)'. And the matching theme of landscape design theory was 'Yindi(因地)' and 'Jie-Jing(借景)'. It was found that themes and various principles of both fields were closely inter-related and have much in common in their representation of contents and form. In the close relationship with main art genres like this, the landscape gardening could have been recognized as one of the genres of fine art.

• Journal of Korean Medical classics
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• v.19 no.4
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• pp.212-218
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• 2006

당금시대(當今時代), 정진입도동서방문명형성상호간적융합공제(正進入到東西方文明形成相互間的融合共濟), 병탐색착이상생적관계진행발전적전절기(幷探索着以相生的關係進行發展的轉折期). 동양사상통과관찰정체적직관여통합적사유방법(東洋思想通過觀擦整體的直觀與統合的思維方法), 설명료우주변화규율화인간적각종난해지미(設明了宇宙變化規律和人間的各種難解之謎), 종이창조출료위대적음양오행론사상(從而創造出了偉大的陰陽五行論思想). 단시수착 '서세동점' 적조류(但是隨着 '西勢東漸' 的潮流), 신위동양인이교육화사유방법이축보서양화(身爲東洋人而敎育和思維方法已逐步西洋化), 미능계승아문적위대전통(未能繼承我們的偉大傳統), 반피서양적과학문명화물질문명소흡수(反被西洋的科學文明和物質文明所吸收). 연이(然而), 서양적임하일종철학급과학(西洋的任何一種哲學及科學), 몰유일개능구이일종원리래설명우주화인간급만물적변화(沒有一個能구以一種原理來說明宇宙和人間及萬物的變化), 즉몰유일개능여동양적음양오행론상필적적철학화이론(卽沒有一個能與東洋的陰陽五行論相匹敵的哲學和理論). 포괄음양오행론재내(包括陰陽五行論在內), 동양사상이기흔강적설복력, 수착과학진보(隨着科學進步), 기가치개시중신피인식(其價値開始重新被認識). 이전뇌화수자혁명위대표적현대문명(以電腦和數子革命爲代表的現代文明), 역시근거음양론적이진법위기초이창조출래적(亦是根據陰陽論的二進法爲基礎而創造出來的). 애인사탄(愛因사坦), 탕천수수(湯川秀樹), 니극발이(尼克勃이), 가포라등(기布羅等), 균대동양사상적위대성가이인가(均對東洋思想的偉大性加以認可), 병종차득도영감(幷從此得到靈感), 취득위대적과학성과(取得偉大的科學成果). 음양오행론시불가마살적절대진리(陰陽五行論是不可磨殺的絶對眞理). 불관대기이론가치급본질무지적인(不管對其理論價値及本質無知的人), 즘양급여평가, 단시저일이론시일개해석자연화인간본질급설명기변화적이론(但是這一理論是一個解釋自然和人間本質及說明其變化的理論), 결부회상실기진정적가치(決不會喪失其眞正的價値).

• 한국HCI학회:학술대회논문집
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• 2008.02b
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• pp.121-125
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• 2008

Media art is developing the art of 'interaction' that get meaning through communicating an audience. Now, media art got the title named interactive media art, but its concept is not clear In this study we divided into two classes - passive and active interactive art. Passive interactive art had the interaction 'participation of communication' and had flat and limited features. Active interactive art meant that an audience played with works actively and found significances between artworks and themselves. Through analysis of case study, we verified a propriety about own interactive art's division. Especially, the active interactive art was very important. The western classical metaphysics seemed to be not perfect in analysis of active interactive art. We tried to analyze active interactive art more perfectly by using the oriental philosophy.