• 제목/요약/키워드: 꼴라쥬

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현대 남성 패션에 표현된 문화 꼴라쥬 현상

  • 이민선
    • 복식문화학회:학술대회논문집
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    • 복식문화학회 2004년도 정기총회 및 춘계학술대회
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    • pp.92-94
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    • 2004
  • 본 연구에서는 이상 제기한 연구 문제를 해결하기 위해서 미학 및 사회학 등에서 논의되어 온 문화 꼴라쥬 현상에 대한 개념과 사회적 등장 배경 등에 대한 이해를 바탕으로 문화 꼴라쥬 현상에 대한 내적 가치를 파악하고자 한다. 남성 패션에 표현된 문화 꼴라쥬 현상의 외적 조형성을 분석하기 위해서는 시각적 자료로 남성 패션 스타일 선도자로서의 역할을 해온 The Face, i-D, view와 해외 collection 지 등의 잡지를 분석한다. (중략)

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탈모던 실내공간에 적용된 꼴라쥬 효과에 관한 연구 (A study of the effects of collage on post-modern interior spaces)

  • 박혜경
    • 디자인학연구
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    • 제11권2호
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    • pp.155-164
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    • 1998
  • 본 연구는 20세기 순수 미술을 통하여 하나의 조형방법으로 형성된 꼴라쥬 개념의 정립과 특성 분석을 통하여 실내디자인 분야에서의 이의 활용에 대한 제안이라고 할 수 있다. 연구의 내용을 요약하면 다음과 같다. 첫째, 꼴라쥬 기법이 적극적으로 도입되었던 입체파, 다다, 초현실주의, 팝아트를 중심으로 꼴라쥬의 개념, 형식, 특성들에 대하여 고찰함으로써 각 예술이념에 따른 꼴라쥬 특성과 조형효과에 대해 분석한다. 둘째, 탈 모던 실내공간의 제반 이념적 특성과 꼴라쥬 특성과의 연관성에 대해 분석한다. 셋째, 현대 실내공간에서의 꼴라쥬 효과에 대한 사례분석을 중심으로 그 적용 성을 입증한다. 본 연구는 꼴라쥬의 개념정립과 특성, 효과에 대한 분석 측면에 비중을 두고 진행하였으므로, 차후 실내공간에서의 꼴라쥬 사례에 대한 보다 광범위하고 집중적인 영구가 이루어져 실내디자인 실무와 교육에서 활용될 수 있는 하나의 방법론적 모델로서 발전되기를 바란다.

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애니메이션에 나타난 초현실주의 회화의 꼴라쥬 기법과 표현에 관한 연구 - 라울 세르베의 작품 <밤의 나비들>을 중심으로 - (A Study on the expression of Surrealism Collage in Animation - Focusing on Raoul Servais animation film called -)

  • 김윤경
    • 만화애니메이션 연구
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    • 통권11호
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    • pp.73-85
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    • 2007
  • 이 논문에서는 초현실주의 회화의 다양한 기법이 애니메이션에서는 어떻게 표현되는 지를 분석하였다. 특히 초현실주의의 꼴라쥬는 아무 관련성 없는 사물과 기법을 재배치함으로써 무의식 속에 잠재되어 있는 환상의 세계를 일깨우며 매체의 변화와 더불어 그것은 전혀 다른 물질이나 형상끼리의 우연한 만남에서 오는 새로운 이미지의 형성한다. 이러한 초현실주의의 기법의 확장을 라울 세르베의 작품<밤의 나비들>에서 논의해보고자 한다. 라울 세르베는 <밤의 나비들>에서 기존의 가치를 전복하는 새로운 접근방식을 통해 인간의 인식 구조에 보다 다차원적인 변화를 가져온 것이다.

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남성 패션에 표현된 문화 꼴라쥬 현상 (Cultural Collage in Men's Fashion)

  • 이민선
    • 복식문화연구
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    • 제13권3호
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    • pp.469-480
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    • 2005
  • The purpose of this study is to analyze the meaning and the value of the cultural collage expressed in men's fashion. As for the research methodology, literary research was under taken to study psychoanalytical and socioeconomic contexts in which cultural collage has been formed. In addition, demonstrative studies in men's fashion were undertaken through the analysis of pictures. The cultural collage is defined as a phenomena of making creativity by combining cultures which have no relevance. In psychological and sociological aspects, the rise of the cultural collage is caused by multinational corporation, pluralization of identity, information society, consumer oriented production, consumer society and inundation of kitsch. On the basis of the characteristics and social backgrounds of cultural collage, the aesthetic values of men's fashion can be explained by pluralism de-generalization and relativity.

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간호학생이 꼴라쥬(Collage) 작품으로 구성한 죽음의 의미 (The Meaning of Death Seen by Nursing Students through Collage Art Works)

  • 김영경;조계화
    • 성인간호학회지
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    • 제17권5호
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    • pp.844-854
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    • 2005
  • Purpose: To understand the meaning of death seen by nursing students through collage art works. Method: The qualitative research method and the content analysis were used. The text were collage and related essays written by 42 senior nursing students about the impressions on death through collage art works. Result: Statements were classified into three categories and seventeen themes. The three categories include "definitions of death", "feelings about the death", and "attitudes about the death and the dying patients". Conclusion: It is shown that participants recognize their position as nursing student, although they may not escape the fear of death, will learn to deal with death, and the dying in a suitably professional manner. In this respect, the study is considered to be helpful for the students in learning the knowledge and information which are needed for hospice nursing care more effectively.

