• Proceedings of the KAIS Fall Conference
• /
• 2011.05b
• /
• pp.622-625
• /
• 2011

1960년대 한국의 대중음악은 미국을 중심으로 한 서구음악의 유입과 음악 감상실의 유행, 방송국 개국 등의 많은 환경적 변화를 통하여 크게 발전하였다. 1960년대 초반에는 서양식 유행가와 일본식 유행가라는 2가지 장르의 가요가 인기를 끌었고, 1960년대 후반에는 로큰롤, 록, 소울, 포크에 이르기까지 다양한 장르의 음악이 고르게 성장했다. 본 연구는 1960년대 음악적 사회적 환경의 변화와 당시 유행했던 곡들을 중심으로 다양한 가요장르의발전에 대해 살펴보는 연구이다.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.14 no.9
• /
• pp.4212-4217
• /
• 2013

Since genre of popular music began to classified, Alternative Music has been music form with most complex and diverse sub genre. This paper focused on mostly Alternative Rock, which began to attract attention since the 1990's, and analysed the cause for ambiguity of this genre. Therefore we can examine the inevitable limitation of traditional - based on musical form only - classification.

• Journal of Convergence for Information Technology
• /
• v.8 no.4
• /
• pp.199-204
• /
• 2018

This study analyzes Cho, Yong- Pil's contribution on K-Pop history as he celebrates the 50th anniversary of his debut. The history of K-Pop, when Cho has been active in, is divided into three periods. From the late 1960s to the early 1980s was a period when trots and rocks were popular. Soft rock, heavy metal, and ballads came in from the mid-1980s to the early 2000s. From the late 2000s to the present, dance music, mostly hook songs, has dominated. In every inflection point of K-Pop history, he contributed to the development throughout various musical genres. In the first period, he introduced rock music with the unique emotion of Korea by combining the trot and the rock genre. In the second period, he contributed to the development of both rock and ballad genres. In the third period, his hook songs were released to the controversy, but it contributed to creating an atmosphere in which the vocal ability of the vocalist in idol groups was emphasized in the K-pop scene.

• Proceedings of the KAIS Fall Conference
• /
• 2011.05b
• /
• pp.619-621
• /
• 2011

본 논문에서는 대중음악의 대부분을 차지하는 대중가요의 가창에서 효과적인 가창을 위해 사용하는 멜로디의 가창법, 그 중에서 멜로디의 세부적인 느낌을 크게 좌우하는 대표적인 표현기법들을 살펴보고, 이것이 다른 장르의 음악을 가창하는데 있어서의 공통점과 차이점을 분석해 보았다.

• Korean Journal of Culture and Social Issue
• /
• v.26 no.3
• /
• pp.221-257
• /
• 2020

This study examined whether popular music lyrics, the new research topic, reflect changes in Koreans' cultural orientation and whether individuals' cultural orientation is related to the genre of popular music that they prefer. In Study 1, we content analyzed popular music lyrics from 1980 to 2018 to see if Koreans' cultural orientations changed over time. The analysis showed that as the release dates approached the 2010s, the lyrics expressed the ideal attitudes of individualist cultures more frequently than those of collectivist cultures; this suggests that Koreans have gradually become more individualistic over time. In Study 2, we examined the relationships between individuals' cultural orientations, preferences for various genres of popular music, and functions of music. The analysis showed that people with more collectivistic attitudes tended to prefer mid- and low-arousal music, such as Ballads and Rap/Hiphop, while those with less collectivistic attitudes preferred high-arousal music, such as Rock/Metal. This result is partly consistent with the hypothesis that collectivistic people would prefer lower to higher arousal music. In addition, our analysis showed the strongest positive relationship between collectivism and the social function of music; this result can be interpreted as indicating that collectivistic people use music to maintain good interpersonal relationships. This paper concludes by discussing the implications of these findings, the limitations of this study, and directions for further research.

