• 제목/요약/키워드: )'s Poetry

검색결과 269건 처리시간 0.018초

시조와 가사의 향유방식과 그 관련양상 (The enjoyment of way on Si-jo and Ga-sa in Joseon Dynasty)

  • 류해춘
    • 한국시조학회지:시조학논총
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    • 제44권
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    • pp.165-195
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    • 2016
  • 시조와 가사는 한국의 시가문학을 대표하는 갈래이다. 우리의 시가문학에서 시조는 3장 6구 12음보의 형식을 갖추고, 한 수의 노랫말은 45자 내외의 길이를 지닌 정형시를 의미한다. 조선후기의 사설시조는 시조의 변화를 수용하여 대체로 3장의 기준만을 채택하고 그 내용과 형식을 확대하여 표현하고 있다. 한편 가사의 정의는 1행 4음보의 율격을 바탕으로 100행 내외로 연속하는 장시라고 할 수 있다. 조선후기의 가사는 내용적으로 다양한 소재를 이야기로 연결하여 행수가 훨씬 많아지는 경향을 수용하여 대상과 사물의 총체성을 읊어내고 있는 장시라고 할 수 있다. 이러한 측면에서 조선시대의 시조와 가사는 정형시와 장시로 고전시가의 두 산맥을 이루고 있는 중요한 갈래라고 할 수 있다. 조선전기에는 두 갈래의 노래가 서정을 기조로 하여 시조는 정형시의 양식을 계승했고, 가사는 장시라는 장르의 양식을 차지하여 시가문학을 융성하게 했다. 16세기 후반부터 두 갈래의 문학을 표현하는 방식의 변화와 함께 향유하는 계층이 늘어나면서 점차 이질성을 많이 드러내게 되었다. 시조는 시조창의 변화로 사설시조가 등장하며, 가사는 현실의 체험을 사실적으로 표현하는 이야기를 수용하여 길이가 길어지는 변화를 수용하여 규방가사와 서사가사가 성행했다. 그러나 단형의 정형시인 시조와 장시인 가사는 1행 4음보를 기준으로 창작되는 동질성을 조선후기까지 공유하고 있었다. 이 글에서는 시조와 가사에 나타난 향유방식과 그 상관성을 정형성과 비정형성, 은유의 수사학과 환유의 수사학, 가창의 문학과 음영하는 문학 등을 통해서 살펴보았다. 조선시대의 시조와 가사에 나타난 향유방식을 살펴보는 작업은 오늘날 21세기 문화의 향유자들이 추구하는 문화콘텐츠의 다양한 글쓰기를 아우르며 화합과 소통의 새로운 세계를 항해하는 문화의 나침판이 될 수 있다.

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시적 상징과 도덕과수업 (A study on a the poetic symbol and moral instruction)

  • 송영민
    • 한국철학논집
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    • 제35호
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    • pp.415-443
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    • 2012
  • 도덕과수업은 도덕이라는 추상적 대상을 구체적으로 표현하여 전하면서, 정서가 담재된 도덕적 의미의 발생을 추구한다. 이 측면에 주목하면, 도덕과수업은 예술적 상징 언어와 닮음이 있으며, 특히 시적 상징과 닮음이 있다. 시는 예술적 상징 언어의 전형적 양식이며, 시에서 추상적 대상의 의미를 수용 가능하게 표현하는 대표적 표현방식이 시적 상징이기 때문이다. 시적 상징은 시적 성찰을 언어로 표현하지만, 동시에 언어의 한계를 넘어선 형이상학적 의미를 전한다. 이를 위해 시적 상징은 불가시적인 형이상학적 원관념을 암시하는 가시적인 구체적 보조관념을 겉으로 드러낸다. 원관념을 은폐하고 보조관념을 드러내는 시적 상징은 동일성, 암시성, 다의성, 입체성, 문맥성, 전체성 등을 특성으로 한다. 이러한 특성을 가진 시적 상징이 시인의 창조적 상상력과 결합되어 개인적 상징으로 나타나고, 그것이 독자의 상상력과 결합되어 시적 의미로 체험된다. 시적 상징으로서의 도덕과수업은 이러한 시적 체험과 유사한 학습 경험을 제공하기 위한 것이다. 이를 위해서 도덕과수업은 논리적이고 산문적인 설명보다는 도덕적 의미 발생이 가능한 상징적 형식으로 구성되어야 한다. 이러한 구성을 위해서는 지도요소를 구체화하는 상징적 매개체 찾고, 상징적 매개체의 도덕적 의미를 다양하게 검색하면서, 그 도덕적 의미에 대한 해석이 가능하도록 수업을 구성해야 한다. 이렇게 구성된 도덕과수업이 시적 상징을 닮는다면, 그 수업은 좋은 시에서 시인이 표현한 주제를 독자가 공감적으로 수용하듯이 교사가 표현한 교육내용을 학생은 정서가 수반된 도덕적 의미로 학습할 수 있다.

