• Korean Architects
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• s.558
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• pp.166-171
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• 2015

지난 회까지 3회에 걸쳐서 parametric tool의 정의, 간략한 역사, 그리고 기본적인 구성에 대하여 알아 보았습니다. 이번회부터는 약속드렸듯이 parametric tool이 실제 건축 프로세스에 어떻게 적용이 되는지 각 회별로 사례를 통해 이야기해보도록 하겠습니다.

• Journal of architectural history
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• v.27 no.3
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• pp.7-14
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• 2018

In the 1930s, The Architectural Association of Joseon run the 'Architectural Material Display' on the 2nd floor of the Japan Life Insurance Building in Hwanggumjeong(currently Euljiro street). The purpose of this place was to introduce new architectural materials to builders. And they issued a "建築資料型錄(Architectural Material Catalog)" and distributed it free of charge so that people in districts at long distances can make use of it. This catalog contains descriptions, photographs and drawings of various architectural materials that were common at the time, and the overseas branch address of the store is stated. The purpose of this research is to investigate the type and characteristics of architectural materials distributed in Northeast Asia around the 1930s, the region of sale, affiliated companies by closely analyzing the "建築資料型錄".

• Journal of architectural history
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• v.29 no.6
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• pp.67-77
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• 2020

The purpose of this study is to reveal the wood joinery technique in the ancient era. Joinery is one of the core techniques in constructing timber frame architecture in the Korean peninsula. These techniques can be revealed by examining wooden members of ancient buildings. The members were excavated at the Donggung Palace and Wolji Pond, the historic site in Gyeongju. This study collects the data of 284 members excavated at the Donggung Palace and Wolji Pond and analyzes the details such as length, thickness, width, joint types, joint shapes. With the result of the analysis, this study tries to indicate the level of wood joinery techniques in ancient buildings.

• Journal of architectural history
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• v.32 no.1
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• pp.73-88
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• 2023

Recently, local studies looking at the 'local(region) as a whole' are gradually increasing. The study of local architectural history is important in that it provides specific information that encompasses the local and the entire and clues to three-dimensionalize the time and space in the local. To infer the 'presentness' of each era, reliable data in various fields are needed. Recently, as many databases (DB) and archives, from the 'National Archives of Korea' to other local archives, have been established and publicized, research resources in the local are growing rapidly in quantity and quality. Nevertheless, it is difficult to comprehensively check the data necessary to study the local architectural history(local architectural history research resources). Against this background, this study confirmed the trend of changes in the archive construction environment and the status and problems of local architectural history research resources in places that currently disclose local history research resources among generalized web-archives. Next, the relationship between the actual research on local architectural history was confirmed through the analysis of existing studies and the data used for Jeju. As a result, local studies, local archives, and local architectural history research agree with recent changes in local research trends, and the degree of archival construction has reached the same level as the available research resources except core data in local architectural history research. However, there is a problem that the density of information that can be used is low because the local architectural history research resources that can be obtained are fragmented because there are no archives and construction entities specialized in local architecture. As each archive has entered the stabilization and upgrading stage, the construction of new archives needs to be reconsidered, but it is time to find a detailed way to link related information quickly and accurately, such as private records, to reduce the gap in information needed in terms of research on local architecture and architecture history.

• Korean Architects
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• no.1 s.381
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• pp.17-34
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• 2001

건축문화창달의 구심체로서 건축계 발전과 공익에 이바지하고 건축사 회원의 권익옹호 및 업무개선에 앞장서 온 대한건축사협회는 36년의 오랜 역사가 말해주듯 7천7백여 회원과 산하 16개 시도건축사회와 84개 지역건축사회로 구성된 조직력을 갖춘 전문자역사단체로 당당히 자리매김했다. 그러나 국내 여타 전문자격사단체들과 마찬가지로 지난 경제성장기 동안 제도의 틀 안에서 안정을 누려온 협회에 대해 그 기능과 역할을 재정비해야 한다는 건축계 안팎의 목소리가 점차 높아지고 있으며, 회원들의 요구 또한 적극적이며 다양해지고 있다. 여기에다 장기간 계속된 건축경기의 침체는 건축사사무소들의 경영상태를 크게 악화시켜 회비 수입에만 의존해온 협회의 재정상태를 어렵게 하므로써 향후 협회재정 자립의 필요성이 제기되고 있다. 더욱이 최근 정부의 규제개혁정책에 의해 설계도서신고제가 폐지되는 등 회원들의 의무규정이 상당부분 완화되었으며 또한 임의단체로의 전환과 함께 회원가입이 자유화됨에 따라 협회로서는 회원 결속력 강화와 자생력 확보라는 두 과제를 시급히 해결해야만 하는 상황에 직면해 있다. 특히 WTO에 의한 건축서비스시장 개방이 가속화되고, 이러한 무한경쟁시대에 대비해 정부가 각종 규제완화 정책들을 지속적으로 추진하는 등 앞날에 적지 않은 변화가 불어닥칠 것으로 예상됨에 따라 우리 건축사의 이익과 주장을 대변하는 창구로서의 기능 또한 중요시되고 있다. 따라서 전환기에 선 협회의 발전적 앞날을 위해서는 보다 다각적인 방향에서 그 위상을 재정립하고 또한 국제화ㆍ개방화ㆍ정보화시대에 제 기능과 역할을 다할 수 있는 전문조직으로 거듭나야 할 것이다. 이에 본지에서는 이번 좌담을 통해 협회의 기능과 역할을 재조명해 보고 아울러 사회적 요구에 부응하는 전문자격사단체로서의 위상을 확립해 나가기 위한 다양한 의견을 듣는 자리를 마련하였다.

