• Journal of the Korean Society for Library and Information Science
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• 제41권1호
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• pp.5-32
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• 2007

In this study, examined are the characteristics of 'One Book, One City' reading campaigns conducted in Seattle. Chicago, and 'The Big Read', a nationwide 'One Book' campaign, supported by the NEA, in the U.S.A. and Seoul and Cheongju in Korea. Some differences as well as similarities were found in the goal setting, selection of books, strategies for reading and discussion, and programs of these 'One Book' reading campaigns. While, as a mass reading event, 'One Book' reading campaigns in various communities share the goal of promoting literacy and communication through reading and discussion, each 'One Book' campaign seems to show uniqueness in the criteria of book selection, reading and discussion guides, and the activities and Programs. which make up cultural contents.

• The Journal of the Korea institute of electronic communication sciences
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• 제8권9호
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• pp.1421-1426
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• 2013

The purpose of this study is to develop the Clinical Kinesiology Class Contents(: CKCC) by utilizing movies and investigate the effects of its application to clinical kinesiology learning. The developed CKCC were applied to the clinical kinesiology classes for 47 second year student of physical therapy and occupational therapy in K college in G City. CKCC includ movie scenes that can demonstrate the action of muscles effectively, for better student understanding, as has already been shown widely. The interest and understanding of CKCC by the class was analysed. The results show that the developed CKCC is very effective implement for stimulating students' interest(p<0.05) and understanding(p<0.05) of clinical kinesiology classes.

• The Journal of the Korea Contents Association
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• 제17권1호
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• pp.113-119
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• 2017

This study aims at investigating which factors affect the public perceptions of the survival rate of cancer. To this end, this study compares the public perception for 5-year survival rates of five major cancer(stomach, colorectal, liver, breast, uterine cervix) and actual epidemiological fact thereof. Data was collected from 19th to 24th April 2016 through online cross-sectional survey on 354 people. Frequency analysis was conducted to understand the characteristics of the subjects, histograms were presented for the comparison with the epidemiological fact, and multiple regression analysis was conducted. The subjects tended to aware the survival rates of stomach cancer, colorectal cancer, breast cancer, and uterine cervix cancer as lower than they epidemiologically represented. Finally, the factors that substantially affect the perception of 5-year survival rates were revealed as the experience of diagnosed as cancer, the age, and whether the subject regularly involved in a workout.

• Journal of Korean Library and Information Science Society
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• 제40권2호
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• pp.311-333
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• 2009

The purpose of this study is to investigate the characteristics of 'The Big Read(TBR)' reading initiatives sponsored by the National Endowment for the Arts(NEA) in the U.S.A. TBR was originally launched to improve the seriously low level of literary reading among the American adults reported in several NEA reports, and spread to more than 500 communities. The major characteristics of TBR include the following: First, a massive investment of federal funds as well as various private and corporate donations; Second, the strong recognition of libraries as the core of reading activities in communities; Third, the adoption of the model of 'One Book, One Community' reading promotion campaign; Fourth, the provision of high quality resources for reading activities.

• Journal of Popular Narrative
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• 제26권1호
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• pp.175-209
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• 2020