마테오 리치의 적응주의적 보유론에 관한 비평적 고찰: 제(帝), 천(天)개념의 변천사를 중심으로 (Critical Study on Mattheo Ricci's Accommodation and Naturalization Focusing on Changes in the Concepts of Di(Emperor Above) and Tian(Heaven))

  • 김영웅;제해종
    • 한국콘텐츠학회논문지
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    • 제22권6호
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    • pp.400-412
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    • 2022
  • 명말청초(明末淸初), 중국에 건너온 예수회 선교사들은 포교를 위해 『시경(詩經)』 등 여러 중국의 고전을 연구하여 적응주의적 보유론(補儒論)을 주창하였다. 그들이 차용한 '제(帝)'와 '천(天)'은 유교의 핵심 용어들인데 본래 초월적인 신개념을 함유하고 있던 '제'는 주대(周代)에 이르러 정치적 격변 속에서 위상이 격하되었고 물질적인 의미의 '천'은 오히려 위상이 격상되었다. 그러나 정치적 필요에 의해 '제'의 종교적 기능을 대체한 '천'의 역할은 그리 오래가지 못했고 종교적 의미가 탈색되면서 철학적 의미로 고착되었다. 인본주의가 신본주의를 대신하는 역사의 하향적 흐름 속에서 두 용어 모두 종교적 기능을 잃어버린 것이다. 이런 상황에서 기독교적 신관을 표현하기 위해 차용된 두 용어는 기독교 신관의 고유성을 충분히 담아낼 수 없었다. 토착화를 위한 도구였던 '제'와 '천'은 고작 유교적 사유의 연장선에 머물고 말았고 결과적으로 기독교는 유교의 부속물로 전락하고 말았다. 이성에 치우친 철학적 탐구는 계시로 말미암는 거룩한 가르침과 짝을 이루지 않는 한 중국인들을 진정한 기독교 '신앙'으로 인도함에 있어서 온전한 역할을 할 수 없었다. 이러한 결과들을 냉철하게 분석하여 문제점을 발견하고 기독교의 선교를 위한 새로운 차원의 지평을 열 방안들을 발굴하는 연구를 다양하게 시도할 필요가 있다.

식우(拭疣) 김수온(金守溫)의 『의방유취(醫方類聚)』 편찬 사적(事蹟) (Kim Su-On's Work on the Compilation of 『Euibangyoochui(醫方類聚)』)

  • 안상우;홍세영
    • 한국의사학회지
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    • 제24권2호
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    • pp.1-15
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    • 2011
  • Kim Su-On(1409~1481) was a editor in King Sejong's times who worked on the publication of "Euibangyoochui(醫方類聚)" and other major publications led by the royal family. This paper will review the works of Kim Su-On based on the medical background of early Joseon Dynasty and the medical book-reading officer system, and also evaluate his contribution to the development of medicine in early Joseon Dynasty, factoring in his life, ideas, and literary talent. By looking at the life of Kim Su-On, we can understand the role of Confucian doctors(儒醫) in the early Joseon Dynasty, how Confucian scholars who were learned in medicine supervised the compilation and correction of "Euibangyoochui(醫方類聚)". Especially, from the poetry of "Sikujip(拭疣集)", contents regarding the proofreading of "Euibangyoochui(醫方類聚)" between Im Won-jun and Kim Su-On shows the publication process of "Euibangyoochui(醫方類聚)" at the reign of King Sungjong. His outstanding achievements are largely due to the medical book-reading officer system implemented around the time "Euibangyoochui (醫方類聚)" was published. The medical book-reading officer system aimed to increase the knowledge of various matters for the civil service bureaucrats, allowing them to become high-ranking officials in the fields of technology. Its another purpose was to compile specialty publications. Many of the civil service bureaucrats who participated in the medical book publications arranged the theoretical basis of medicine and modified experience medicine to a new medical system. The first edition of "Euibangyoochui(醫方類聚)" at King Sejong's reign collected vast medical information into 365 books. Then it was corrected during King Sejo's reign then finally completed and published at King Seongjong's reign. During this period, the experience medicine inherited from Goryeo Dynasty was reestablished into a new form of theoretical interpretation.

