• Title/Summary/Keyword: 공공극장

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A Case Study on the Programming of Public Theaters in Korea -Analysis of the Achievements and the Challenges of the Opera House of the Seoul Arts Center for the years from 1993 to 2011- (공공극장 기획공연의 프로그래밍 사례 연구 -예술의전당 오페라하우스 공연 기획의 성과와 과제-)

  • Ko, Heekyung
    • Journal of Korean Theatre Studies Association
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    • no.48
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    • pp.509-547
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    • 2012
  • The Seoul Arts Center is an representing Korean arts-complex consisting of the Opera House, the Concert Hall and the Museums. Since its opening in 1993, it has been established as a mecca of arts and the culture in Korea. Many local public theatres in Korea are benchmarking its operating system and policy. Unlike most European or American theatres, the Seoul Arts Center has no resident art companies. It is not a 'producing theatre' whose programming is mainly based on house productions with resident companies, but a 'presenting theatre' that is to be managed with rental and invitation programs without resident companies. The majority of the Korean public theatres are also presenting theatres. This study aims to research and analyze how the Seoul Arts Center has developed the programming of the Opera House for last 19 years and which challenges and issues it has been dealing with, and finally to propose what will be recommendable remedies for its successful future. The analysis is divided into four development stages: preparation period from 1981 to 1992, establishment period from 1993 to 1999, growth period from 2000 to 2006, and lastly crisis period from 2007 to 2011. Facing the 20th anniversary next year(2013), the Opera House of the Seoul Arts Center is going through recent critical situations: higher competitions among increased theatres, trends of commercial musical productions, and rapid declines in its house programs due to the low budget and unclear programming policy. I propose as a discussion to start a repositioning strategy as a Korea's representing arts-complex, utilizing all sources from inside and outside and having the policy direction.

A Study on the Introduction of a Dramaturg System for the Active Management of Local Public Theaters (지역 공공극장 운영 활성화를 위한 드라마투르그 제도 도입 연구)

  • Hwang, ARam
    • Korean Association of Arts Management
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    • no.60
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    • pp.69-92
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    • 2021
  • This study was designed to insist on the need of introducing the position of dramaturgs as professionals at performance venues. A dramaturg is a professional staff member that proposes an artistic orientation in the making process of performing arts works such as play and dance. Dramaturgs are divided into production dramaturgs participating in individual works and permanent dramaturgs resident in the theater. In the present study, discussions developed around plans to make use of permanent dramaturgs at local public theaters. The study introduced the advantages of the dramaturg position at culture and arts centers serving as a public theater in the community and proposed institutional improvement measures for it. At a culture and arts center, a dramaturg will play the roles of expanding culture and arts service to local residents, increasing creative chances for local artists, contribution to the vitalization of local culture, and narrowing the cultural gap between the Seoul metropolitan region and the rest of the nation. The introduction of a permanent dramaturg system should be supported by efforts across various aspects including the revision of Culture and Arts Promotion Act and Public Performance Act, improvement of the management system of culture and arts centers, change of performance evaluation methods for performance venues, and introduction of a cultivation course for the public sector.

Performance Activities and Social Role of the Theater in Ulsan during the Japanese Colonial Period (일제강점기 울산지역 극장의 공연활동과 사회적 역할)

  • Kim, Joung-Ho
    • (The) Research of the performance art and culture
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    • no.42
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    • pp.107-146
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    • 2021
  • This article examined the current status of performance activities in the theaters in Ulsan during the Japanese colonial period, and examined the characteristics and social roles of performance culture at that time.,The cultural space during the Japanese colonial period can be divided into theater space and semi-theater space.,The theater spaces in Ulsan include Daejeonggwan, Sangbanggwan, and Ulsan Theater. The semi-theater spaces include Ulsan Youth Center, Ulsan Youth Alliance Hall, Barrack Youth Hall, Eonyang Youth Alliance Hall, Eonyang Christian Hall, Eonyang Christian Hall, Eonyang Inn, Eonyang Public Inn, Eonyang Public Normal School, Seosaeng School, Ulsan Public Aid Auditorium, Night school.,These spaces not only held events or performances for a specific purpose, but also played a role as public spaces producing local discourse. The theater was a complex cultural space where performances are performed along with movie performances, and artists and audiences meet.,Furthermore, the theater provided a special experience of producing and consuming various issues such as colonial modernization, modern city formation, and the emergence of new popular culture beyond the meaning of stage space.,The theaters in Ulsan also functioned as a space to represent the foreign culture acceptance, leisure activities, the performance and viewing of cultural contents, and the artistic skills of local artists in accordance with the purpose of establishing local theaters.,It was a base space for local discourse production and enjoyment activities by holding political rallies, meetings, lecture activities, and various conferences.,Political rallies were also concerts, enlightenment activities were also accompanied by film screenings, and music performances were associated with dance performances and charity gatherings.,In particular, Ulsan Theater, which is the first theater in Ulsan, and the role of the public hall, held a lecture, debate, and oratory for public enlightenment along with performances such as musical drama, children's song contest, fairy tale contest, small-sized play performance,, It was widely used as a large-scale rallying place, and served as a public hall, such as a place to visit outside theaters. Thus, the theater and semi-theater space in Ulsan during the Japanese colonial period improved the cultural level of the region, fulfilling the aesthetic needs of the local people and faithfully fulfilling the social role as a public sphere leading the public opinion and agenda.,And it was also positioned as an alternative public area of ​​modern society and also played a role as a public institution.

