• Journal of Korean Society of Archives and Records Management
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• v.11 no.1
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• pp.253-271
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• 2011

The modern age is such an era of time and space compressed. The central axis having compressed the time of the modern Busan city was the very trains and trams. The development of the means of modern transportation, such as trans and trams, came to change the time-space characteristics of cities in the modern age. Through trains and trams regarded as symbols of modern cities, this study attempted to find the localities of Busan as a modern city. The development of the modern Busan city was actually based on modernity and colonial exploitation. Documents of localities provide data to read humans' local-related experiences. 'Documenting localities' related to the means of modern transportation is a work process to read the localities of Busan in the modern age. Through this process, it is possible to understand how means of transportation can be correlated with a local community, local residents' daily lives and spatial change. Overall, this study is such a small attempt for this concern.

• Korean Architects
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• s.468
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• pp.78-82
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• 2008

• Korean Architects
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• no.3 s.467
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• pp.71-82
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• 2008

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2017.10a
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• pp.45-47
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• 2017

근대 사회로 진입을 시도하면서 서양의 근대 문물이 국내로 쏟아져 들어오게 되었다. 그 중 전등은 고종의 필요에 의해 빠르게 도입되면서 서울의 경관을 근대적으로 이행시켰다. 전등으로 인한 야간경관은 도시의 시공간적 변화를 모두 지니는 경관으로 근대도시를 이해하는 데 중요하다. 이 연구는 서울 최초의 근대적 야간경관의 형성 과정을 추적하고자 했다. 한국에서 전등이 가장 먼저 설치된 곳은 1887년 경복궁의 건청궁이었다. 하지만 고종이라는 특정 인물을 위해 만들어졌다는 점에서 일면 중세적인 성격을 지닌 경관이라 할 수 있다. 궁궐에서만 사용되었던 전등이 민간인에게까지 전파된 데에는 전차 부설이 중요한 역할을 한다. 당시 사람들에게 전차는 부국강병의 지표이자 개화된 사회의 상징이었다. 전차의 이용객이 늘어나게 되면서 운행시간은 22시까지 연장되었다. 이때 전차의 야간운행은 1900년 종로 보신각에 가로등을 설치하는 계기가 된다. 종로 가로등은 민간이 볼 수 는 최초의 근대적 야간경관이다. 종로 야간경관은 일반 백성들이 쉽게 볼 수 있었으며 당시 백성의 상권을 위하여 조성되었다는 점에서 진정한 의미에서 최초의 근대적 야간경관이라 할 수 있다.

• Journal of the Korean association of regional geographers
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• v.19 no.1
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• pp.75-96
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• 2013

This paper is to conceptualize the urban social circulation of water from the social constructivism and political ecology, and to analyze the history of development of social circulation of water, that is, the modernization process of water in Daegu. The development of social circulation system of water in Daegu can be divided into 4 stages, that is, the beginning stage of modernization of water mainly during the period of Japanese colonization, the take-off stage from the 1960s to the mid-1980s, the stage of reflexive modernization from the late 1980s to the 1990s, and that of neoliberalization of water since the 2000s. It can be seen that the development of social circulation system of water in Daegu has contributed the increasing urban population and economic development, especially supporting the spatial expansion of the city and the way of modern way of urban life. But the social circulation system of water in Daegu seems to meet with a lot of problems such as relocation of the water intake station, over-equipment of filtration plants, distrust on tap water, inequality of water use, readjustment of water charge, liquid waste from industrial complexes within the urban area, creative destruction of waterfront environment, and privatization of water.

• Journal of Navigation and Port Research
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• v.34 no.5
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• pp.355-365
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• 2010

As a port city, Qingdao had been developed through the 4 stages during the first half of the 20th century. First stage is German Occupation period. In this period, the old downtown of Qingdao was formed and the existing architectural characteristics of Qingdao had been established. Second stage is the First Japanese Occupation period. Japanese transformed Qingdao into Japanese city and expanded city area to north and east. Third stage is Northern Warlords and the National Government period. In this period, Qingdao had been developed as an international city of world trade and vacation. Forth stage is the Second Japanese Occupation period. Japanese tried to change Qingdao as a military base for the invasion of the northern China.

