• Title/Summary/Keyword: 동경만

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The Semiosis of the Body in Modern Asian Cinema - A Comparative Study of Apichatpong Weerasethakul and Tsai Ming Liang Film (현대 아시아 영화에 나타난 몸의 기호작용 연구 - 아피찻퐁 위라세타쿤과 차이밍량의 영화를 중심으로)

  • Kim, Ho Young
    • Cross-Cultural Studies
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    • v.51
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    • pp.133-160
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    • 2018
  • The films of Apichatpong Weerasethakul and Tsai Ming Liang expose one of the main features of modern Asian cinema: corporality. In their films, the various emotions of characters are expressed and exchanged through the body, not the language, so their film world is a world in which language has lost its function and symbolic order has collapsed. In Apichatpong Weerasethakul and Tsai Ming Liang movies, body language plays a more important role than general language. t=The body performs semiosis, pointing to wildness, anti-civilization, rite, alienation, illusion, etc. At the root of this variety of semiosis is the common denial of Western material civilization which has been rapidly transplanted in modern Asian countries. In addition, while the body of the two directors' films are seen as a sign of wildness, or anti-civilization that contains the intention of escaping from the oppressive and inhuman modern civilization, the body as a sign of illusion, and embraces the will of resistance to civilization. The illusion of experience in their films is ultimately a manifestation of the will to resist the physical and emotional pressures of reality and to continue the irrational persistence.

Mishima Yukio's Spring Snow and classics; Focusing on the reproduction of the world of Miyabi (미시마 유키오(三島由紀夫)의 『봄의 눈(春の雪)』과 고전 - 미야비(みやび)의 재현이라는 관점에서 -)

  • Kim, Jung-hee
    • Cross-Cultural Studies
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    • v.53
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    • pp.25-49
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    • 2018
  • This study describes how Mishima Yukio applied various classical motifs in his novel, Spring Snow, to reproduce the world of "Miyabi" of the Heian era. First of all, the author's perception of Japanese culture, focusing on his various critiques and essays was studied. Based on Mishima's cultural theory, analysis revealed that Spring Snow was not based on specific works of the Heian era, but rather on the use of the story form from that era. The background of this novel was the early Taisho era. This period coincided with Japan's political transformation from military power to democracy, and miyabi, or elegance. Finally, the title of this work, "Spring Snow" is an expression found in Kinotsurayuki' Waka in Kokinshu. It represents not only the vanity possessed by the "Spring Snow" reflected in the novel, but also fascination with the beauty of Tsurayuki' Waka.

Experimental Study on the Spalling Properties of Ultra High Strength Concrete containing Amorphous Metallic Fiber (비정질강섬유를 혼입한 초고강도콘크리트의 폭렬특성에 관한 실험적 연구)

  • Choe, Gyeong-Cheol;Kim, Gyu-Yong;Kim, Hong-Seop;Hwang, Eui-Chul;Nam, Jeong-Soo
    • Journal of the Korea institute for structural maintenance and inspection
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    • v.23 no.3
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    • pp.111-118
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    • 2019
  • This study examined the effect of amorphous metallic (AM) fibers on the spalling properties of ultra high strength concrete. Six specimens with concrete strengths of 100 MPa and 150 MPa were evaluated with mix proportions of polypropylene (PP) fibers of 0.15% by concrete volume, and proportions of AM fibers of 0.3% and 0.5% by concrete volume. These specimens were then heated in accordance with the ISO-834 heating curve. The movement of water vapor through a pore network formed by molten PP fibers was found to be a dominant factor controlling the spalling of high-strength concrete. Spalling control was not found to be significantly affected by the addition of 0.3% AM fibers; however, when 0.5% AM fibers was added, cracking was limited and so were paths for water vapor migration, increasing the likelihood of a moisture clog and creating the differential internal pressure often blamed for concrete spalling.

A study on the flat-bottom pottery culture in the early Neolithic Age focusing on Goseong Munam-ri site (고성 문암리유적(古城 文岩里遺蹟)을 통해 본 신석기시대 평저토기문화의 전개)

  • Kim, Eun-young
    • Korean Journal of Heritage: History & Science
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    • v.40
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    • pp.169-205
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    • 2007
  • Owing to the excavation of Goseong Munam-ri site, there has much advance in study of chronology of the early Neolithic Age flat-bottom potteries distributed in the mid-eastern part of Korean Peninsular. Relics such as stone tools, clay products, ornaments as well as potteries from Goseong Munam-ri site reflect cultural relation with Boisman culture in Duman river basin area and with the southern part of Korean Peninsular. Common features can be found in some potteries, arrowheads, scrapers, and sinkers from Boisman culture and Goseong Munam-ri site. There are much more common features in pottery and earring-making techniques observed in Goseong Munam-ri site and the southern part of the peninsular. Thus it may be possible to analogize migration or spread of people from the mid-eastern part to the southern part of Korean Peninsular.