A Study on the Performativity of the Audience and Learners through the Operaestate Exhibition Festival (Operaestate 전시 축제 사례를 통해서 본 관객과 학습자의 수행성에 관한 연구)

  • Park, Nahoon
    • Trans-
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    • v.9
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    • pp.1-15
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    • 2020
  • The most prominent phenomenon in performing arts in recent is the social sharing of art products. As a result of the city's reinterpretation of each local government, production of performances, activation of performances outside the theater, and performances performed in streets and specific spaces and public spaces deviate from traditional theater-based performance forms through social communication and expansion. Also, it is seen as an effort to expand the delinquency of the act. Furthermore, it can be said that this proves the publicity of contemporary performing arts. I will research the audience and learners through the Opera Estate festival, a recent exhibition in the Balsano del Grappa, Italy, which is based on the site-specific performance form that has been actively conducted several years ago.

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A Study on Interactive Animation Production as Public Art : Focusing on an Case of the Live Window Animation, (공공예술로서의 인터랙티브 애니메이션 제작 연구 : 라이브 윈도우 애니메이션 <북극곰 파오> 사례를 중심으로)

  • Chang, Wook-Sang;Yu, Seung-Cheol
    • Cartoon and Animation Studies
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    • s.33
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    • pp.153-172
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    • 2013
  • There are many cases that messages of boring contents of most contents with public interests appear on the surface. Audiences don't think these contents are interesting. It is true that animations cannot be generally boring when delivering messages of public interests. was produced to focus on making audiences experience that a global warming story, the boring and textbook contents is interesting. And it was composed by the multiform story to realize narration through audiences' participation by utilizing the characteristics of live windows, not just watching the animation. This paper examines the differences between theaters and live window through the case that was produced and examples which utilized interaction for audiences' participation based on this. It analyzes the differences between environments according to characteristics of places and audiences in the differences between the theaters and live window, examines the examples to utilize interaction focusing on the process that narration is gradually changed as response to user environment design and interaction for unspecified individuals, and suggests direction that animation should move forward as public art based on the results to show the animation in Millano Piazza. According to the characteristics of live windows, the audiences of are people in the streets who are heading for different destinations, not the ones who come to theaters to watch the animation. Showing the animation with narration to them was a new attempt. When it began to show it in Millano Piazza, the audiences were very satisfied with the experiences that the stories were changed as they participated in it by themselves and naturally thought of global warming problems. You cannot know how the message of change people's habits and thoughts for the present, but this attempt was an opportunity that animations play the social role. Many animations are being produced in the world. Most of them are being done to aim at theaters, TVs, and film festivals. They should meet audiences through more various methods. One of them is animations as public art. And can be the new attempt in this sense. And in the future, animations as public art should make efforts to show you interesting experiences that you can share thoughts to be able to live together. As art of various media is changing to the one which considers public interests, animations can be new types of public art by integrating them with various technologies.

A Study on Urban Plaza as a Theatre and its Reinterpretation in Modern Public Space -Focus on Italian urban plaza- (무대수단으로 본 광장과 공공영역 회복에 관한 기초적 연구 -이탈리아의 도시광장을 중심으로-)

  • 임종엽
    • Korean Institute of Interior Design Journal
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    • no.19
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    • pp.38-44
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    • 1999
  • This study examines the use of public space in the urban environment based on the theory of Italian plazas as a theatre. Public space is considered as a symbolic representation of the urban organizatiov. In history, especially in Italy, the plaza was a common tool in reflecting people's lives through its use as a theatre. However, this role of plaza as a public space has lost its value with the population increase and the urban centralization of the city. This study attempts to reevaluate the needed of public space in modern society through a critical review of plaza and its use as a theatre. Content analysis was used to discuss the topics of this study including the historical background of the urban plaza, the relationship between plaza and theatre, and the role of public space and its impact on urban environment. The scope of the study is limited to the development of urban plaza from the ancient Greek to premodern Italy. Today, the concept of space is altered with the advent of cyberspace, This study provides insights for the future implications of plaza and theatre in developing public space for its a new definition as cultural representatiov.