This paper examines how the cinematic representation of the Japanese military "comfort women" stimulates 'imagination' in the realm of everyday life and in the memory of the masses, creating a common awareness and affect. The history of the Japanese military "comfort women" was hidden for a long time, and it was not until the 1990s that it entered the field of public recognition. Such a transition can be attributed to the external and internal chronopolitics that made possible the testimony of the victims and the discourse of the "comfort women" issue. It shows the peculiar status of the comfort women history as 'politics of time'. In the same vein, the cinematic representations of the Japanese military "comfort women" can be found in similar chronopolitics. The 'comfort women' films have shown the dual time frame of the continuity and discontinuity of the 'silence'. In Korean film history, the chronotope of the reproduction of "comfort women" can be divided into four phases: 1) the fictional representations of "comfort women" before the 1990s 2) documentaries in the late 1990s as the work of testimony and history writing, 3) melodramatic transformation in the feature films in the 2000s, and 4) the diffusion of media and categories. The purpose of this article is to focus on the first phase and the third phase in which the issue of 'comfort women' is represented in the category of popular fiction films. While the "comfort women" representations before 1990 were strictly adhering to the framework of commercial movies and pursued the sexual exploitation of "comfort women" history, the recent films since the 2000s are experimenting with various attempts in the style of popular imagination. Especially, the emergence of 'comfort women' feature films in the 2000s, such as Spirit's Homecoming, I Can Speak, and Herstory, raise various questions as to whether we are "properly" aware of issues and how to remember and present the "cultural memory" of comfort women. Also, focusing on the cinematic representation strategies of the 2000s "comfort women", this article discusses the popular politics of melodrama, the representation of victims and violence, and the feature of 'comfort women' as meta-memory. As a melodramatic imagination and meta-memory for the historical trauma, the "comfort women" drama shows the historical, political, and aesthetic gateways to which the "comfort women" problem must pass. As we have seen in recent fiction films, the issue of "comfort women" goes beyond transnational relations between Korea and Japan; it demands a postcolonial task to dismantle the old colonial structure and explores a transnational project in which women's movements and human rights movements are linked internationally.

• Proceedings of the Korea Contents Association Conference
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• 한국콘텐츠학회 2012년도 춘계 종합학술대회 논문집
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• pp.309-310
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• 2012

물은 이 지구상의 생명의 원천으로써 우리 몸의 구성요소가 80~90%가 물로 구성되어 있다. 상업의 고도화와 생활의 질적 향상으로 환경오염에 대한 중요성과 우리 주변환경에 관한 관심이 매우 커져가고 있다. 우리 스스로 주변 환경을 지키고자하는 의식을 가지기 위해서는 우리 주변 수질환경에 대한 정확한 이해와 정보가 필요하다. 이를 위해서 이반적인 수질오염에 대한 초등교육부터 일반적인 환경 지키기 기본교육을 체계적으로 가르치는 시스템이 구축되어야 한다. 그리고 에너지절약 등급표시제도나 CO2 배출절약운동같이 대중참여 캠패인을 통해 대중이 참여하는 제도가 있어야 한다. 우리 주변에 수질등급을 에너지절약표시처럼 시각화하여 쉽게 인지하고 정보를 알기 쉽게 알려주는 표시체계를 만든다면 우리지역을 지키지 위한 주민 관심과 실천으로 다양한 환경오염의 피해는 점점 줄어들 수 있다.

• Analyses & Alternatives
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• 제6권2호
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• pp.185-226
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• 2022

This study examines the crisis of trust of French journalism in the context of a global decline of media credibility. First of all, in the process of a huge social movement called the 'yellow vest' movement that started in 2018, distrust of the French journalism was expressed in an extreme form. This study examines some external factors in terms of the historical development of the French journalism and the public's long-standing 'criticism of journalism'. Specifically, this study first examines the quantitative indicators of trust of French journalism which were shown in Digital News Report published by the Reuters Institute for the Study of Journalism. Next, it examines the historical and institutional formation process of French journalism and public distrust that emerged along with it. And specifically, the structural crisis-economic crisis, digital transformation and intensification of competition, and deterioration of quality problems etc.-of the French journalism exposed in media coverage on social movement in 2018 is review in relation with the working process or 'routine' of actual news production. In conclusion, this study asserts that the various aspects of internal rifts in French journalism system, as well as external shocks (the influence of social movements), are a key factor in explaining the recent decline of trust in French journalism.

