The Journal of the Convergence on Culture Technology (문화기술의 융합)

The International Promotion Agency of Culture Technology (국제문화기술진흥원)
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A Phenomenological Understanding Of The Characteristics Of Soundscape Listening Experience - Focusing On 'Une Spatialité De Situation' And 'Point D'écoute' -

사운드스케이프의 특성과 청취 경험에 대한 현상학적 이해 - 상황의 공간성과 주관적 청점을 중심으로 -

  • Park, Young-Ju (Dept. of Education, Graduate School of Education, Inha Univ)
  • 박영주 (인하대학교 교육대학원)
  • Received : 2024.04.22
  • Accepted : 2024.06.15
  • Published : 2024.07.31
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Abstract

This paper studies the Soundscape, a movement that seeks to break away from the traditional conventions of music culture. To this end, I will examine how social, cultural, and technological developments have influenced the paradigm shift in music culture by paying attention to the Soundscape. I understand the characteristics of the Soundscape as a change pattern and discuss the characteristics of hearing and listening experience that have been overlooked so far from a phenomenological perspective. For the above discussion, Murray Schafer's concept of Soundscape, and for a phenomenological understanding of hearing and listening experience, une spatialité de situation, point d'écoute, horizons au son, champ auditif, le premier plan et l'arrière-plan, temporal focus, space-time, and l'être-au-monde are discussed. I hope that understanding the characteristics of sound, hearing, and listening experience will contribute to presenting new ideas for creative expression in artistic creation.

본고는 음악 문화의 전통적인 관습에서 벗어나고자 하는 움직임인 사운드스케이프에 관해 연구한다. 사회·문화·기술적 발전이 음악 문화의 패러다임 변화에 어떠한 영향을 미쳤는지를 사운드스케이프에 주목하여 살펴본다. 변화 양상으로서 사운드스케이프의 특성을 이해하고 지금껏 간과해 왔던 청각의 특성과 청취 경험에 관해 현상학의 관점으로 논의한다. 이상의 논의를 위해 머레이 쉐이퍼의 사운드스케이프 개념에 기반하며 청각과 청취 경험에 대한 현상학적 이해를 위해 상황의 공간성, 주관적인 청점, 사운드의 지평, 청각의 장, 배경음과 전경음, 시의적 초점, 공시간, 세계-에의-존재 등의 개념으로 설명한다. 사운드의 특성과 청각, 청취 경험에 대한 이해가 예술적 창작에 있어 창의적인 표현을 위한 새로운 아이디어를 제시하는 데 기여할 수 있기를 기대해 본다.

Keywords

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