DOI QR코드

DOI QR Code

A Study of Teaching and Learning Strategies for a Creative Sight-singing and Ear-trainig Program

창의적인 시창·청음 프로그램을 위한 교수·학습 전략 연구

  • 박영주 (경남대학교 음악교육과)
  • Received : 2022.04.30
  • Accepted : 2022.05.09
  • Published : 2022.05.31

Abstract

This study was to provide teaching and learning strategies to develop a creative sight-singing and ear-training program that aims to design student-centered education. Therefore, the characteristics of the sight-singing and ear-training as well as teaching and learning methods were analyzed through the literature review, and the following meaningful strategies were derived. First, a student-centered teaching environment was promoted by diversifying the teaching environment through small group activities and establishing a sustainable learning environment using MyEarTraining and Musescore applications. Second, teaching and learning strategies were proposed to improve sight-singing and ear-training skills by applying for various teaching and learning methods and cultivating the qualities of a pre-service teacher. This study is expected to be used as meaningful fundamental data in developing specific teaching and learning processes for a creative sight-singing and ear-training program.

본 연구는 창의적인 시창·청음 프로그램 개발을 위한 기초 연구로서 학습자 중심의 시창·청음 프로그램을 설계하고 다양한 교수·학습 전략을 제시하는 것에 목적을 둔다. 먼저 문헌 연구를 통해 시창·청음에 대한 특징과 기존의 교수·학습 방법에 관해 비교·분석하였다. 이후 관련 내용의 특징들을 유목화하여 다음과 같은 의미 있는 전략을 제안하였다. 첫째, 모둠별 활동을 통한 수업환경의 다양화 및 MyEarTraining과 Musescore를 활용한 지속가능한 학습 환경을 구축하여 학생 중심의 수업환경을 제안하였다. 둘째, 다양한 교수·학습 방법을 활용하여 학생들의 시창·청음 능력 향상은 물론 예비 교사로서 자질을 함양할 수 있도록 교수·학습 전략을 제안하였다. 본 연구는 창의적인 시창·청음 프로그램을 위한 구체적인 교수·학습 과정안 개발에 있어 의미 있는 기초자료로써 활용되기를 기대한다.

Keywords

Acknowledgement

이 연구결과물은 2020학년도 경남대학교 신진교수연구비 지원에 의한 것임.

References

  1. Moon, E., Research on Performance Assessment for Selection of Middle-school Music Teachers (2008-2019), Master Thesis, Yonsei University, Seoul, S. Korea, 2019.
  2. Y. Kim and Y. Jeon, "Development and Implementation of Jazz Chord's Sight Singing and Ear Training Program through the Shape of Musical Intervals," Korean Journal of Research in Music Education, Vol. 47, No. 4, pp. 21-48, 2018.
  3. S.J. Ryu, "The Understanding and Application of the Dalcroze Solfege Method," Korean Society for World Music, Vol. 34, pp. 169-204, 2016.
  4. I. Ham, "A Study on Music Teachers' Perceptions of Preservice Music Teacher Education of Sight Singing and Ear Training," Journal of Music Education Science, Vol. 29, pp. 157-182, 2016.
  5. H. Shin, "The Study of Sight-singing and Ear-training program for Applied Music-major Student," Korea Academy Industrial Cooperation Society, Vol. 11, No. 10, pp. 3673-3679, 2010. https://doi.org/10.5762/KAIS.2010.11.10.3673
  6. D.L. Collins, Teaching Choral Music, Prentice-Hall, 1993.
  7. A. McClung, "Sight-singing Systems: Current Practice and Survey of All-state Choristers," Update: Applications of Research in Music Education, Vol. 20, No. 1, pp. 3-8, 2001. https://doi.org/10.1177/875512330102000102
  8. S. Kesjamras, "The Approach of Teaching Ear Training for University Student: in a Case of Private International University in Thailand," Assumption University e-Journal of Interdisciplinary Research, Vol. 3, No. 2, pp. 174-181, 2018.
  9. M. Pasek, L. Suhadolnik, P. Savli, and M. Marolt, "Motivating Students for Ear-training with a Rhythmic Dictation Application," Applied Science, Vol. 10, pp. 6781-6790, 2020. https://doi.org/10.3390/app10196781
  10. M. Rogers, "Aural Dictation Affects High Achievement in Sight Singing, Performance and Composition Skills," Australian Journal of Music Education, Vol. 1, pp. 34-52, 1994.
  11. A. Sheldon, "Effect of Contextual Sight-singing and Aural Skills Training on Error-Detection Abilities," Journal of Research in Music Education, Vol. 46, No. 3, pp. 384-395, 1998. https://doi.org/10.2307/3345550
  12. H.S. Kim, "Action Research for Sight Singing and Ear Training Program based on Multiple Intelligence Theory," Korean Music Education Society, Vol. 43, No. 4, pp. 115-139, 2014.
  13. J. Kuehne, "A Survey of Sight-singing Instructional Practices in Florida Middle-school Choral Programs," Journal of Research in Music Education, Vol. 55, No. 2, pp. 115-128, 2007. https://doi.org/10.1177/002242940705500203
  14. S. Larson, "The Value of Cognitive Models in Evaluating Solfege System," Indiana Theory Review, Vol. 14, No. 2, pp. 73-116, 1993.
  15. A. McClung, "Sight-singing Scores of High School Choristers with Extensive Training in Movable Solfege Syllables and Curwen Hand Signs," Journal of Research in Music Education, Vol. 56, No. 3, pp. 255-266, 2008. https://doi.org/10.1177/0022429408323290
  16. Frederickson, K.B., The Relationship of Spatial Ability and Encoding Ability to Kodaly Hand Signs and Singing Performance, Ph.D Thesis. Arizona State University, Tempe, AZ, USA., 1992.
  17. R. Egmond and M. Boswijk, "The Perception of Key: The Role of Music Training," Music Perception, Vol. 25, No. 1, pp. 31-42, 2007. https://doi.org/10.1525/mp.2007.25.1.31
  18. Son, S.J., Study of 「ABRSM's Aural Test」, Master Thesis, Myungji University, Gyeonggido, S. Korea, 2011.
  19. Hong, M.Y., A Study on the Application of ICT to Sight Reading and Ear Training in Music Classes in Middle School, Master Thesis, Kookmin University, Seoul, S. Korea, 2007.
  20. B. Arnold, A Fanatic's Guide to Ear Training and Sight Singing Volume 1, Muse Eek Publishing Company, 2001.
  21. K. Nam and S. Lee, "Exploring the effectiveness of Early Childhood teacher education using applications," The Journal of the Convergence on Culture Technology, Vol. 3, No. 2, pp. 19-25, 2021. https://doi.org/10.17703/JCCT.2017.3.1.19
  22. S. Cho, I. Ham, J.H. Lee, and M.Y. Jeong, Sight-singing and Ear-training, Gyeonggido Office of Education, 2021.
  23. D. Deutsch, "Music Recognition." Psychological Rreview, Vol. 76, No. 3, pp. 300-307, 1969. https://doi.org/10.1037/h0027237