• Proceedings of the Korea Information Processing Society Conference
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• 2002.04b
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• pp.943-946
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• 2002

본 논문은 심각한 문제를 일으키고 있는 유해 정보들이 인터넷을 통해 무분별하게 제공되기 때문에 우리의 청소년들이 접근을 차단할 수 있는 시스템의 설계와 구현에 관한 연구이다. 유해 정보를 차단하기 위해 여러 차단 소프트웨어들이 개발되어서 기존의 차단 소프트웨어들은 차단 목록 데이터베이스를 사용해서 목록에 있는 경우 차단을 하거나 등급 표시에 따르도록 한다. 차단 목록 데이터베이스의 지속적인 업데이트, 등급 표시에 따른 오류나 사전 검열 등이 문제점으로 나타났다. 이 문제점 해결을 위해 본 논문에서는 사이트 상에서 제공되어지는 내용을 AC 머신을 이용하여 유해 단어를 추출하고 유해 정보 데이터베이스를 이용해서 유해 단어에 가중치를 부여했다. 그 결과로 유해 정보를 포함한 사이트는 90%의 차단률을 보여 효율적인 시스템으로 판명되었다.

• Journal of the Institute of Electronics and Information Engineers
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• v.52 no.11
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• pp.20-26
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• 2015

Internet censorship-circumvention and anonymizing services are becoming important with an increase in Internet population. Existing circumvention/anonymizing systems, however, have their own limitations, and they mainly suffer from the shortage of volunteers who relay others' traffic to bypass censors. In this paper, we present a new way of achieving censorship-circumvention while guaranteeing anonymity through the cooperation between censored and uncensored users.

• Proceedings of the Korea Information Processing Society Conference
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• 2022.05a
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• pp.173-175
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• 2022

국방 각급 부대는 망연계 자료교환 시스템에 의해 인터넷과 국방망을 연계하여 데이터를 수집하고 있다. 또한, 안전한 국방 데이터수집과 빅데이터 환경조성을 위해 악성코드를 내재한 데이터들을 차단 및 분류하는 데이터 검열을 수행한다. 그러나 수집되는 데이터들이 새로운 악성코드를 내재할 경우, 현재 운용되고 있는 국방 시스템으로 식별하는 것이 불가능하여 외부로부터의 보안위협이 존재한다. 따라서 본 논문에서는 새로운 악성코드 위협에도 대응할 수 있는 Learned MAPE-K 기반 자료교환 시스템을 제안한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2020.07a
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• pp.229-230
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• 2020

이 연구의 목적은 프로그래밍 교육으로 얻을 수 있는 다양한 능력 중 하드 스킬의 관점에서 프로그래밍 경험이 스킬을 향상시킬 수 있는지를 확인 하여 프로그래밍 교육이 필요한 이유를 밝히고, 프로그래밍 교육의 활성화에 기여하고자 하는 것이다. 이 연구의 결과는 첫째, 프로그래밍 교육이 다양한 전이가능한 하드스킬(transferable hard skills) 향상에 긍정적인 영향을 주는 것으로 확인되었다. 둘째, 프로그래밍 경험은 검열, 검사, 세부적 관찰 등의 하드 스킬에 미치는 영향이 개인차가 큰 것으로 확인되었다.

• Journal of Popular Narrative
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• v.25 no.4
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• pp.159-190
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• 2019

This paper aims to examine to the political unconsciousness of social movies that have caused social repercussions in the 2010s, and to study the social imagination of Korean films at that time. Korean Movies such as (2013), <1987>(2017) and (2017) reflect the ethos of civil society based on common sense and justice. The epic structure was the same as that of ordinary citizens, who move toward a public space (court, square) after awakening their political correctness. More than anything else, the fact that such films were based on "a historical fact" could have been a strategy to avoid censorship in the era of the blacklist. In these social films, courts and squares have become places for democracy. The conservative government of the time was tired of anti-government resistance and the politics of the square. Thus, films from directors and producers blacklisted were difficult to produce. That's why the court in the movie during this period could become a symbolic proxy for the "legitimate" reenactment of the politics of the square, which was subject to censorship and avoidance by the regime of the time. Meanwhile, the square has gradually become the main venue for political films that advocate "historic true stories." The square of the 1980s, which appeared in the movies, will be connected to the Gwanghwamun candlelight square that audiences experienced in 2017. Furthermore, it was able to reach the concept of an abstract square as an "open space for democracy." At the foundation of these works is a psychological framework that equates the trauma of the failed democratic movement of the 1980s to the trauma of the failed progressive movement of the 2010s. Through this study, we were able to see that social political films in the 2010s were quite successful, emphasizing "political correctness" and constitutional common sense. But they also had limitations as "de-political popular films" that failed to show imagination beyond the censorship of the blacklist era.

