문화기술의 융합 (The Journal of the Convergence on Culture Technology)

  • 제8권2호
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  • Pages.281-289
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  • 2022
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  • 2384-0358(pISSN)
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  • 2384-0366(eISSN)
국제문화기술진흥원 (The International Promotion Agency of Culture Technology)
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오페라 대면/비대면 공연 특성비교를 통한 활성화방안 고찰

A Study on Activation Plan through Comparison of Normal Opera Performance / Untact Performance Characteristics

  • 진윤희 (상명대학교 뉴미디어음악학과) ;
  • 장민호 (상명대학교 뉴미디어음악학과)
  • 투고 : 2022.02.09
  • 심사 : 2022.03.08
  • 발행 : 2022.03.31
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초록

4차산업혁명의 핵심기술, 새로운 특성을 보유한 세대의 등장 및 위드코로나 정책에 따른 언택트 시대로 우리사회는 급격히 변화하고 있다. 공연예술 분야에서도 언택트의 전환이 가속화 하고 있지만, 오페라의 경우 현장중심의 공연을 통한 전문가, 매니아층 중심으로 대면공연이 주요하게 진행되고 있다. 따라서, MZ세대 등 새로운 고객의 유입을 통한 기회창출과 기존 전문가, 매니아층의 이탈이라는 불확실성에 대한 고려가 요구된다. 본 연구에서 우리는 이러한 기존의 문제점을 검토하기 위해 문헌고찰 및 사례분석을 오페라 대면/비대면 공연특성을 비교하고 활성화 방안을 도출하고, 그 방안의 정합성과 타당성확보를 위한 전문가인터뷰을 수행하였다. 결론적으로 우리는 오페라의 특수성을 보유한 음악장르로 비대면으로 운영시 많은 단점으로 인해 현장감과 감동을 저해하고, 음향과 음질을 향상하기 어렵다고 생각하였다. 따라서, 우리는 오페라는 대면을 위주로 활성화 방향을 수립하되, 비대면의 장점인 지역과 시간의 제한없음을 잘 활용하고 문화향유권의 개념을 통해 대면과 비대면 공연을 상호보완적으로 활성화방향을 추진하는 것이 바람직하다고 결론을 도출하였다.

Our society is rapidly changing with the core technology of the 4th industrial revolution, the emergence of a generation with new characteristics, and the untact era following the With Corona policy. Although the transition to untact is accelerating in the field of performing arts, in the case of opera, face-to-face performances are mainly conducted by experts and enthusiasts through on-site performances. Therefore, it is necessary to consider the uncertainty of creating opportunities through the influx of new customers such as the MZ generation and the departure of existing experts and enthusiasts. In this study, in order to examine these existing problems, we conducted literature review and case analysis, compared the opera face-to-face/non-face-to-face performance characteristics, derived an activation plan, and conducted expert interviews to secure the coherence and validity of the plan. In conclusion, we thought that it was difficult to improve the sound and sound quality, impairing the sense of presence and emotion due to many shortcomings when operating non-face-to-face as a music genre with the characteristics of opera. Therefore, we established the direction of activating the opera mainly face-to-face, but making good use of the advantages of non-face-to-face, which is not limited by region and time, and promoting the direction of activating face-to-face and non-face-to-face performances complementary to each other through the concept of cultural enjoyment.

키워드

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