• 한국지역지리학회지
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• 제7권4호
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• pp.65-80
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• 2001

본 연구는 팔공산의 지형적인 특성을 반영하는 동화사(桐華寺)의 입지와 가람배치의 풍수지리적 특성을 밝히는 것이다. 동화사의 풍수지리적인 특성에 대한 해석과 연구는 향후 동화사의 토지이용이나 건물의 증 개축, 진입로의 개설, 가람의 변경 유지 등에 참고할 수 있는 기초적 자료를 제공할 것으로 생각된다. 동화사는 산과 물이 에워싸인 지세로 풍수지리적인 조건을 잘 갖추고 있는 곳으로 종교적 장소성을 확보하기에 용이한 조건을 갖추었다. 봉황과 관련된 안온한 지세와 어울리게 가람이 배치되었으며, 봉황을 상징하는 시설물들이 누각과 문, 비에 남아있고, 대나무와 오동나무가 많이 식재(植栽)되어 있다. 동화사의 중심공간이 잘 부각되고, 사찰의 경역(境域)을 청정하게 유지하기 위해 주 진입로의 복원, 주차장의 폐쇄, 새로운 진입로의 개설 등과 같은 방안을 제안하였다.

• 건축사
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• 3호통권180호
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• pp.62-67
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• 1984

• 건축사
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• 4호통권110호
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• pp.7-13
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• 1978

• 건축역사연구
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• 제14권3호
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• pp.77-88
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• 2005

This study is to find out the characteristics of the changes of the site layout in Beopjusa which was built on Maitreya faith in the Shilla.. According to the analysis of it in this study, we make conclusions as follows; 1) The reconstruction of Beopjusa means a start in Dhamalsama(法相宗) and then it was supposed to be Buddhist temple which was formed by intersecting axis of centering around a wooden pagoda(捌相殿) with a main Buddhist hall and a lecture hall. 2) After the middle of Koryo dynasty, Beopjusa was changed to building layout of intersecting with Yongwabojeon(龍華寶殿) and Daeungbojeon(大雄寶殿) because of harmony with Avatamsaka(華嚴宗) and Dhamalsama centering around Avatamsaka. 3) The buildings of Zen Buddhism was built in the early Chosun dynasty owing to a prevalence of Zen Buddhism in the late Koryo dynasty. And since 17th century, Buddhist halls were each built in their a faith system according to interpenetrated Buddhism(通佛敎). 4) The courtyard type of mountainous district was made on interpenetrated Buddhism. On the other hand, the site layout of Beopjusa is being maintained by centripetal spatial organization through the wooden pagoda as object.

• 건축역사연구
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• 제19권2호
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• pp.43-66
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• 2010

In that the Buddhism is the religion founded by Buddha, the settlement of Buddha's existence is very important in the temple building arrangement which symbolizes the Buddha's world. What symbolizes the Buddha in the temple are the pagoda and the Buddhist image. Among them, the Buddhist image is directly connected with the Golden Hall. This kind of double structure is settled as a typical pattern for the arrangement of buildings such as halls and pagodas. The earlier one between the pagoda and Buddhist image is the pagoda, of course. It can be inferred that, through the gradual expansion of the Buddhist images, the gravity was transferred from the pagoda to the Golden Hall. But, if the Buddhist image can be connected with the Golden Hall in that it was the product reflecting the requests on the Buddha and his teaching, the internal origin of the Buddhist image should also go back to the early Buddhism. In fact, the gravest building in Venuvana - vihara or Jetavana - anaehapindasyarama was the Golden Hall, the Buddha's residence. And in the summit of Grdhrakuta or Jetavana - anaehapindasyarama where Buddha stayed long, there is the gandha - kuti the Buddha's place till now. It means that the symbolic request on the Buddha and his teaching had existed even before the Buddhist image and that this tendency could be connected with the generation of Buddhist image. This paper is to show that the hall / pagoda structure generalized in the building arrangement of later age was originated not just from the Buddhist image and the sarira pagoda but from the gandha - kuti and the hair pagoda, and therefore the two should coexist inevitably. It is an attempt to develop a little more in the ideological perspective the general theory that the pagoda and the Buddhist image were fused into one precinct of temple later in their respective origins. That is, it tries to recognize the relation of pagoda and hall not as the conflicting one but as the complementary one.

