• Korean Architects
• /
• s.495
• /
• pp.88-90
• /
• 2010

• Korean Architects
• /
• v.2 no.3 s.3
• /
• pp.4-27
• /
• 1967

건축 중인 국립박물관 부여분관의 건축양식(김수근씨 설계)이 일본 신사건축양식을 닮았다는 시비는 건축계는 물론 사학계를 비롯한 일반의 큰 관심사가 되었다. 특히 민족의 혼이 배어 있는 백제의 귀물을 영구히 보존하며 전시할 박물관이라는데 그 문제점이 있다. 본 협회에서는 지난 8월 27일, 9월 9일 양차에 걸쳐 본 협회 임원과 좌담회에 참석할 각계 대표로서 조사단을 구성하여 현지를 답사하고 9월13일에 신문회관 3층에서 각계 인사를 모신가운데 좌담회를 가졌다.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
• /
• 2012.10a
• /
• pp.294-296
• /
• 2012

플로팅홈의 역사가 오래된 미주지역의 답사를 통하여, 플로팅홈의 연혁과 현황을 파악하며 거주민의 의식을 조사하여 우리나라 플로팅건축 건립시 참고자료를 제공하고자 한다. 연구조사결과를 정리하면 다음과 같다. 플로틴홈을 건축으로 인정받고 있고, 폰툰은 대부분 목재로 구축되고, 계류는 목재와 철재 돌핀으로 처리되고, 화재에 대한 대비가 철저하고, 대지나 건축규모가 커지고 다양해지고 있으며, 자연환경보존에 대한 고려가 요구되고 있다.

• Proceedings of the Korea Water Resources Association Conference
• /
• 2022.05a
• /
• pp.79-79
• /
• 2022

수치표고모형(digital elevation model)으로부터 추출한 하천망이 실제를 제대로 대변하기 위해서는 정확한 하천시점을 지정하는 것이 필요하다. 그러나, 아직까지 범용적으로 활용할 수 있는 하천시점 결정 방법은 개발되지 못한 실정이다. 하천시점의 결정 방법에 관한 연구가 미비한 근본적인 이유는 실측을 통한 하천시점 자료가 매우 부족하기 때문이다. 또한 하천시점의 위치를 조사하였더라도 하천시점은 시간에 따라 변화할 수 있기 때문에 일회성 하천답사로 하천시점의 위치를 단정할 수 없다. 이 연구는 실측을 통해 하천시점 결정요인에 대하여 이해를 구하는 것을 목표로 한다. 무갑천을 대상으로 하여 네 차례(2월, 4월, 5월, 8월) 현장답사를 수행하여 하천시점 위치를 파악하였다. 하천시점의 개수와 위치가 변화하는 것을 관찰하였고, 2월부터 5월까지 하천시점은 상류로 팽창하는 양상을 보이다 8월에 하류방향으로 수축하는 형태를 나타냈다. 이러한 거동의 원인으로는 2월부터 5월까지유역 내 식생 발달이 비교적 적고 강수량이 증가하여 하천시점이 팽창된 것으로 파악되었며, 8월에는 강수량이 이전의 조사기간 보다 증가하였으나 식생이 활발히 발달하여 하천시점이 수축된 것으로 파악되었다.

• Proceedings of the Korean Society of Computer Information Conference
• /
• 2016.07a
• /
• pp.157-159
• /
• 2016

최근 학교폭력 및 묻지마 범죄가 꾸준히 증가추세에 있다. 2011년 12월 학교폭력에 의한 대구중학생 자살사건, 2010년 2월 김길태 사건과 6월 김수철 사건, 2016년 5월 강남역 노래방 살인사건과 6월 섬마을 여교사 사건 등 사회적 약자인 소년, 여성 대상범죄 및 묻지마 범죄가 사회문제로 대두되고 있다. 이에 따라 범죄예방 도구이자 전략으로써 CPTED가 하나의 대안으로 부각되고 있다. 국토교통부는 건축물, 건축설비 및 대지에 관한 범죄예방 기준인 '범죄예방 건축기준 고시'를 2015년부터 시행하고 있는데 적용대상 건물 등은 이 기준에 따라 설계하고 건축해야 한다. 현대 위험사회에서 강력범죄 및 경범죄의 사전예방을 위해서는 사회 안전시스템 구축이 요구되며 그 대안으로 환경설계를 통해 범행기회를 심리적, 물리적으로 차단하는 정책을 모색함으로써 환경범죄학 입장에서 범죄예방에 접근할 필요가 있다.

• Journal of Convergence for Information Technology
• /
• v.11 no.6
• /
• pp.107-112
• /
• 2021

This study aims to analyze a cafe built by reflecting the characteristics of Jeju among the cafes in Jeju. This is to provide practical help to prospective prep entrepreneurs who want to start a cafe in Jeju. The cafe reflecting the characteristics of Jeju maintains its own competitiveness and constant interest of tourists by securing differentiation and uniqueness. In addition, by looking at the characteristics of Jeju applied to cafe architecture, the academic foundation for understanding the Jeju and applicable characteristics of Jeju were summarized. The study was conducted in parallel with literature analysis and on-site analysis, and as a result, the following contents were found. First, it is a reflection of Jeju's phenomenal materiality. Second, it is a reflection of Jeju's interpretive everyday life. Third, it is a reflection of Jeju's materiality time. In this regard, if prep entrepreneurs start a cafe that reflects the characteristics of Jeju, they can create a cafe with very specific characteristics if they integrate the three characteristics above.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.17 no.12
• /
• pp.518-531
• /
• 2016