중국 단령명칭에 관한 연구 (A study on the name of Dan-Ryong in China)

  • 문광희
    • 한국의류학회지
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    • 제11권1호
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    • pp.87-96
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    • 1987
  • Dan-Ryong is the traditional clothing that was worn the entire of oriental nations, and it was spreaded from Sun-Bi tribe to China about A.D. 4C. The first, the name of Dan-Ryong was translated with 25-Sa and Ancient-History Book. Among the name of Dan-Ryong, the follows were different between the name and shape. Jang-Bok was the colored Dan-Ryong, So-Bok was the unfigured black Dan-Ryong and removed Hyung-Bae, Ea-Mun-Pho was the Dan-Ryong of embroidered figure poetry, and Ja-Sam was the real short and tight Dan-Ryong. The second, some problems were given by translated Dan-Ryong's name. The results of the problems were as follows; 1. Dan-Ryong was oriented from Won-Wi. 2. At Su-Dynasty, there was going to the persuit of Han-Dynasty Courtesy, but they liked useful custom. Therefore Dan-Ryong was worn in daily life among the population. 3. At Dang-Dynasty, Ho-Bok was devided with three meanings. The first was Go-Sub, the second was Dan-Ryong of Buk-Jo about A.D. 3$\~$5 C and the last meaning was the clothing of Uighur, Turkey, Persia and etc. about A.D. 7 C. 4. The name of neck-line shape was started at Song and the majority arised about A.D. 12 C. and Dan-Ryong was only arised at Myong-Dynasty. 5. Gok-Ryong, except Song-Sa and Sam-Je-He-Bo, was different from Dan-Ryong and it was shape of neck-line inside of Jik-Ryong.

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간호학문의 현상학적 연구에서의 미학적 사유 (An Aesthetical Thinking in Phenomenological Research of Nursing Science)

  • 공병혜
    • 성인간호학회지
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    • 제15권3호
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    • pp.441-451
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    • 2003
  • Purpose: The purpose of this study is to illuminate the relation between the aesthetics and qualitative nursing research, and especially to consider the aesthetical characteristics of phenomenological nursing research which may reflect works of art. Method: Based on Heidegger, Merleau-ponty and Gadamer' philosophical aesthetics, this study shows how aesthetical thought can be is applied to artistic creation and aesthetical criticism in the phenomenological research of nursing. Result: The result of aesthetical characteristics of phenomenological nursing research were as follows: 1) Poetical thought of the client's experience as the living is revealed as poetic expressions in forms of listening gazing, reflection and metaphor. 2) Literature works, paintings, poetry and fiction used as sources of lived-experience help to awaken insight into the essence of lived-experience. 3) Aesthetical evaluation of phenomenological product as art is related to the harmony as a whole, especially to the ability to do vicarious lived-experience of the client. Conclusion: In order to produce creative phenomenological works in nursing research, two suggestions are made: aesthetical thought and poetic language in phenomenological reflective writing which enables researchers to transmit the essence of the lived-experience.

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영국(英國)의 18세기 풍경정원(風景庭園)에 관(關)한 연구(硏究) (A Study on the Landscape Garden of the Eighteenth Century in English)

  • 김귀곤
    • 한국산림과학회지
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    • 제37권1호
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    • pp.57-60
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    • 1978
  • Significant findings concerning the cause of the gardening revolution of the eighteenth century in England, its landscape style and contribution to a new style are concluded as follows: 1. The English landscape garden is regarded as a great revolution in the history of landscape architecture, and it was in the eighteenth century, in England, that garden and landscape first came together. 2. For at no time in history has there been such general interest in gardens and in the total physical landscape, so much writing and criticism and open debate. 3. Garden design did not become a definite art form in England until the eighteenth century. During the period it can be seen that there were developing three distinct types of garden, that is, the picturesque garden, the 'poetic' garden and 'abstract' garden. 4. Also developing was a new appreciation for natural forms and natural landscape, expressed in painting, poetry and garden design, and the landscape gardeners tried bard to malce country scenery look as though man had not had a hand in it. Eventually these open spaces contributed to a new type of spatial form development of naturalistic landscape style which is today taken for granted as a normal component of the landscape architect's palette.

