Journal of Digital Convergence (디지털융복합연구)

The Society of Digital Policy and Management (한국디지털정책학회)
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Deleuze's Deterritorialization Body without Organs in Contemporary Fashion -Focusing on Central Saint Martins, Royal College of Art, Antwerp Royal Academy of Fine Arts Graduation works-

현대 패션에 표현된 들뢰즈의 탈영토화와 기관 없는 신체 -영국 센트럴 세인트 마틴스 예술대학, 영국 왕립예술대학교, 벨기에 앤트워프 왕립예술대학의 2017-2019 줄업 작품을 중심으로-

  • Wang, Xin-yu (Fashion Design, Qingdao University of Technology) ;
  • Kim, Hyun-Joo (Fashion Merchandise Design, Dankook University)
  • 왕형우 (칭다오이공대학교 패션디자인학과) ;
  • 김현주 (단국대학교 패션산업디자인학과)
  • Received : 2020.10.06
  • Accepted : 2020.12.20
  • Published : 2020.12.28
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Abstract

Based on Deleuze's body aesthetics and from the perspective of 'deterritoraliazation', this study makes an in-depth discussion on the modern fashion design modeling by four visual characteristics: hysteria, visualization, body segmentation and becoming animals. First, hysteria embodies the strong visual effect brought by the deformation and exaggeration of clothing. Second, visualization in fashion shows the elimination or ambiguity of faces, representing the weakening of identity and the prominence of clothing and body. Third, body segmentation represents the deconstruction and reorganization of clothing, and a new way of thinking, as well. Fourth, becoming-animals are manifested in the physical mutation caused by the heterogeneous connection between humans and animals, which brings about the possibility of rethinking the body.

본 연구는 들뢰즈의 신체 미학을 바탕으로 탈영토화의 관점에서 분석하고 현대 패션디자인의 작품 속에 내재되어있는 시각화특징이 히스테리, 형상화. 신체분해, 동물-되기 등 4가지 특성으로 신체 개조, 즉 패션조형화, 예술화 됨을 심층적으로 검토하였다. 첫째, 히스테리는 패션 디자인에서 의상의 변형과 과장이 주는 강렬한 시각적인 효과를 보여준다. 둘째, 형상화가 패션에서의 표현은 가면이 얼굴을 제거하거나 의상구조 등은 얼굴을 희미하게 해주는 두 가지 분야다. 이는 신원의 약화와 의상 및 신체를 돋보이게 한다. 셋째, 신체 분화는 의상의 구조 해체와 재구성을 의미하며 새로운 사고방식을 표현한다. 넷째, 동물-되기는 동물 그림의 활용과 사람과 동물 사이의 이질적인 연결에 따른 형체 돌연변이를 보여줌으로써 신체를 다시 생각할 수 있는 가능성을 보여준다.

Keywords

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