This study aimed to find the architectural meaning and characteristics of L'Art Sacr? Movement advocated by Dominican Father Marie Alain Couturie. From 1936 till 1954 Father Couturier was the chief editor of the review L'Art Sacr? that became very influential among art critics no longer satisfied with what was considered outdated 19th century church interior decoration. Marie Alain Couturie was a French Dominican friar and Catholic priest who gained fame as a designer of stained glass windows. He was noted for his modern inspiration in the field of Sacred Art. Couturier's greatest ambition was to revive Christian art by appealing to the independent masters of his time. From these viewpoint, we investigated the background and process of the movement and analyzed the architectural meaning and characteristics which represented the Art Sacr? movement. The analyzed chapel buildings were as follows: 1) The Church of Notre-Dame de Toute Gr?ce du Plateau d'Assy, bringing together Braque, Matisse, Rouault, L?ger and Chagall, 2) The Chapel of Saint-Marie Rosaire by Henri Matisse, 3) The Chapel of Notre Dame du Haut and The Couvent de La Tourette by Le Corbusier, and 4) The Rothko Chapel by Mark Rothko and Philip Johnson. These L'Art Sacr? projects inscribedthemselveswithin what was the century's most serious attempt at the reintegration of Art and religious space. Courturier's interactions with artists and architects are traced and shown to have played a major role in the evolution of the priest's thinking and Church interior decoration. At the same time, Courturier's clear and vigorous L'Art Sacr? articles were both defining the theoretical basis of new vision and anticipating the renewal of the religious space.

• Journal of the Korea Convergence Society
• /
• v.9 no.10
• /
• pp.229-235
• /
• 2018

The Hanok church is an important cultural heritage that can be considered from a religious point of view of life in the modern age in Korea. We will investigate the bounadaries of the Hanok church built in modern age and the characteristics of Hanok architectural. To do so, we have conducted field trips, interviews, and repair reports of the Gimje Geumsan Church in the Jeollabuk province. The Geumsan Church is present, and the architectural characteristics can be confirmed in detail. In addition, Yugwang School, which was responsible for the education function, was able to guess the location and size through the data. As a result, the boundaries of Geumsan Church is the present fence, the west side has the building, and the east side has the playground. The Geumsan Church's flat form was divided into male and female according to the space configuration of ㄱ-shaped reflecting Confucian thought of the time. And it seems that the Yugwang school was located in the entrance part of the modern church with a two-frame scale, which is suitable for lecture.

• Journal of architectural history
• /
• v.18 no.6
• /
• pp.103-126
• /
• 2009

This study aims to discover historical trends and change of form of all stupas in India with observation of field study that is as direct as possible, by classifying, analyzing, and synthesizing the stupas. Study of Indian stupa in Korea has a number of shortcomings since only introductory partial approach has been made in order to seek the origin of Korean pagoda. This study also aims to correct errors of stupa terminology in Chinese character committed by misinterpretation of Hindi language which was established by precedent Japanese scholars several decades ago. Piled-up stupas were totally destroyed by pagans, therefore their remains tell us only of structure, material, sizeand disposition. However remains of carved stone at torana and drum give us clues as to the original form of stupa and worshipping activity, as well as change to a more luxurious form. Many rock cave stupas of India show us both simple forms matching the ascetic age of early Buddhism and luxurious changes in Mahayanan era introducing us to statues of Buddha. Indians recovered the spheric form of 'anda,' a Hindi term meaning cosmic egg, from the hemispheric form of the piled-up stupa. Therefore we might discard the erratic term of 'bokbal', which means an upset vessel. Railings and parasols became main factors of stupa design. Carved railings around stupa became a sign of divinity. Serious worshipping activity made drums long or high and created multi-embossed stripes. Bases of circular drums of some cave stupas changed their shapes to rectangular or octagonal. Single parasols became multiparasols of affluent flowerlike curved stems on carved stupa. Multistoried, elongated and high parasols of Gandhara stupas are closely related to such factors as diverse changes of form in Indian subcontinent. Four-sided torana gate and ayaka column of the circular form of original stupas suggest the rectangular form of subsequent East Asian pagoda, and higher and wider base of Indian stupas became the origin of East Asian rectangular pagoda.

• Korean Journal of Heritage: History & Science
• /
• v.45 no.3
• /
• pp.28-59
• /
• 2012

The $Sh{\grave{a}}ngdu$ site in the Yuan Dynasty of China, a capital city located in the northern steppe area characterised by the nomadic life, has received great attentions from a number of travellers, historians and archaeologists. Several famous European travellers described vividly the city structure and civil life of $Sh{\grave{a}}ngdu$ from the Yuan Dynasty onwards. Since the begging of the modern era, a number of foreign expeditionists and historians explored $Sh{\grave{a}}ngdu$ and published research reports. From the 20th century, mainly Chinese and Japanese historians and archaeologists carried out the relatively detailed historical researches and archaeological surveys to the $Sh{\grave{a}}ngdu$ site; and published books, articles and excavation reports. More detailed and scientific archaeological investigations, mappings and excavations have been conducted since 1990s. This paper aims to progress basic discussion to the city structures of the $Sh{\grave{a}}ngdu$ site based on the previously conducted researches by expeditionists, geographers and archaeologists and the full scale investigations, which have been carried out since the late 20th century.