• Journal of the Korean Institute of Landscape Architecture
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• v.44 no.4
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• pp.14-21
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• 2016

This article explores Changgyeongwon's spatial and cultural characteristics that were created there as the first modern urban park in Kyeongseong in the Japanese colonial era. First, in point of comparison regarding a colonial historical view, the study tried to understand the background of Changgyeongwon's establishment as well as three aspects of Changgyeongwon's characteristics as a modern urban park. The study found that; First, foreign envoys and high ranking members had visited Changgeongwon in the early opening period. This shows that this site was a park for foreign propaganda and modern display. Second, Changgyeongwon was altered as a place of enlightenment in the 1920s. This is related to the tendency of Changgyeongwon's increasing popularity around this period. More facilities and events particularly for women and children were offered at that time. Third, investigating the historical records, Changgyeongwon's cultural characters as a park are discussed. Changgyeongwon was an important place creating a modern park culture in Kyeongseong in the colonial era.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.293-294
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• 2019

본 연구는 근대호텔에 대한 지금까지의 문헌연구를 체계적으로 분석하여 정립하고, 전문가의견조사와 관광객 설문조사를 바탕으로 근대호텔의 관광산업적 활용방안을 제시하고자한다. 첫째, 근대문화유산과 근대호텔사에 대한 기본 토대를 제시하고자 한다. 둘째, 근대호텔에 대한 새로운 조명을 통해 한국호텔산업발전과 관광산업발전에 긍정적인 영향을 미칠 수 있는 활용방안을 제시하고자 한다. 셋째, 근대문화유산을 활용한 지자체의 호텔산업과 관광산업발전을 활성화 시킬 수 있는 전략을 제시하고자 한다.

• Journal of the Korean Geographical Society
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• v.44 no.3
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• pp.282-300
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• 2009

This paper attempts to focus the ways in which Seoul as an urban space can be read and interpreted from gender perspective, assuming Seoul as a cultural text which represents modernity and post-modernity. Drawing on discussions of urban sociology and human geography which have analyzed the relationship between material spaces and social subjects, this paper explores the gendered segregation and representations of space in Seoul which has been constructed through the process of modernization. The framework of spatial interpretation of Seoul, concentrating on imageablity and legibility, consists of three dimensions; gendered division of labour and sphere, dichotomy of representations along with femininity and masculinity, and the ways of interlocking between modernity and post-modernity. In this paper, 'fl$\check{a}$nerie', Benjamin's method of interpretation of urban culture and the way of seeing with 'speculum' of Irigaray are adopted as metaphoric methodologies. It is an attempt to develop a new methodology to analyze and interpret urban space from gender-cultural perspective.

• Korean Architects
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• no.3 s.431
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• pp.62-75
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• 2005

어느 나라보다 공동체 인식의 바탕에 형성된 네덜란드 집합주택은 엄격한 가톨릭 정신과 자연을 극복해야만 하는 절박한 운명이 네덜란드인을 하나로 묶으면서 동시에 집합주택이 도시미를 형성하는 중요한 요소로 인식하는 계기가 되었다. 이러한 네덜란드인의 기본정신 위에 발전된 집합주택은 이념을 달리 하는 다양한 건축운동, 건축가의 의지와 실험정신 그리고 예술가와 건축가의 협력 등이 모태가 되어 생성되었다. 역자가 몇 번에 걸쳐 연재할 흐린베르흐의 저서, 'Housing in The Netherlands 1900~1940' (Delft University Press/1982)을 통하여, 네덜란드 근대집합주택을 '근대'라는 기능적이고 합리적인 시점만이 아닌 도시미와 커뮤니티 그리고 선단적인 집합주거 공간을 파악하는 주요한 단서로서 기대하고자 한다.