• 한국인쇄학회지
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• 제18권1호
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• pp.103-112
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• 2000

The color space transformation to link device-dependent color spaces and device-independent color spaces is essential for device characterization and cross-media color reproduction. There are various color conversion methods such as regression, 3D interpolation with LUT(look-up table), and neural network. In the color transformation with these methods, the conversion accuracy is essentially based on the sample data to be exploited for device characterization. In conventional method, color samples are uniformly selected in device-dependent space such as CMY and RGB. However, distribution of these color samples is very non-uniform in device-independent color space such as CIEL*a*b*. Accordingly, the conversion error in device-independent color space is irregular according to the distribution of the samples. In this paper, a color sampling method based on equi-visual perception is proposed to obtain approximate uniform color samples in CIEL*a*b* space. In order to evaluate transformation accuracy of proposed method, color space transformations are simulated using regression, 3D interpolation with LUT and neural network techniques, respectively.

• 한국정보통신학회논문지
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• 제12권8호
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• pp.1356-1362
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• 2008

본 논문에서는 카메라가 가지는 대표적인 기능중의 하나인 자동 화이트 밸런스에 대한 알고리즘을 제안한다. 화이트 밸런스는 흰색의 물체나 물건 고유의 색이 아닌 부분들을 제거하는 과정이다. 화이트 밸런스를 수행하기 위해 사람의 눈에 의해 느끼는 시각차와 색차의 표현이 동일한 $CIEL^*a^*b^*$ 색 공간에서 영상의 분포를 분석하여 흰색 물체의 색 변화 정도를 추정한다. 이를 기준 백색 추정이라 한다. 정확한 추정을 위하여 환경에 의해 변화되었다고 추정되는 부분에 대해 그룹화 한다. 그룹화 된 영상 정보를 통해 영상의 특성을 파악하여 기준 그룹을 정하여 기준 그룹까지의 누적 픽셀들을 선택하는 컬러 샘플링하여 기준 백색을 추정한다. 또한 영상 보정을 위한 컬러 이득은 영상의 포화(Saturation)를 고려하여 얻어진다. 이를 통한 제안된 자동 화이트 밸런스 알고리즘은 뛰어난 영상 보정 기능을 가진다.

• 한국인쇄학회지
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• 제27권1호
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• pp.1-14
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• 2009

The color reproduction of digital still camera does not, in general, match those of the final output device. Because color gamut of these devices is different, it is therefore necessary to take account of a way to match. The way uses the optimized profile to output device an image. This paper proposed a way to create the input profile of digital still camera for standardization soft proofing process. The results of proposed way showed that for input profiles equivalent, good results relatively. In this paper, an experiment was done where the illumination sources used as the standard illumination 5200K and illuminated at a $45^{\circ}$ angle in the best illumination efficiently. The white balance was in mode 'custom' : aperture F11, exposure time 1/60s, ISO50, focal length 80mm. The images were exported and saved as 16bit RGB TIFF(AdobeRGB, sRGB, ProphotoRGB) images. To do the test, the RGB values of the RGB TIFF images are processed through the ICC input profile to arrive at processed $CIEL^*a^*b^*$ values. A profiling tool such as ProfileMaker 5.0 and Monacoprofile 4.8 are used to do this. The processed $CIEL^*a^*b^*$ values are compared to the reference $CIEL^*a^*b^*$ values and these two values are used to calculate a ${\Delta}E{^*}_{ab}$.

• 한국인쇄학회지
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• 제26권2호
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• pp.65-77
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• 2008

The color reproduction of digital still camera does not, in general, match those of the final prints. Because color gamut of these devices is different, it is therefore necessary to take account of a way to match. The way uses the optimized profile to print an image. This paper proposed a way to create the input profile of digital still camera for standardization printing process. The results of proposed way showed that for input profiles equivalent, good results relatively. In this paper, an experiment was done where the illumination sources used as the standard illumination 5200K and illuminated at a $45^{\circ}$ angle in the best illumination efficiently. The white balance was in mode 'custom': aperture F11, exposure time 1/60s, ISO50, focal length 80mm. The images were exported and saved as 16bit RGB tiff(AdobeRGB, sRGB, ProphotoRGB) images. To do the test, the RGB values of the RGB tiff images are processed through the ICC input profile to arrive at processed $CIEL^*a^*b^*$ values. A profiling tool such as ProfileMaker 5.0 and Monacoprofile 4.8 are used to do this. The processed CIEL*a*b* values are compared to the reference CIEL*a*b* values and these two values are used to calculate a ${\Delta}E$.

• 한국인쇄학회지
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• 제28권2호
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• pp.117-128
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• 2010

Advancements in digital image have put high quality digital camera into the hands of many image professionals and consumers alike. High quality digital camera images consist originally of raw which have a set of color rendering operation applied to them to produce good images. With color rendering, the raw file was converted to Adobe RGB and sRGB color space. Also color rendering can incorporate factor such as white balance, contrast, saturation. Therefore, in this paper we conduct a study on production of optimum profile considered color rendering in digital camera. To do the experiment, the images were Digital ColorChecker SG target and ColorChecker DC target. A profiling tool was ProfileMaker 5.03. The results were analyzed by comparing in color gamut of $CIEL^*a^*b^*$ color space and calculating ${\Delta}E^*_{ab}$. Also results were analyzed in terms of different $CIEL^*a^*b^*$ color space quadrants based on lightness, chroma.