A Study on the Modern Architecture Space Represented in Melodrama Films of the Late 1950s (1950년대 말 멜로드라마에 묘사된 근대건축공간에 대한 연구)

  • Moon, Guen-Jong
    • Journal of the Korea Convergence Society
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    • v.10 no.4
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    • pp.115-121
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    • 2019
  • The purpose of this study is to analyze the 'Modern Architecture Space' represented in Korean melodrama films of the late 1950s. It is assumed that popular films reflect the residential culture, architectural spaces and human activities of those days. For the analysis, a pool of 5 Korean melodramas of the late 1950s was constructed. In these melodramas, the modern architectural spaces were represented as the following: 1) The modern-style residential spaces were emphasized to reflect the interest and longing of the public for western lifestyle. 2) The western non-residential spaces such as work spaces and commercial spaces were emphasized, especially its interior design of western image.

A Study on the Role and Characteristics of Middle Space in Museum of Seoul National University based on the Concept of Sequential Exhibition Space (연속적 전시공간 개념으로 본 서울대 뮤지엄 내 연결 공간의 역할과 특성에 관한 연구)

  • Hwang, Joon-Ho;Cho, Jeong-Sik
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.35 no.5
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    • pp.73-83
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    • 2019
  • The purpose of this study is to analyze the spatial transformational patterns according to the spectator and the exhibition environment and to examine the role of 'the middle space' organically linking the exhibition space with MoA which is a representative example of 'sequential exhibition space'. The concept of sequential exhibition space in MoA is applied not only to building but also to extended continental concepts including neighborhood. MoA's exhibition space consists of the library area and the exhibition area. In particular, the spaces of library area perform a complex function as a quasi-exhibition space, and the exhibition spaces have variable spatial transformation through an associated structure of the library area and the educational area. The types of exhibition space those constitute the sequential exhibition space of MoA appear as 'Room type', 'Free plan type', and 'Gallery type'. Each exhibition space maintains independence, but it is changed according to the situation of exhibition. The flow is based on the spiral induction around the central void space, but with selective circulation considering the visitors. Therefore, through the transformation of the exhibition area and the division of the flow, the whole museum space appears as the area differentiation.

Study on the Reduction of Molten EAF Slag (용융 전기로 슬래그의 환원반응에 관한 연구)

  • Joo, Seong-Woong;Shin, Jong-Dae;Shin, Dong-Kyung;Hong, Seong-Hun;Ki, Jun-Sung;Hwang, Jin-Il;You, Byung-Don
    • Korean Journal of Metals and Materials
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    • v.50 no.10
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    • pp.753-761
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    • 2012
  • The reduction behavior of low level oxides such as (T.Fe), (MnO) and ($P_2O_5$) in molten EAF slag was investigated using commercial reductants. In an air atmosphere, the slag volume increased and the reduction rate of the slag was very low due to the oxidation loss of reductants by oxygen in the air. The reduction rate of the slag was also low when a commercial reductant was used alone in an Ar gas atmosphere. The reason is probably because the material transfer through the interface between the slag and reductant is difficult due to the formation of high melting point oxide. When reductants were mixed with burnt lime in order to form low melting point reaction products, the reduction rate of the slag increased up to the range of 45-70%. By using the mixtures of reductants and burnt lime so as to form a low melting point slag at the reaction end, the reduction rate of the slag was improved up to 60-85%.

A Case Study on the Cinema Therapy Class - Focusing on the movie Life of Pi(2013)- (영화치유 수업사례 연구 - 영화 <라이프 오브 파이>(2013)를 중심으로-)

  • Hae Rang Park
    • The Journal of the Convergence on Culture Technology
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    • v.9 no.4
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    • pp.105-112
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    • 2023
  • This study is an example of a Cinema Therapy class through the movie Life of Pi (2013). Cinema Therapy proceeds through the process of identification, empathy, projection, and observational learning through the cinema. Through research, students objectively examine the situation of the characters in the movie, identify themselves, and empathize with them. Students evaluate the situation of the character in the movie, and indirectly experience the hardships facing the character in the movie through the answer to "What would you do if I were the main character?" and think about what they would do. I admire the outstanding points of the main character and reflect on my life. Through this process, students examine the situation of their emotions and problems and specifically suggest ways to solve them. In the end, students' emotions can be fully healed through the movie. Healing through the cinema should start with the selection of the cinema in consideration of the healer's client. It is also necessary to sufficiently present a specific method of applying this. It is expected that the cinema healing plan will be able to develop further by presenting various healing methods in the future.