• 한국벤처창업학회:학술대회논문집
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• 한국벤처창업학회 2019년도 춘계학술대회
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• pp.13-21
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• 2019

"4차 산업 혁명"으로 대변되는 사회전반에 걸친 변화는 일상에서의 혁신과 일상적인 혁신을 필요로 하고 있다. 또한 국가차원에서 가능한 모든 혁신자산을 효율적으로 관리 운영하고 지속적으로 새로운 혁신자산을 확보하는 것이 국가경쟁력 향상의 제일목표가 되가고 있다. 이러한 시대 요구속에서 "메이커 운동(maker movement)"은 변화요구에 대응할 수 있는 대중(grassroot)혁신활동으로 주목받고 있다. 특히 메이커운동의 주요 활동공간인 '메이커 스페이스(makerspace)'는 메이커들이 서로의 지식을 나누고 자원과 결과물을 공유, 협업하는 장소로 최근에는 (예비)창업자를 위한 창업준비공간으로 기능을 확장하고 있다. 우리나라의 경우에도 2010년 이후 다양한 형태의 '메이커 스페이스'를 혁신기반육성을 위한 정책차원에서 지원하고 있다. 중소벤처기업부는 "메이커 스페이스" 확대 사업을 2018년부터 추진 중이며 '일반랩'과 '전문랩'으로 세분화 하여 '일반랩'은 메이커 입문과 기본단계에 있는 초보 메이커들을 위한 'Zero to Maker' 공간으로, '전문랩'은 전문가(창업가)들을 위한 'Maker to Maker(Market)' 공간으로 역할을 분할하여 지원하고 있다. 본 연구는 주목받고 있는 사회문화 현상이며 변화환경에 대응하기 위한 정책수단으로 활용되고 있는 메이커 관련 주제 중 메이커들이 활동하는 공간(메이커스페이스)에 대한 연구이다. 지금까지 메이커스페이스들 관한 국내외 주요 연구에 대하여 조사하고 최근 메이커스페이스에 요구되고 있는 기능적 확장을 위한 연구필요성 및 연구방향에 대해 논하고자 한다. 특히 창업 경영학적 관점에서 메이커스페이스 관련 연구의 필요성과 구체적인 연구 분야를 제시한다.

• Journal of the Korean Society for Library and Information Science
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• 제57권4호
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• pp.161-184
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• 2023

This research is a case study of 'Seattle Reads', which launched in 1998 and has become the prototype of 'One Book, One City' Community Reading Promotion Campaign. The purpose of this research is to comprehend further the current state and future goals of 'Seattle Reads' as a typical 'One Book' program by documenting the characteristics of the 'One Book's selected for the past 25 years and their related events and activities. 'Seattle Reads' presented the model of 'One Book' program, which consists of the selection of 'One Book' for adult readers, its reading and discussion, and a variety of events and activities in the community. This analysis of 'Seattle Reads' demonstrates the continuity, consistency, self-reliance, and independence of a 'One Book' program, by reading and talking about 'One Book' by authors with diverse cultural and ethnic backgrounds, and trying to understand and integrate differences among people in the community.

• Journal of Popular Narrative
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• 제25권4호
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• pp.223-261
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• 2019

This article is a reexamination of the feminist criminal narrative I wish for what is forbidden by Yang Gui-ja in the context of the rise of the women's movement and consumer culture of the middle class in Gangnam in the 1980s and 1990s. At this time, the explosive media culture served to strengthen the ideology that placed the middle-class family at the center as well as the consumption culture. The combination of consumer media culture, women's movement and democratization created a soft and domestic male image while visualizing the material foundation of the middle class in the 1990s of South Korea. In this novel, the domestic male image transforms the feminist criminal narrative into the narrative of the femme fatale attacking the stability and dignity of the middle class family, and at the moment of the transformation, the feminist woman Kang Min-ju is killed by a lower class man who has admired and loved her. This novel is not only current but also signifying as a text that overlaps sociocultural reproduction and feminist issues of the middle class based on Gangnam in the 1990s. This is because it shows the sociocultural context of femicide, such as serial murder of targeting women, as a core code of criminal narrative to be held in Korea since the late 1990s.