• The Science & Technology
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• v.32 no.3 s.358
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• pp.15-15
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• 1999

과학과 문학의 거리는 멀기만 한 듯하다. 그러나 양 극단의 조화에서 최고의 가치체계를 만들어내는 것이 순리라면 과학은 문학을, 또 문학은 과학을 새로운 동반자로 인식하여 서로의 부족함을 메우려는 노력이 필요하다. 1백년 전 상견례를 한 과학과 문학이 앞으로 1백년 후에도 해로하길 기원한다.

• The Science & Technology
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• v.32 no.8 s.363
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• pp.90-91
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• 1999

전자 및 통신기술의 발달은 문학의 토대 자체를 바꾸어 놓을 가능성이 있다. 책처럼 인쇄매체를 기반으로 한 문학은 사라지고 영상 및 음성매체가 책을 대신한다는 것이다. 이러한 변화와 더불어 문학의 내용도 달라져 고전문학 작품을 밀려나고 가볍고 속도감 있는 작품이 그 자리를 대신할 지도 모른다.

• Journal of Science and Technology Studies
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• v.14 no.2
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• pp.223-249
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• 2014

The influences of sciences on literature have been much researched as relatively familiar themes, and especially the impact of Darwin's evolutionary theory has been interesting research themes on 19th-century history and "Two Cultures". This article outlines the impact of Darwin's evolutionary theory on literatures of the 19th-century British and enlightening-and-colonial-era Korea focusing on some significant features of literary changes, with help of existing researches. It will also give a brief overview of evolutionary psychology as a new perspective of literary criticism. In particular, it will try to show that many transformations of poems and novels appeared diversely depending on different circumstances and various religious or social beliefs societies and individuals were facing and having, and that new understanding of metaphor, narrative, and mind through rediscovery of nature, human and evolution underlay the big changes of literatures.

• The Science & Technology
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• v.10 no.6 s.97
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• pp.18-32
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• 1977

지난6월 1일 한국과학기술 연구소 강당에서 「과학기술과 정신문화」라는 주제로 심포지움이 열렸다. 한국과학기술진흥재단이 주최한 이 심포지움에는 국내과학기술인과 문학인 등 관심있는 인사 200여명이 참석한 가운데 주제발표에 이어 열띤 공방설전의 선투도 볼 수 있었다. 과진 김립삼 부이사장은 개회사를 통해 이 심포지움은 「엄청난 도전의 의의」를 갖는다고 말하고 장자의 천지편 「기심」,「기사」의 풀이와 아인슈타인의 인간의 alogical을 지적했다. 오늘날 근대화 과정에서 기능분화, 전문화. 세분화의 가속화 파괴와 분열 등 현대문명의 위기에서 인간이란 ,행복이란 ,아름다움이란, 문학적 해답을..과학자와 문학자가 현대사회가 지니는 고민에 해답할 의무가 있다고 했다. 이 심포지움이 공통대화의 광장을 마련함으로 과학과 문학이라는 현대문명의 양거보잉 공통의 이해를 가짐으로 새문화창조의 길잡이가 될 수 있기를 바라는 마음 간절하다. 이날 최형섭 과학기술처장관의 축사, 박종화 학술원 원장의 격려사에 이어 다섯분의 발표가 있었고 참석자 토론이 있었다. 이번에 지면 관계로 일부만 실었다

• Cross-Cultural Studies
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• v.50
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• pp.347-370
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• 2018

This paper proposes a new direction for Comparative Literature which has been deeply Eurocentric and even colonial ever since its birth. 'Comparison' in Comparative Literature has been in fact the ideological mechanism for containing, classifying, and eventually controlling all differences in the world. Literature has naturally served as a national institution of the West at epistemological and discursive level with hidden adjective "comparative". To re-conceptualize the discipline and practice of "Comparative Literature", we need to revolutionize methodology itself based on Wai Chee Dimock's idea of "Weak Theory", Foucault's "disappearance of author", and Clifford Geertz's "thick description". "Thick description" as a methodology of comparative literature re-establishes the discipline as a field of "weak theory", defusing the centrality of linguistic identity and re-making it as a "long network" of loose and missed connections. "Thick description" poses the publicness of nation-state within "confusion of tongues", problematizes the legitimacy of modern knowledge, and puts (the western) nationalism in question. With this idea as a starting point, we can re-imagine Comparative Literature anew as a field of ceaseless discourse of longer, weaker, and thicker networks of interpretation and re-interpretation of differences.

• Journal of Korean Library and Information Science Society
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• v.53 no.2
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• pp.285-304
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• 2022

This study investigated Korean diaspora literature with the bilingual feature, which was published in a local language other than Korean, focusing on literature classification status in domestic library's materials. As a result of the investigation, domestic universities and public libraries that owned the diaspora literature materials were classifying the original work by the languages or focusing on the author's work. Nowadays, the Literature classification codes of KDC have on the language of the original work but no code on the author. Nevertheless, domestic libraries were classifying diaspora literature works by the author, not by the language of the original work, so that the same author's works were gathered in one place. This study proposes an option to classify "Korean national literature" that covers Korean diaspora literature and Korean literature into 810 of KDC to resolve the confusion in the classification of Korean diaspora literature. However, this option is a trial proposal for libraries with special needs for Korean diaspora literature classification, and further investigation and research will be necessary to apply this option.

• The Korean Journal of Archival Studies
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• no.61
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• pp.31-69
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• 2019

This study seeks to find an organizational method suitable for literary records through a review of the application of records management and an archival exploration of the literary materials of the authors, which are housed in a decentralized collection of domestic literary museums. First, through literature research and case analysis, I explored the "principles of original order" for organizing by characteristics and values of literary records. Next, the organization model was applied to the literature materials of author Jo Jung-rae(1943~) that existed in the form of a 'split-collection' in the local literature museum after drawing a model suitable for organizing literary records as an example. In order to gain an integrated approach to the 'split-collection' by Cho Jung-rae, the research result suggests a model provided through a single gateway by linking descriptive information related to ICA AtoM-based 'Records-Writers-Literature Museum'. The organizational model for the collection of individual literature museum was designed to provide richer collective and contextual information compared to the existing simple list by developing a hierarchical classification system in accordance with the principle of record organizing.

• Science of Emotion and Sensibility
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• v.26 no.4
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• pp.115-124
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• 2023

This study explores the intersection of literary studies and artificial intelligence (AI), focusing on the common theme of human emotions to foster complementary advancements in both fields. By adopting a comparative perspective, the paper investigates emotion as a shared focal point, analyzing various emotion-related concepts from both literary and AI perspectives. Despite the scarcity of research on the fusion of AI and literary studies, this study pioneers an interdisciplinary approach within the humanities, anticipating future developments in AI. It proposes that literary sensibility can contribute to AI by formalizing subjective literary emotions, thereby enhancing AI's understanding of complex human emotions. This paper's methodology involves the terminology-centered extraction of emotions, aiming to blend subjective imagination with objective technology. This fusion is expected to not only deepen AI's comprehension of human complexities but also broaden literary research by rapidly analyzing diverse human data. The study emphasizes the need for a collaborative dialogue between literature and engineering, recognizing each field's limitations while pursuing a convergent enhancement that transcends these boundaries.

• The Science & Technology
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• s.544
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• pp.92-95
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• 2014

• The Science & Technology
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• s.545
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• pp.86-89
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• 2014