• 수도
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• s.17
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• pp.27-36
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• 1979

제12회 국제수도회의에서 남아공화국의 R. J. Laburn대표가 보고한 내용을 본회강영철회원 (코오롱 엔지니어링 상하수부사업부장.전 서울구의수원지소장)의 번역으로 전문 게재한다.

• NEWSLETTER 전기공업
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• no.98-1 s.194
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• pp.29-45
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• 1998

• Defense and Technology
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• no.6 s.172
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• pp.38-43
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• 1993

남아공의 무기체계는 대부분 해외기술도입이나 직구매에 의한 것들이 아니라 어려운 여건 속에서 자력갱생하여 얻어진 기술을 바탕으로 개발된 장비입니다. 이런 무기체계는 국경전쟁을 통해 성능이 입증되거나, 전장운용을 통해 성능이 개량된 것들로 남아공의 지형과 여건에 맞는 독자적인 모델을 갖추고 있습니다

• 건강소식
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• v.27 no.8 s.297
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• pp.32-34
• /
• 2003

• Monthly Korean Chicken
• /
• v.15 no.12
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• pp.77-83
• /
• 2009

• Monthly Korean Chicken
• /
• v.15 no.11
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• pp.73-78
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• 2009

• Bulletin of Food Technology
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• v.8 no.2
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• pp.142-149
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• 1995

본문은 '95년 2월 13일부터 3월 27일가지 캐냐.남아프리카공화국의 포장산업 및 포장실태조사를 한 결과입니다.

• 전기의세계
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• v.67 no.5
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• pp.26-30
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• 2018

• Defense and Technology
• /
• no.5 s.171
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• pp.22-29
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• 1993

남아공은 최우선 명제였던 자위력 구축을 해외장비의 도입을 통해서가 아니라 국내 국방기술 개발을 통해 달성하였습니다. 또한 정부차원에서 과감하게 엄청난 예산을 투자함으로써, 기술개발과정에서 따를 수 있는 실패의 확률을 최소화시켰습니다. 이에 따라 생존권 확보를 위해 구축한 방산기술이 지금은 풍요로운 미래사회의 건설을 위한 기술로 사용되고 있으며, 이를 민수산업 분야에 파급시키려는 방향전환을 시도하고 있습니다. 현재 남아공은 독자개발한 기술과 장비들을 바탕으로 국제시장 개척과, 기술이전, 합작투자 등 여러 활로를 강력히 모색하고 있습니다

• The Korean Journal of Archival Studies
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• no.74
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• pp.45-78
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• 2022

South Africa implemented apartheid from 1948 to 1994. The main content of this policy was to classify races such as whites, Indians, mixed-race people, and blacks, and to limit all social activities, including residence, personal property ownership, and economic activities, depending on the class. All races except white people were discriminated against and suppressed for having different skin colors. South African citizens resisted the government's indiscriminate violence, and public opinion criticizing them expanded beyond the local community to various parts of the world. One of the things that made this possible was photographs detailing the scene of the violence. Foreign journalists who captured popular oppression as well as photographers from South Africa were immersed in recording the lives of those who were marginalized and suffered on an individual level. If they had not been willing to inform the reality and did not actually record it as a photo, many people would not have known the horrors of the situation caused by racial discrimination. Therefore, this paper focuses on Rise and Fall of Apartheid: Photography and the Bureau of Everyday Life, which captures various aspects of apartheid and displays related records, and examines the aspects of racism committed in South Africa described in the photo. The exhibition covers the period from 1948 when apartheid began until 1995, when Nelson Mandela was elected president and the Truth and Reconciliation Commission was launched to correct the wrong view of history. Many of the photos on display were taken by Peter Magubane, Ian Berry, David Goldblatt, and Santu Mofoken, a collection of museums, art galleries and media, including various archives. The photographs on display are primarily the work of photographers. It is both a photographic work and a media that proves South Africa's past since the 1960s, but it has been mainly dealt with in the field of photography and art history rather than from a historical or archival point of view. However, the photos have characteristics as records, and the contextual information contained in them is characterized by being able to look back on history from various perspectives. Therefore, it is very important to expand in the previously studied area to examine the time from various perspectives and interpret it anew. The photographs presented in the exhibition prove and describe events and people that are not included in South Africa's official records. This is significant in that it incorporates socially marginalized people and events into historical gaps through ordinary people's memories and personal records, and is reproduced in various media to strengthen and spread the context of record production.