• The Science & Technology
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• s.547
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• pp.82-85
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• 2014

• The Science & Technology
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• s.543
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• pp.92-95
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• 2014

• Proceedings of the Korea Contents Association Conference
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• 2003.11a
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• pp.91-95
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• 2003

한국전쟁기 북한 소설에 대한 북한의 문학사적 평가는 남한의 문학사와 비교할 경우 매우 큰 차이를 보여주고 있다. 남한에서 나온 대부분의 문학사에서는 한국전쟁기 남한 소설에 대해 대체로 부정적인 평가를 내리고 있으나, 북한에서 나온 문학사의 경우에는 한국전쟁기 북한 소설을 매우 긍정적으로 평가하고 있는 것이다. 물론 이러한 평가는 남북한 문학사의 문학에 대한 관점의 차이에서 비롯되었다고 할 수 있다. 그러나 북한에서 나온 북한문학사의 경우에는 정치적 목적에 따라 작품을 왜곡하여 평가하고 있는 경우가 많으므로 사실에 대한 면밀한 검토가 필요하다. 이태준, 김남천, 임화 등 남로당 계열 작가의 작품에 대한 북문학사의 평가는 특히 그러한데, 남한에서 이루어진 북한문학에 대한 논의들은 이러한 사실을 지적하면서 한국전쟁기 문학에 대한 실증적인 자료조사와 과학적 연구의 필요성을 제기 하고 있다.

• Korean Association of Arts Management
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• no.58
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• pp.49-88
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• 2021

Contemporary literary writers engage in multiple jobs and activities in the changing industrial and institutional environments to manage careers and produce literary value. The notion of art entrepreneurship envisages writers as the actors pursuing optimal rewards at both literary and economic levels by applying creative knowledge and skills to the management of career. In contrast, the notion of creative labor argues that writers go through career insecurity as they pursue self-fulfillment through work. This paper critically reviews two notions and suggests the notion of cultural intermediaries to better understand their production of literary value within the variety of relational contexts where they are situated. This paper analyzes the structures and characteristics of a wide range of intermediary practices by literary writers. Based on the analysis, I argue that the autonomy of literary value the writers construct and their status of entrepreneur-labourer are contingent upon the relational contexts within which they practice the intermediary work. I also suggest that literary writers by utilizing a variety of tactics cope with the changes that shape the autonomy of literature and invent new roles and identities as cultural intermediaries. Furthermore, literary writers develop not only self-management skills to adapt to the changing environments but also the collective capacity to cope with the constraints derived from the structural change of literary production and circulation. Finally, I argue that the art management discipline can reflect upon and support the creative endeavors of literary writers by embracing the critical understanding of structural changes suggested by the disciplines of humanities and social sciences.

• The Science & Technology
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• v.24 no.11 s.270
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• pp.75-78
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• 1991

• The Science & Technology
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• no.12 s.463
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• pp.92-93
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• 2007

• The Korean Publising Journal, Monthly
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• s.192
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• pp.15-15
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• 1996

• (The) Research of the performance art and culture
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• no.19
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• pp.123-160
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• 2009

North Korea classify literature and art according to some concepts and standards. First, as concepts, North Korea classify Literature and Art in a species and a type. But in 1996, North Korea added third concept, a kind of Genre, Galae. This shows us that North Korea attempts to subdivide Literature and Art in classification. But there are not fixed contents in each type. So we can say that North Korea emphasis on principles of classification and at the same time they have a flexible attitude. Second, as standards, North Korea in 1987 used manner depicted, medium employed, capacity, a literary style, figured plot, quality and in 1992 used manner depicted, medium employed, object depicted, a mission, a function and in 1996 used manner depicted, medium employed, object depicted, a form of plot and in 2007 used manner depicted, medium employed, a scale and a capacity of work, a quality of materials and contents, emotional color of works, and so forth. So we can say that North Korea regard classification as an important thing as a basic work for developed Literature and art in future. And to South Korea, classification means that it could suggest a way for creative work for Literature and Art.

• Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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• v.8 no.6
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• pp.695-704
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• 2018

This study attempted literary therapy approach to establish a healthy identity of Korean married immigrant women by using . The research suggests the difficulties of forming a healthy identity in the process of adaptation of Korean marriage imm6igrants to international marriage, and suggests a literary therapeutic alternative using the narrative structure of Ondal tales. In this study, we used the proven narrative, classical literature, to help the marriage migrant women to develop healthy self - narration, and furthermore, the possibility of reestablishing a healthy identity is centered on their human relations. The research suggests that self-narratives can provide a confidence that a happy life can be managed by providing a literary therapeutic alternative to establish a healthy identity. Through this study, it was positively pointed out that married immigrant women can utilize classical literature in their programs for establishing a healthy identity and that they can have an expected effect on their understanding of Korean culture and Korean language ability.

• The Korean Publising Journal, Monthly
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• s.95
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• pp.30-31
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• 1991

대한출판문화협회(회장 권병일)가 선정하는 '이 달의 청소년도서' 91년 8-9월분으로 다음 11종(11책)의 도서가 선정됐다. 분야별로는 철학(2종) 문학(3종) 역사(2종) 사회과학(2종) 순수과학(3종). 재단법인 한국출판금고(이사장 정진숙)는 총 1200여만원의 예산을 들여 선정도서 1종당 300부씩을 구입, 전국 각 지방의 공공도서관 81곳을 비롯, 청소년 선도기관.소년원.지방문화원 등 300곳에 기증했다. '이 달의 청소년도서' 선정위원은 다음과 같다. 문학.예술-남미영(한국교육개발원 연구원) 신상철(아동문학가) 과학.기술-현원복(한국과학사회연구소장) 종교.철학-이은봉(덕성여대 교수) 역사-하현강(연세대 교수) 인문.사회-송복(연세대 교수)