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오페라 $\ll$황진이(黃眞伊)$\gg$의 무대의상(舞臺衣裳) 디자인 연구(硏究) - 황진이(黃眞伊)의 내적(內的) 이미지를 중심(中心)으로 - (A Study on Stage Costume Design for Opera $\ll$Whangjinie$\gg$ - Focusing on Inner Image of Whangjinie -)

  • 신경섭
    • 패션비즈니스
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    • 제4권2호
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    • pp.127-140
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    • 2000
  • The purpose of this study was to research and design stage costumes of Whangjinie focusing on inner image of Whangjinie, present stage costumes of new image. Four steps were taken in order to achieve this purpose. The first step was to investigate the old documents and prior research about literature world of Whangjinie. The second step was to analyze stage costumes of Whangjinie which were worn in opera, movie. The third step was to design and make the stage costumes according to new images Whangjinie which were extracted from above two research results. The new images of Whangjinie are as follows 1. Whangjinie as a kisaeng(professional entertainer) She thirsted for new, materialistic love though she failed in love everytime. 2. Whangjinie as a woman. She had a hard time by feeling an irresistible yearning for lover 3. Whangjinie as a poet. She expressed as a poetry her vanity and loneliness of life. Using above three images, this study designed four new stage costumes of Whangjinie and two designs of them were made really. But this study didn't present historic costume of her age but expressed modern mood in color and form.

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과도기적 위치의 워즈워스: 정신과 자연의 상호 작용 모색 (Wordsworth of Transitional Position : Seeking Interaction between Mind and Nature)

  • 황병훈
    • 영미문화
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    • 제17권2호
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    • pp.89-109
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    • 2017
  • This study focuses upon the fact that Wordsworth has a great interest in the epistemological understanding of nature. It denies that his early poems, such as An Evening Walk and Descriptive Sketches, only represent the subtleties of nature, according to the picturesque mode of the eighteenth century, without any other consideration about human mind. It tries to trace his effort to deal with the relationship between nature and mind, which is committed to the apprehension of Wordsworth's experience which shapes much of his later work. Prior to Wordsworth, or in his earlier days, both the picturesque description and the descriptive poetry tend to be two-dimensional. Staying away from the cold rules of painting and overcoming passivity, he prefers to contemplate nature through his emotions and tries to come close to the sublime sense. Therefore, his poetic strategy is to show that his poetic description of nature goes beyond the limits which these picturesque rules and colors impose. His readers get the feeling of how desperate he become trying to choose the suitable poetic language to express the relationship between nature and mind. He also has an interest in developing a character, Dorothy, to match what he thinks and to mediate what he intends to describe through his epistemological understanding of nature.

Distribution of Environmental Awareness Applying an Ecological Theory of Ted Hughes

  • CHO, Jongwhee
    • 유통과학연구
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    • 제19권9호
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    • pp.53-64
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    • 2021
  • Purpose: The current study aims and reviews the current state of research in green awareness' distribution structure using the ecological theory of Ted Hughes who was regarded as one of the best English poets of the 20 century. Ted poetry has innovated ecological distribution. It has inspired so many young people to have a positive energy impact on the environment. Research design, data and methodology: Action research design is an approach used extensively in qualitative content analysis. This design starts by adopting an exploratory claim that develops the research objectives, hence instigating the action process, which involves several strategies. This type of design involves a cyclic process of stance then action. Results: According to the investigation, there are nine solutions that can deal with the green distribution based on previous literature review, applying an ecological approach of Ted Hughes to green awareness distribution. The solutions figured out that Ted's novels had an innovative impact on the environment as it is clear that information is given to society. Conclusions: It is observed that having a highly professional environment is good enough for a structure to go green. But, on the other hand, polluting our environment can endanger species by causing health diseases and environmental problems.