The Flora of Vascular Plants of Mt. Baldal (Gyeong-gi-do, Paju-si) Adjacent to the DMZ (DMZ 일원 박달산(경기도 파주시)의 관속식물상)

  • Jin-Heon Song;Kyung-Ryul Byun;Jong-Won Lee;Young-Min Choi;Jaesang Chung;Hee-Young Gil;Kae Sun Chung
    • Proceedings of the Plant Resources Society of Korea Conference
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    • 2021.04a
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    • pp.32-32
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    • 2021
  • 본 연구에서는 DMZ 일원인 경기도 파주시 광탄면과 양주군 백석면에 걸쳐있는 박달산(363m) 주변의 관속식물상을 조사하였다. 파주시는 동쪽은 양주시, 서쪽은 한강을 경계로 김포시, 북부는 임진강을 경계로 북한과 접하고 있다. 남쪽은 고양시, 북쪽은 연천군에 접하고 있으며, 북위 37° 42'~38° 07', 동경 126° 41'~127° 01'에 위치한다. 박달산은 파주시 광탄면 경계에 위치하였으며, 현재 명칭은 박달나무가 많아서 박달산이라고 부르고 있으나 예전에는 독수리가 많아서 수리봉이라는 명칭으로 부르기도 했다. 박달산 주변에 분포하는 관속식물 현황은 79과 211속 288종 3아종 36변종 4품종 331분류군으로 조사되었다. 양치식물은 5과 10속 11종 1변종 12분류군, 나자식물은 2과 3속 5종 5분류군, 쌍자엽식물은 63과 154속 208종 3아종 22변종 3품종 236분류군, 단자엽식물 9과 44속 61종 13변종 1품종 78분류군으로 조사되었다. 희귀식물은 취약종(VU)에 속하는 왜박주가리(Tylophora floribunda Miq.) 1분류군, 약관심종(LC)에 속하는 태백제비꽃(Viola albida Palib.), 이팝나무(Chionanthus retusus Lindl. & Paxton) 2분류군이 조사되었다. 특산식물은 키버들(Salix koriyanagi Kimura), 외대으아리(Clematis brachyuran Maxim.), 서울제비꽃(Viola seoulensis Nakai), 오동나무(Paulownia coreana Uyeki), 백운산원추리(Hemerocallis hakuunensis Nakai) 5분류군이 조사되었다. 침입외래식물은 가시박(Sicyos angulatus L.), 단풍잎돼지풀(Ambrosia trifida L.), 돼지풀(Ambrosia artemisiifolia L.) 등 28분류군으로 조사되었다.

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UNDERWATER DISTRIBUTION OF VESSEL NOISE (선박소음의 수중분포에 관한 연구)

  • PARK Jung Hee
    • Korean Journal of Fisheries and Aquatic Sciences
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    • v.10 no.4
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    • pp.227-235
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    • 1977
  • The noise pressure scattered underwater on account of the engine revolution of a pole and liner, Kwan-Ak-San(G. T. 234.96), was measured at the locations of Lat. $34^{\circ}47'N$, Long. $128^{\circ}53'E$ on the 16th of August 1976 and Lat. $34^{\circ}27'N$, Long. $128^{\circ}23'E$ on the 28th of July, 1977. The noise pressure passed through each observation point (Nos. 1 to 5), which was established at every 10m distance at circumference of outside hull was recorded when the vessel was cruising and drifted. In case of drifting, the revolution of engine was fixed at 600 r. p. m. and the noise was recorded at every 10 m distance apart from observation point No. 3 in both horizontal and vertical directions with $90^{\circ}$ toward the stern-bow line. In case of cruising, the engine was kept in a full speed at 700 r.p.m. and the sounds passed through underwater in 1 m depth were also recorded while the vessel moved back and forth. The noise pressure was analyzed with sound level meter (Bruel & Kjar 2205, measuring range 37-140 dB) at the anechoic chamber in the Institute of Marine Science, National Fisheries University of Busan. The frequency and sound waves of the noise were analyzed in the Laboratory of Navigation Instrument. From the results, the noise pressure was closely related to the engine revolution shelving that the noise pressure marked 100 dB when .400 r. p. m. and increase of 100 r. p. m. resulted in 1 dB increase in noise pressure and the maximum appeared at 600 r. p. m. (Fig.5). When the engine revolution was fixed at 700 r. p. m., the noise pressures passed through each observation point (Nos. 1 to 5) placed at circumference of out side hull were 75,78,76,74 and 68 dB, the highest at No.2, in case of keeping under way while 75,76,77,70 and 67 dB, the highest at No.3 in case of drifting respectively (Fig.5). When the vessel plyed 1,400 m distance at 700 r.p.m., the noise pressure were 67 dB at the point 0 m, 64 dB at 600m and 56 dB at 1,400m on forward while 72 at 0 m, 66 at 600 m and 57 dB at 1,400 m on backward respectively indicating the Doppler effects 5 dB at 0 m and 3 dB at 200 m(Fig.6). The noise pressures passed through the points apart 1,10,20,30,40 and 50 m depth underwater from the observation point No.7 (horizontal distance 20 m from the point No.3) were 68,75,62,59,55 and 51 dB respectively as the vessel was being drifted maintaining the engine revolution at 600 r. p. m. (Fig. 8-B) whereas the noise pressures at the observation points Nos.6,7,8,9 and 10 of 10 m depth underwater were 64,75,55,58,58 and 52 dB respectively(Fig.8-A).

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