• The Journal of the Korea Contents Association
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• v.22 no.8
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• pp.227-234
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• 2022

This study identified the characteristics of surrealistic art and examined the choreography method based on the representative work of choreographer William Forsythe. Forsyth developed into a ground breaking performing art through surrealistic characteristics and his own method, and sought to find a new body image based on this original choreographic approach. Through this, it was found that the destruction and dismantling of forms, which are surrealistic art characteristics, appeared as separate movements, space reconstruction, and special objects in the choreography method of Forsythe. Therefore, the purpose of this paper is to investigate the characteristics and forms of surrealism and to identify the surrealistic elements that appear in William Forsythe's.

• Journal of the Korean Geographical Society
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• v.42 no.2 s.119
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• pp.218-242
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• 2007

This paper is to consider the developmental process of Korean geography on the context of socio-spatial transformations of Korea, and then to suggest briefly its alternative visions. The development of knowledge including geography seems to be made under imperatives of social functions and structure in a given period, and knowledge in turn gives power for a further development of society. Modem geography in Korea has progressed on the context of capitalist development of Korean society which can be divided into two phases, that is, the period of developmentalism and that of neoliberalism. Korean geography has been developed under influence of ideologies of developmentalism and neoliberalism, and in turn has made some contributions to socio-spatial policies. Korean geography in the future, it can be suggested, should go beyond both developmentalism and neoliberalism, and put socio-spatial welfare, civil society or community, and environmental justice into its central issues.

• The Journal of the Korea Contents Association
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• v.6 no.1
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• pp.41-53
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• 2006

In this paper, an adaptive ROI(region of interest) detection system for spatialtemporal features is proposed. It utilizes spatiotemporal features for the purpose of detecting ROI. It is assumed that motion representing temporal visual conspicuity between adjacent frames takes higher priority over spatial visual conspicuity. Because objects or regions in motion usually draw stronger attention than others in motion pictures. In case of still images visual features that constitute topographic feature maps are used as spatial features. Comparative experiments with a human subjective evaluation show that correct detection rate of visual attention region is improved by exploiting both spatial and temporal features compared to the case of exploiting either feature.

• Korean Institute of Interior Design Journal
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• v.21 no.1
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• pp.51-58
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• 2012

The purpose of this study is to present the cognition of speculative aesthetics in the architectural space. Architectural space as the subject of the aesthetical study has been ignored such a long period though it should be centered of the whole architectural theory. Even it has not been dealt with independently but just only as a part of aesthetic or artistic field. Also it is also true that academic approach to the architectural space as per the aesthetic recognition has not been done so satisfactorily. The transcendental subjectivity as the aesthetic cognitive viewpoint of the architectural space means speculative aesthetics and the understands the essential meaning of the function and composition The conclusions of this study are as follows : The formalistic cognitive concepts including organic functional space between the whole and the part and anti-cubic synchronous space are included in the architecture of the speculative cognition, and finally the contextual cognitive concepts including the restoring analogical space of the in-depth constituent factors and associated centripetal spaces.

• Korean Institute of Interior Design Journal
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• no.34
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• pp.45-52
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• 2002

It is noted that the expressionistic feature appears as one of characteristic phenomena for representing the regional culture and economic level. In architecture, it seems to be difficult to define the expressionism in a concrete way because of lots of meanings the word originally has. In this study, the expressionistic feature is defined as a mode which impresses the users emotionally with strength or as a touching and stimulating one, contrary to the designing conception which pursues only the rationality and the functionality. These features can be expressed as designing methods such as organic form, adoption of natural design factor, decisive opening of space or its extreme closing, contrast of mutually opposite components, or application of basic design components.These methods described above are largely categorized into spatial form, openness, scale and design component and also are studied for each example within the scope of these categories. This study has significance in conceptualizing this expressionistic tendency and in analyzing some detailed aspects for expression.

• Journal of The Korean Digital Architecture Interior Association
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• v.9 no.3
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• pp.77-83
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• 2009

Van Doesburg founded the magazine De Stijl with Mondrian in 1917. De Stijl movement was influenced by Cubist painting as well as by the mysticism and the ideas about ideal geometric forms in the neoplatonic philosophy. De Stijl proposed ultimate simplicity and abstraction by using only straight horizontal and vertical lines and rectangular forms. Furthermore, their formal vocabulary was limited to the primary colours, red, yellow, and blue, and the three primary values, black, white, and grey. The works avoided symmetry and attained aesthetic balance by the use of opposition. Vertical and horizontal lines are positioned in layers or planes that do not intersect, thereby allowing each element to exist independently and unobstructed by other elements In 1924 their different concepts about space and time were split between Van Doesburg and Mondrian. Van Doesburg launched a new concept for his art, Elementarism, which was characterized by the diagonal lines and rivaled with Mondrian's Neo-Plasticism. The works of De Stijl would influence the Bauhaus style and the international style of architecture.

• Journal of The Korean Digital Architecture Interior Association
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• v.7 no.1
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• pp.15-20
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• 2007

This study is aimed to analyze the method of movement expression in the Space-Time of Modern Visual Art. According to the results of analysis. the following is obtained. (1) The still object is perceived by the sense or optical illusion, and its whole image is made through the information processing prodedure. The concept of Space-Time is integrated into the constructivist works by the composition of image through transforming the position of the fundamental geometry and projecting it. (2) The traditional notion that the work of art is still concept of is changed. The movement of observer is caused by inducing the direction and concept of time through the object in three dimensional space.

• 주택과사람들
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• s.206
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• pp.92-95
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• 2007

인천 송도 국제신도시에 위치한 송도 해모로 아파트, 친환경주의를 지향하며 자연의 혜택을 극대화한 과학적인 단지 설계와 풍부한 녹지 공간을 자랑한다. '제3회 인천조경상'을 수상하며 친환경주의 아파트로 공식 인정받은 송도 해모로 아파트의 입주민들을 만나보았다.

• Proceedings of the Korea Society of Design Studies Conference
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• 2003.05a
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• pp.152-153
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• 2003

• Proceedings of the KGS Conference
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• 2004.11a
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• pp.28-28
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• 2004