• Korean journal of communication and information
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• v.66
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• pp.242-272
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• 2014

This study examines why follow-up investigative programs about the sinking of the Cheonan Patrol Combat Corvette(ROKS Cheonan) have not been produced, despite much speculation surrounding the cause of the sinking since November 2010, when KBS investigative program, In-Depth 60 Minutes which had covered the incident was aired. We have uncovered four reasons through a series of in-depth interviews with producers and reporters, as follows. First, Korean military authorities monopolized relevant information, while the producers could not prove or confirm the validity of the findings of the JIG(Joint Civilian-Military Investigation Group)'s report because the facts had been revealed partially and selectively by the authorities and the press' scientific investigation were rejected by the authorities. Second, the crew of In-Depth 60 Minutes was subjected to severe disciplinary action by the Korea Communications Commission. This caused a chilling effect, - it broke the producers' resolve to further explore the reason behind the sinking. Furthermore, the screening of the investigative documentary, Project Cheonan Ship was cancelled without prior notice, presumably by the power of the State and markets. Third, the reorganization and shake-up of personnel by broadcasting stations' presidents appointed by the power of the State crushed the spirit of PD Journalism. Finally, the "red purge" factions stigmatized by the political or military, or the mainstream press, caused the producers or broadcasters to engage in self-censorship. The idea has been used in Korea as a smoke screen to deflect public attention. Nevertheless, the producers hope to shed light on the Cheonan sinking incident and to prove reasonable doubts by pursuing follow-up investigations.

• The Journal of the Convergence on Culture Technology
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• v.6 no.2
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• pp.71-76
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• 2020

The preface to the Korean version of ≪十個詞彙中的中國≫ is titled This means June 4, 1989, when the Tiananmen Square incident in China took place. It was cleverly called 'May 35' to avoid censorship by the Chinese government. The reason why the original ≪十個詞彙中的中國≫ is banned from publishing in China is because the book directly mentions the Tiananmen Square incident. On the contrary, it was published in the May 35 style of writing in spite of public opinion. Writing in the May 35 and June 4 style refers to writing in "fiction" and "non-fiction." For the past three decades, Yu-hwa has talked about the Chinese reality in love and hate amid the so-called fiction "false writing." And it is someone's admission that there was a keen spirit of criticism in the past. ≪十個詞彙中的中國≫ has an important meaning that Yu-hwa is no longer dependent on the framework of fiction, but is the first work to begin to express the desire to directly talk about.

• Cross-Cultural Studies
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• v.43
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• pp.171-206
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• 2016

Russian anarchist thinker P. A. Kropotkin had a significant impact on the school of thought, the literary field and the anarchist movement in East Asia in the early 20th century. This paper examines the history of the translation of Kropotkin in terms of the routes and paths of translation in colonial Korea in comparison with those in Japan and China. It is a known fact that the acceptance of Kropotkin in colonial Korea is owed to pioneering translation works in Japan, but it appears that there have been various transformations and magnetizations in the process of translating the texts into the Korean language. Despite a disturbing censorship, the works of Kropotkin, such as "I appeal to the youth ("Aux Jeunes Gens" in French)", were imported, translated and distributed by various routes throughout the 1920s and there were various versions of translated Korean texts. At this point, it is noteworthy that there are works which were translated from Chinese texts about Kropotkin, such as the works of Yu Seo (柳絮), and it can be said that there is a relationship between Korean translations and Chinese original texts. Since the 1930s, the phenomenon of the appropriation of Kropotkin as a litterateur and critic rather than an anarchist thinker is particularly apparent, and this allows us to understand that Kropotkin became a major pathway to interpret Russian literature in East Asia. In colonial Korea, translations of Kropotkin were generally via Japan and China, but the process of translation also showed the struggle to accept and adapt 'the foreign text' into the Korean language.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.15 no.1
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• pp.193-216
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• 2004

This study focuses on "Intellectual Freedom" based on the fundamental principles of library services. Particularly, this paper pursues to the legal foundations of "the freedom of expression". The American Library Association celebrates "the Banned Books Week" to draw attentions to the danger of banned books and censorship. This study also studies how "the banned books" are made by pursuing the definitions of "pornography" and "obscenity" in terms of the court's opinions of The Supreme Court of the United States and Korea. Recently, the top three reasons for the "banned books" are considered to "be sexually explicit", "contain offensive language" and "be unsuitable to age groups".

• Journal of Korean Library and Information Science Society
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• v.42 no.1
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• pp.165-182
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• 2011

This paper attempts to portray the issues of intellectual freedom that confront librarians in developing collections in libraries. It is observed that the issue has hardly been drawn attention in Korea while, from various cases, concerns about intellectual freedom have been increased in many countries. Situated in this observation, this paper surveys various aspects of endeavors to protect intellectual freedom in information service settings. It is also stressed how such issues as free access to information, freedom to know, information barriers in public sectors, and freedom of expression are addressed in library world. Emphasis was also put on the meaning of intellectual freedom as viewed through some policy documents and guidelines in other countries and its implications.