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패션디자인 발상을 위한 꼴라쥬 활용 연구 (A Study on Collage as a Means of Generating Creativity in Fashion Design)

  • 이민선
    • 복식문화연구
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    • 제11권5호
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    • pp.683-696
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    • 2003
  • In the post-modern society, creativity is redefined as a capability which collects a wide range of information and recombines them in diverse manners. With a such trend, the characteristics of collage - a method of making a creative image by combining pieces which have no relevance - is becoming prevalent in the post-modern culture. The purpose of this research is to develop a model which generates ideas in fashion design by use of collage techniques. With regard to research methodology, a literature survey was undertaken to find out and understand characteristics of collage. Analytic and positive studies were also done on the styles of fashion design of the 2003 SS collections to which collage techniques applied. In order to generate ideas in fashion design, the following mechanism using collage techniques can be used. Above all, pluralism is realized by collecting incoherent elements. Secondly, deconstruction is made by changing scales and configuration. Lastly, relativity is attained by using parts of ready-made goods and respecting their independency.

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미스의 건축에서 재현된 꼴라쥬의 개념 - 바르셀로나 파빌리온과 투겐타트를 중심으로 - (A Study on the Collage's Concept Represented in Mies' Architecture Based upon Barcelona Pavilion and Tugendhat House)

  • 조승구;이병욱
    • 한국주거학회논문집
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    • 제16권4호
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    • pp.45-55
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    • 2005
  • The cubist collagists proposed radically different ideas about the nature of order, and about the nature of artistic space. The collage substitutes an order which is constructed on relationships for the more rigid order of traditional art. Collage presents new theories of communication with the viewer, of relationships and of signs. This paper is an investigation of these ideas and how they have been applied to Mies Van der Rohe's making of architecture: Barcelona Pavilion and Tugendhat house. Collage in Mies' works has been executed in a limited manner. In Mies' works, one can begin to recognize some basic traits of collage. Textures, forms, and fragments begin to interact with each other and exploit those principles of contrast and juxtaposition that give collage a value as an expressive medium. Many of the formal aspects of collage are readily apparent in much of the work which we see around use today, but we should look at the attitudes and beliefs upon which collage is built for a further understanding of how its principles can be applied.

페르소나와 아니무스를 표현한 한국 창작무용의상 디자인개발 - '미친 치마 꼴라쥬'를 중심으로 - (Design Development of Korean Creative Dance Wear Expressing Persona and Animus - Focusing on 'Crazy Collage Skirts' -)

  • 김흥경;김선화
    • 복식
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    • 제58권7호
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    • pp.119-132
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    • 2008
  • This study intended to develop and produce a modern form of fashion design for the Korean creative dance performance, 'Crazy Skirt Collage', which expressed conflict between internal ego and a persona in a woman. The qualitative method was used to analyze literature review, internet search and visual data of historically important cases related to the theme. Based on the analysis, the fashion design of the dance performanre by Hwang Hee-Yeon that was actually staged on Towol Theater, one of the Seoul Arts Center, was produced. The results wire as follows; First, the study confirmed a change of persona that revealed a female's animus strongly as it moved into the modern time. Second, the female's persona was expressed through long skirts, slips, dress shoes, handbags, military shoes, dresses with long zippers, trousers, wedding dresses and Korean full skirts during the performance, while the female's animus through male coats, panties, big bags and clock. In conclusion, it is necessary to study new expressive methods, that is, dance clothes using advanced equipment such as lights, videos or other variety of materials. It is also important to understand aesthetics of modern women's ordinary lives and to adapt ordinary clothes to dance clothes in various methods in order to express their modern lives appropriately through Korean creative dance.

실내이미지 유형별 모델 개발에 관한 연구 (A Study on the Models Corresponding to Interior Image Types)

  • 방희조;박영순
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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    • pp.94-97
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    • 1999
  • The purpose of this study was to prepare the visual communication tool, which would be used for the interior design consulation to reduce the communication gap between an interior designer and a client. To achieve the study purpose, review of literature, questionnaire survey, qualitative analysis and design research methods were used. The major results of this study were as follows: 1) "Image Cube" was designed as a comprehensive rule to classify interior image types. By this, eight interior image types were classified: SFU(Simple-Formal-Urbane), SFN(Simple-Formal-Natural), SCU(Simple-Casual-Urbane), SCN(Simple-Casual-Natural), DFU(Decorative-Formal-Urbane), DFN(Decorative-Formal-Natural), DCU(Decorative-Casual-Urbane), DCN(Decorative-Casual-Natural). 2) The Interior image collages were composed to present the overall feeling of each interior image type. 3) The Interior image models which would be used as the standard to be modified to various sub-types through the interior design consultation were produced corresponding to interior image types.age types.

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