• Proceedings of the KAIS Fall Conference
• /
• 2010.11b
• /
• pp.521-522
• /
• 2010

2000년대에 들어와서 대한민국의 대중음악은 소위 '퓨전(fusion)', '월드뮤직(world music)', '크로스오버(cross over)' 등등의 이름으로 여러 가지의 악기와 장르를 혼합하여 만들어지는 작품이 무수히 많이 쏟아져 나오고 있다. 그중에서도 특히 두드러지게 많이 눈이 띠는 작품은 역시 한국의 국악과 서양의 대중음악과의 혼합 이다. 서로의 음악이 혼합하여 너무 잘 어우러 질수 있다는 발견이라기 보단, 자칫 소재의 빈곤으로 그 음악이 그 음악이라는 현대 대중음악의 한계에서 탈출과, 우리만의 독창성을 표현하고자 하는데서 그 원인을 찾을 수 있겠다. 본 논문은 그러한 맥락에서 탄생한 퓨전 록 밴드 "고스트윈드(GOSTWIND)"의 첫 번째 앨범 <10,000 Years Ago> 의 대표곡 "Fire Bird(불새)"를 연구, 분석하여 한국최초의 국악과 록음악의 혼합을 고찰해본다.

• Proceedings of the KAIS Fall Conference
• /
• 2009.05a
• /
• pp.364-367
• /
• 2009

음악 장르마다 소리의 색깔, 성량이 모두 다르다. 그것은 발성법 즉 소리를 어떻게 만들어내느냐에 따라 다른 것 인데, 호흡법에 따라서도 많은 차이난다. 성악의 경우 맑고 깨끗한 소리를 만들어내기 위해 주로 두성을 많이 사용 한다. 창이나 판소리의 경우도 처음에는 몸통에서 소리를 끌어내는 방식으로 소리를 내다가 결국에는 두성으로 소리를 만들어낸다. 이는 모두 소리를 멀리 보내기 위한 방법인데, 마이크와 앰프를 사용하는 대중음악 가수들의 경우는 분명 다른 발성법을 사용해야한다. 본 연구에서는 소리의 확장보다는 본인만의 개성을 중요시 하는 가수들에게 필요한 발성법에 대해 연구해 보고자 한다.

• Proceedings of the Korea Contents Association Conference
• /
• 2013.05a
• /
• pp.151-152
• /
• 2013

최근 들어 한국 주류의 대중음악 시장은 대형 기획사의 기획형 음악으로 획일화되고 있는 현상이 증가하고 있다. 대중음악의 장르가 편중되는 현상이 나타나면서, 그중 다양성에 대한 대안으로 인디음악이 주목되고 있다. 그러나 최근 인디음악 역시 문화의 획일화 현상을 닮아가고 있다는 의견이 지배적이다. 급변하는 시대의 흐름 속에 인디음악의 상업적 변화에 대한 원인을 분석하고, 인디음악이 나아가야 할 방향에 대하여 고찰한다. 이에 본 연구는 인디음악의 본연의 의미가 사라져가는 문제점을 파악하고 인디음악의 향후 방향에 대해 연구하기로 한다.

• Journal of Korea Entertainment Industry Association
• /
• v.13 no.8
• /
• pp.107-115
• /
• 2019

The roots of modern popular music have evolved from blues and jazz music. But now, due to various multimedia developments and the expansion of the online industry, these traditional music is gradually being shunned by the public. When measuring a nation's cultural scale, it does not value only a few genres of popular music. In many advanced countries, music, which has basic artistic value, is trying to support and grow more base expansion in government and businesses, and to meet the needs of consumers. At this time, local jazz and jazz clubs are gradually losing ground, out of dance, rock and ballad music. Everyone should recognize that it is not just a genre of music that is alienated from the trend of the times, but an important part of cultural art that we should develop and nurture systematically. And it should be handled by more media and recognized by the public. Although it is a small market, this paper analyzes the development of jazz music in Korea and various factors that jazz clubs can establish as part of the music industry through analysis of Korean jazz clubs. The artistry and popularity of jazz music, the development of music education programs, the revitalization of government-led performances and the operation of concert halls differentiated from those of broadcasting media will eventually lead to the development of jazz clubs due to the rise of many jazz music lovers. It is also hoped that through the direction of development, we will be able to succeed as a major part of pop culture.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.19 no.12
• /
• pp.212-217
• /
• 2018

Shin Hae-Chul's music opened a new horizon in the Korean pop music market where only popular music is produced and the music of a similar genre or pattern is mainstream, which has dissolved the complaints of the public who longed for new music. He experimented with his musical potential every time he released his work, which received favorable reviews in that he raised the level of Korean pop music. To solve the unstable factors in today's pop music, it is important to appeal to the public by capturing quality work through continued studies and creative activities. In that context, the attitude of "Next" is led by the late Shin Hae-Chul, and his qualities as an artist greatly contributed to the development of Korean pop music. This indicates that if musicians strive to develop themselves, and strengthen their creative ability to make bold and new attempts, Korean pop music will lead to another fashionable "K-pop" and will open up a new horizon.