• 대한전자공학회논문지SP
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• 제41권2호
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• pp.1-10
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• 2004

본 논문에서는 복잡한 연산을 거치지 않고 칼라 참조표만으로 색역 사상과 색공간 변환을 동시에 처리하는 칼라 참조표를 설계하였다. 스캐너와 프린터의 색역을 구성하는 참조표를 만들고 스캐너에서 계산된 색역 데이터를 색역 확장하여 칼라 참조표의 입력 CIEL/sup */a/sup */b/sup */ 값으로 사용한다. 칼라 참조표 생성을 위한 입력 CIEL/sup */a/sup */b/sup */ 값들은 가변 다중 닻점 색역 사상 방법을 사용하여 색역 사상된 CMY 값으로 계산된다. 제안한 칼라 참조표는 칼라 운영 시스템에 적용하여 스캐너 RGB 입력영상을 다항 회귀 방정식을 이용하여 CIEL/sup */a/sup */b/sup */ 색공간으로 변환한 후에 제안한 칼라 참조표를 이용하여 색역 사상과 동시에 색공간 변환을 처리하게 된다. 실험에서는 제안한 방법이 직접 계산에 의한 색역 사상 방법에 비해서 색차는 유사하면서 연상의 복잡도는 줄이는 결과를 얻었다.

• 한국인쇄학회지
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• 제16권1호
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• pp.81-93
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• 1998

For the purpose of preparation of monodispersed spherical zinc oxide fine particles, and experimental research on the preparation of zinc oxide particles from zinc salts solutions by high temperature precipitation reaction was performed. Zinc oxide particles were precipitated from all the precipitation solutions tested if the precipitation temperature was higher than 60$^{\circ}$C. As the precipitation temperature increased until 80$^{\circ}$C, the average particle diameter of zinc oxide particles decreased and the narrower particle size distribution were obtained. Spherical zinc oxide fine particles with relativeyl narrow particle size distribution were precipitated from the ZnSo4 solutions with NaOH as precipitant. Final pH of precipitation solution had an effect on the amount of zinc oxide precipitated, but had no effect on the their particle size or size distribution.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제11권1호
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• pp.570-595
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• 2017

Robust and perceptually-adaptive image watermarking algorithms have mainly targeted gray-scale images either at the modeling or embedding levels despite the widespread availability of color images. Only few of the existing algorithms are specifically designed for color images where color correlation and perception are constructively exploited. In this paper, a new perceptual and high-capacity color image watermarking solution is proposed based on the extension of Tsui et al. algorithm. The $CIEL^*a^*b^*$ space and the spatio-chromatic Fourier transform (SCFT) are combined along with a perceptual model to hide watermarks in color images where the embedding process reconciles between the conflicting requirements of digital watermarking. The perceptual model, based on an emerging color image model, exploits the non-uniform just-noticeable color difference (NUJNCD) thresholds of the $CIEL^*a^*b^*$ space. Also, spread-spectrum techniques and semi-random low-density parity check codes (SR-LDPC) are used to boost the watermark robustness and capacity. Unlike, existing color-based models, the data hiding capacity of our scheme relies on a game-theoretic model where upper bounds for watermark embedding are derived. Finally, the proposed watermarking solution outperforms existing color-based watermarking schemes in terms of robustness to standard image/color attacks, hiding capacity and imperceptibility.

• 한국인쇄학회지
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• 제29권2호
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• pp.15-32
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• 2011

In printing, managing color means that how closely its color reproducts and printing supplier meets customers' requirements. When applying device profiles, it depends on properties of the devices. But color management of domestic digital prints is accomplished more scientifically and objectively than any other printing. According to this paper addresses a method of evaluating between proof prints and offset prints which are produced by identical date on the field. We evaluate two cases normal proof prints and domestic offset prints based on standardized color data analysis and subjective data analysis. We gathered objective data by measuring solid density, $CIEL^*a^*b^*$ and ${\Delta}E^{*_}{ab}$. Furthermore, we evaluated the offset prints and proof prints through human eyes to decide the ranking.

• 한국인쇄학회지
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• 제16권1호
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• pp.55-67
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• 1998

현재, 디지털 하드카피에 있어서 색변환방법으로 신경망에 의한 비선형변환 방법은 많은 연구가 되어지고 있으며, 색변환 시스템으로서의 유용성이 확인되고 있다. 그러나, 학습용 패치의 제작시 여러 가지 프린트 왜곡에 의해서 톤 재현의 범위가 좁아지게 되고, 전체적으로 불균일한 학습용 패치가 얻어지게 된다. 그러므로 신경망 학습의 허용오차 범위가 줄어들게 되러 CIEL*a*b 에서 CMYK로의 정확한 색변환이 어렵게 되고, 재현된 결과물이 원고 화상과 큰 색차를 가지게 된다. 본 논문에서는 이러한 문제점들을 해결하시 위해 시지각성특성에 기반을 둔 프린터의 톤 재현 범위 확장법을 이용하여 신경망의 학습용 패치를 제작하여 CIEL*a*b 에서 CMYK로의 비성형 색변환 방법을 제안하고, 제안한 방법의 유용성을 확인하고자 하였다.