• Journal of architectural history
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• v.12 no.2 s.34
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• pp.61-69
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• 2003

Manfredo Tafuri's Ideological criticism in architecture has opened a new horizon to interpreting architecture in modern capitalist architecture for it views architecture not just as a style or formal invention, but in terms of socio-economical process. It offered a comprehensive understanding of a chaotic situation of contemporary architecture and historical meaning modern architectural movements in relation with capitalistic development. However, it has been criticized as architectural pessimism which does not allow any possibility for progressive architectural practice. It was also criticized of epistemological problem of how one could be outside ideology without assuming true consciousness against false consciousness of ideology. Tafuri solves this problem by assuming Althusserian activist concept of knowledge and suggest the concept of labor of writing history of critical historians, instead of a design for utopian society, as a possible critical architectural practice. However, I argue that ultimately ideological criticism does not deny architectural practice itself, nor researches on formal characteristics of architecture. The problem lies rather in the architectural Intellectuals' attachment to the traditional concept of architect as a form giver to the society. By rejecting this myth and broadening the concept of architectural practice from design to production, we can find that Ideological problem is not architectural pessimism, but rather it opens up a new way of approaching to the problem of architectural practice in modern capitalist society.

• Journal of architectural history
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• v.7 no.3 s.16
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• pp.67-86
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• 1998

In this thesis, the Development of Station Buildigs Design during last a hundred years in Korea is analyzed. From the early time to today, several posts of Office of Korean National Railroads have controlled the Station Buildings Design by Standard Drawings. Sometimes, private architects joined in designing the Stations, that have the value as historic architecture. Under the Japanese imperialistic rule, Japanese Officer designed all of the stations ; that can be classified 1) wooden compromise style, 2) renaissance style, 3) northern European house style, 4) general station by standard drawing, 5) Korean house style. 6) modernism style. Especially, Korean house style was not planned to commemorate the old Korean Architecture, but to beguile the Japanese tourists' monotony of the journey in Korea. After the Independence, the Station Buildings are grouped into 1) international style, 2) modernism style with traditional details, 3) Station Complex Buildings. In the future, design of the Railroad Station Building needs to be diversified to satisfy tourists' emotion.

• Korean Architects
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• no.9 s.365
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• pp.43-79
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• 1999

서울은 600년이 넘는 역사와 전통을 간직한 우리 나라의 심장이자 얼굴이 되는 도시이다. 그러나 지난 30년간의 급격한 개발시대를 거쳐오면서 고도로서의 문화적 향기를 상실하였고, 매력과 특징이 없는 도시로 빠르게 변해가는 것은 안타까운 일이다. 이는 다가올 21세기가 서울의 정체성과 고유성을 더욱 필요로 할 것임에 비추어 더욱 그러하다고 할 수 있다. 서울은 급격한 경제성장으로 인하여 세계에서 그 유래를 찾기 어려운 급격한 변화를 보인 도시이다. 서울의 도심부를 둘러싸고 있는 북악, 인왕, 낙산, 남산은 옛 모습을 지니고 있으나 그 내부는 과거의 모습을 찾기 어렵고, 다만 현대적인 모습만이 흘러 넘치고 있을 뿐이다. 또한 서울은 물리적으로 엄청나게 성장하여 그 경계를 찾기 어려운 도시가 되어버렸다. 따라서 서울은 밝고 번영하는 모습과 어둡고 불합리한 모습이 공존하는 이상한 도시로서 인식되고 있다. 서울을 현재의 모습과는 전혀 새로운 환경으로 개발하고 보존할 수 있는 대책과 계획이 더욱 필요한 때이다. 공공과 민간 그리고 시민이 참여하여 600년 고도의 역사성이 드러나고 걷고 싶고 인간적인 분위기를 간직하며 다양한 기능과 형태가 조화롭게 공존하는 도시로 가꾸어갈 수 있는 지혜를 모아야 할 것이다. 이번 특집에서는 서울을 대상으로 하여 그 역사적인 흔적과 오늘의 모습 그리고 미래의 대안을 회고하고 진단하며 모색하는 기회를 갖기 위해 여러 전문가들의 글을 마련하였다.

• Journal of architectural history
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• v.2 no.2 s.4
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• pp.119-130
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• 1993

Berlage's importance in the history of the Modern Movements of Architecture lies in his effort to combine several sets of contradictory dual aspects of architectural values. Tradition and modernity are one of the contradictory dual aspects. For Berlage, tradtion and modernity were not tow opposing, but reconciliatory concepts. In this sense, Berlage thought that modernity did not mean a total rejection, but a reinterpretion of tradition. Berlage's concern with his contemporaty architectural situstion was how to revive the stagnant repetion of past styles in Historicism and, at same time, how to prevent an extreme rejection of tradition by the Avant-Gardists. Berlage's architectural belief that neither stagnant imitation of past styles nor extreme revolution can be an ideal model for his era, lies in a traditional art theory of 'style evolution' and the interpertation of Nature's lessons for it. This study is to understand Berlage's concept of 'style evolution' and the meaning of tradition and modernity in the early Modern Movements of Architecture.

• Journal of architectural history
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• v.4 no.1
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• pp.141-151
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• 1995

For many social scientists, the comparative method has been a part of the common enterprise of describing, explaining, and developing theories about socio-cultural phenomena. However, it is rare that comparison has been methodologically considered in architectural history in spite of the usefulness for understanding the similarities and differences among architectural styles. This research emphasizes the importance of comparative methodology in architectural history and proposes an example which can be introduced from the comparative method for social studies. The application in this study is based on the assumption that an architectural phenomenon is a kind of social phenomenon and comparative method in social study can be applied to architectural history. The method is to generate and test hypotheses through establishing functional correlation between variables treated as the objective facts that differentiate one type of building from another.