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A Study on Indoor Alert Broadcasting System for Mongolian Earthquake Disaster Warning System (몽골 지진조기경보시스템을 위한 옥내경보방송 방안 연구)

  • Lee, Seung-Hyung;Ahn, Byung-Dug;Lee, Won-Suk;Choi, Jong-In
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2017.06a
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    • pp.1-4
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    • 2017
  • 본 논문에서는 2014년도 몽골에 구축된 지진조기경보시스템(EDWS : Earthquake Disaster Warning System)을 효율적으로 운영하기 위한 방안에 대하여 연구하였으며 우리나라 기업에서 구축 운영 중인 몽골 지진조기경보시스템은 VHF망과 위성망을 이용하여 재난 상황 발생 시 즉각적으로 옥외 경보방송과 TV, 라디오를 이용하여 상황을 전파 할 수 있도록 구성되어 있다. 그러나 울란바토르 시내 중심부에는 많은 관공서와 사무실, 극장, 쇼핑몰, 아파트 등이 밀집되어 있어 실내에서 재난경보 방송을 청취하기가 쉽지 않아 재난경보 사각 지대 및 음영지역이 존재하는 상태이다. 본 연구를 통해 정부 유관기관 및 인구밀집지역 건물 내부에 효과적인 옥내경보방송 방법을 제시하여 각종 재난 재해시 경보방송의 활용성을 높이고 몽골 정부기관과 대형 공공 건물에 의무적으로 옥내경보방송 장치 설치를 유도하여 보다 효율적인 경보방송 시스템을 제시하고자 한다.

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Kiosk System Design using Bluetooth SPP on Android Platform (안드로이드 플랫폼 기반 블루투스 SPP를 이용한 키오스크 시스템 설계)

  • Nam, Yong-Su;Kim, Tae-Yong
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.15 no.10
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    • pp.2143-2148
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    • 2011
  • In general, existed kiosk using touch-screen based kiosk system has been used by only single user, so that multiple users to access this kiosk need to provide a lot of waiting time and maintenance costs. To solve this problem, the framework design based on Bluetooth profile for kiosk servers is presented. The proposed kiosk system can be more efficiently used in theater, train station, bank, government, and public offices by using Bluetooth module and AP in mobile system such as smart phone.

The Analysis on the Effects of Wavewall in Mobile Communication (전파차단장치가 이동통신에 미치는 영향에 관한 분석)

  • 최성호;박진아;전귀수;박덕규
    • Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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    • 1999.11a
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    • pp.156-160
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    • 1999
  • Recently, the use of mobile phone services has been tremendously increased. Thus, to prevent public nuisance related to mobile phone calls in specific locations such as theatres, contort halls or hospital. the use of the inhibiting equipment to deter communication over mobile phone etc.(hereinafter referred to as the “wavewall”) has been required. In this paper, we investigated the current status of wavewall for other countries and analyzed the effect on the mobile communication which is generated by using the wavewall.

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A Study on the Arrangement and Description for Performing Arts Resource: Focusing on current states of public Institution (공연예술자료의 정리와 기술 방안 연구 - 공공기관의 현황을 중심으로 -)

  • Lee, Chang-Min;Lee, Hosin
    • Proceedings of the Korean Society for Information Management Conference
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    • 2014.08a
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    • pp.37-42
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    • 2014
  • 최근 국내에서는 공연예술의 문화적 가치 향유와 보존에 주목하고 있다. 국가단위 움직임은 물론 민간단위에서도 공연예술 관리 기관이 속속 등장하고 있어 그 관심의 정도를 말해준다. 하지만 관심의 정도에 비례하여 공연예술자료가 지닌 고유한 특성과 맥락을 온전히 수집 정리 서비스되고 있는지는 의문이다. 이에 본 연구에서는 국내 대표적 공연예술자료관리 기관인 한국문화예술위원회 예술자료원, 국립극장, 국립국악원 세 곳을 사례로 하여 국내 공연예술관리 기술 정리 현황을 조사 분석해 문제점을 알아보고 이 결과를 바탕으로 바람직한 정리와 기술을 위한 시사점을 도출하려 한다.

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