• 헤리티지:역사와 과학
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• 제47권4호
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• pp.120-135
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• 2014

최근의 백제사찰 재조사에서 기존 가람의 양식과는 다른 가람배치 양상이 확인되면서 금강사지의 가람에 대하여 다시금 조사의 필요성을 가지게 한다. 본 연구는 GPR탐사법을 이용하여 금강사지의 잔존 유구 및 사역전체의 건물배치 양상을 확인하고자 하였으며, GIS기술을 이용하여 항공사진을 분석하고 수치지형도를 활용한 토양유실량(RUSLE)을 분석하여 금강사지의 입지와 지형변화를 파악하고자 하였다. GPR탐사 결과, 사역의 북편과 서편에서 기 발굴조사에서 미처 확인되지 않았던 건물지가 추가로 확인되어 사역의 범위는 추정 가람보다 더 넓었을 것으로 보인다. 또한 금강사지는 하안 단구면에 위치하고 있고 토양유실량이 매우 적은 안정된 지형장에 위치하며 자연발생적인 배수체계를 기반으로 하는 최적의 입지를 보이고 있음을 알 수 있었다.

• 건축역사연구
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• 제23권3호
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• pp.35-42
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• 2014

Luoyang Qielanji(洛陽伽藍記) is a document that describes Buddhist Temples in Luoyang, the capital of Northern Wei Dynasty. The purpose of this paper is to analyze the construction backgrounds, architectural elements and layout characteristics of Luoyang Temples in Northern Wei Dynasty. The results are as follows: The construction backgrounds of Luoyang Temples can be categorized into two types: the established-temple (創建型) and the converted-temple(捨宅爲寺型). The layout systems of Luoyang Temples can also be categorized into two main types: The front Pagoda-rear Buddhist Hall layout(前塔後殿), The front Buddhist Hall-rear Lecture Hall layout(前殿後堂). In Luoyang Temples, the pagoda was still an important element of the layout.

• 건축역사연구
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• 제25권4호
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• pp.45-56
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• 2016

The purpose of this study is to clarify the historical background of the setting of seungdang(僧堂) and gowon (庫院) in the Zen Buddhist temples of Song dynasty, in terms of as a Buddhist temple universality and as a Zen temple specificity, through the historical reference investigation on its relevance to the Buddhist temples of Tang dynasty. In the Zen Buddhist temples of Song dynasty, the Zen meditation space of seungdang was located on the west side of Buddha hall, and the kitchen and officiating priest's living space of gowon was located on the east side of Buddha hall. Through the analysis of historical reference it was confirmed that, in the Buddhist temples of Tang dynasty, the Zen meditation section of seonwon(禪院) was on the west side, and the gowon was on the east side too. Therefore, it can be said that, the setting method of seungdang and gowon of the Zen Buddhist temples of Song dynasty was established above tradition of the Tang dynasty Buddhist temples.

• 건축역사연구
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• 제18권5호
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• pp.81-100
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• 2009

The study on Buddhism architecture in early Joseon dynasty was inactive. The period of King Sejo is important for studying the trend of Buddhism architecture in early Joseon, that was transmitted from the end of Goryeo dynasty, but it was difficult to know its exact situation due to lack of related records. The records were all written by Kim Su-ohn, which are Wongaksabi' 'Sangwonsajungchanggi' 'Bongseonsagi 'Geonginsajungchanggi'. The main hall was mainly second floor and there were necessarily annexed buildings at the right and left of the main hall. So the plane figure of $\Box\Box\Box$ was shown. It was a main stream for main hall. This layout may be referred to search for the origin of the layout in courtyard based structure(中庭形) in the late Joseon dynasty. Most of temples had 3 gates. Some part of horizontal corridor was used as 2 gates and the outer gate, far from main hall, was without corridor. The gate leading to front yard of main hall was called front gate, the next middle gate and the outer gate was Oisamun(外沙門) or Samun(沙門). Im most of the temples, people could enter into the front yard through pavilion which had the function of bell tower. The pavilions were located between front gate and first corridor. It is thought that this layout of the place for making bean curd outside the temple area will contribute to different studies on temples making bean cure in the future. The records about temples's foundation studied above are a little different between temples, but have more similarities. There common denominators represent the architecture tendency of Buddhist temples in the related period. It is thought that such a tendency was also shown on architecture of other temples during the reign of King Sejo as well as Buddhist temples.

• 건축역사연구
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• 제25권4호
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• pp.65-73
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• 2016

This paper aimed to identify the units of measuring scale in Hwangnyongsa temple planning with the published excavation survey reports. Hwangyongsa temple site was planned under Silla Capital's urban planning in 6~7C, its full size was $800{\times}800$, and main temple was $400{\times}515$ of Goguryeo's system of measurement. Main hall was located in the center of Hwangnyongsa temple site, and its location could be seen that there was the arrangement of main temple divided into 3 : 2. Building plan measuring units proved to be 351~356mm and 294~ 296mm by analyzing measured data of remains. Lecture hall and Wooden pagoda were rebuilt by using the ancestors' units of measuring scale again and Bell hall was not planned by Tang's system of measurement in middle of 8C. In this respect, it would be important to have a deliberate attitude and lay down stereotypes on research of the units of measuring scale in ancient architecture.