문화기술의 융합 (The Journal of the Convergence on Culture Technology)

  • 제9권1호
  • /
  • Pages.135-140
  • /
  • 2023
  • /
  • 2384-0358(pISSN)
  • /
  • 2384-0366(eISSN)
국제문화기술진흥원 (The International Promotion Agency of Culture Technology)
권호 표지
DOI QR코드

DOI QR Code

VR애니메이션 <Goodbye Mr Octopus> 연출 연구

A Study of Direction of VR Animation <Goodbye Mr Octopus>

  • 이태구 (부산대학교 디자인학과) ;
  • 박수경 (부산대학교 디자인학과)
  • 투고 : 2022.11.27
  • 심사 : 2023.01.09
  • 발행 : 2023.01.31
PDF 다운로드
⟨ 이전 논문 다음 논문 ⟩

초록

VR애니메이션은 애니메이션 속 공간에 위치하면서 기존 애니메이션 연출에서 볼 수 없는 360도 화면 연출을 볼 수 있다. 2020년에 제작된 VR 애니메이션 <Goodbye Mr Octopus>는 몰입형 단편 영화로 제77회 베니스 영화제에서 선정되었다. 열여섯 번째 생일을 맞은 사춘기 소녀 스텔라와 엄격한 아버지와의 갈등을 어머니의 편지로 해결되는 이야기이다. 총 11개의 씬으로 구성된 서사로 각 씬에는 시선유도, 시간흐름, 공간전환, 외화면 연출 등 VR영상 문법의 새로운 연출적 요소가 분석되었다. 시선유도 연출은 360도 시선의 불편함을 최소화하였으며, 시간 및 공간전환 연출은 서사적 사건에 따른 관객의 몰입도를 높이고, 외화면 연출은 VR공간의 확장 효과로 분석되었다.

VR animation allows you to see 360-degree screen production that cannot be seen in existing animation production while being located in the space within the animation. <Goodbye Mr Octopus>, a VR animation produced in 2020, was selected at the 77th Venice Film Festival as an immersive short film. This is the story of an adolescent girl, Stella, who is celebrating her 16th birthday, and her conflict with her strict father is resolved through a letter from her mother. It is a narrative composed of a total of 11 scenes, and in each scene, new directing elements of VR video grammar, such as gaze induction, time flow, and space conversion directing, were analyzed. Gaze-inducing directing minimized the inconvenience of 360-degree gaze, and time and space conversion directing was analyzed as an effect of increasing the audience's immersion according to narrative events.

키워드

과제정보

이 논문은 2021년 대한민국 교육부와 한국연구재단의 지원을 받아 수행된 연구임 (NRF-2021S1A5A2A01064555).

참고문헌

  1. J. Kim and T. Lee, "A Study on Video Directing for Reducing VR Animation Cyber Sickness," Journal of Next-generation Convergence Infor mation Services Technology, Vol. 8, No. 3, pp. 235-244. 2019. DOI : 10.29056/jncist.2019.09.01
  2. S. Kim and H. Kim, "A Study of Immersion Improvement for Narrative in VR Animation", Journal of Basic Design & Art, Vol184, No.6, p.96, 2017.
  3. C. Ahn and T. Lee, "A study on the relationship between gaze guidance and cybersickness using Eyetracking," The Journal of the Convergence on Culture Technology, Vol. 8, No. 3, pp.163- 173, 2022, DOI: 10.17703/JCCT.2022.8.3.167
  4. U.Kim and J.Kim, "The Theatrical Characteristics of the Direction of the VR Animation", Cartoon & Animation Studies, Vol.56, p.9, 2019. DOI : 10.7230/KOSCAS.2019.56.001
  5. U.Lee and J.Park, "Arrangement of narrative events and background in the contents of VR 360 video", Journal of Digital Contents Society, Vol.19, No.9, p.1636, 2018. DOI :10.9728/dcs.2018. 19.9.1631
  6. S. Kim and H. Kim, "A Study of Immersion Improvement for Narrative in VR Animation", Journal of Basic Design & Art, Vol184, No.6, p.94, 2017
  7. W.Jang and Y.Yi, "VR Film Direction Analysis", The Korean journal of Animation, Vol.11, No. 5, P.300, 2015
  8. B.Jeon and M.Cha, "VR & Changes in Cinematic Storytelling", Journal of Korea Multimedia Society Vol. 21, No. 8, p.997, 2018. DOI :10.9717/kmms.2018.21.8.991
  9. B.Jeon and M.Cha, "VR & Changes in Cinematic Storytelling", Journal of Korea Multimedia Society Vol. 21, No. 8, p.997, 2018. DOI :10.9717/kmms.2018.21.8.991
  10. S.Cho and Y.Choi, "A Study on Effective Directing of VR Animation", The Korean journal of Animation, Vol.16, No.2, p.115, 2020.
  11. C.Lim, "The Dialectic of On-Screen and Off-Screen Space in Film", Human Contents of Association, Vol.27, p.277, 2012