DOI QR코드

DOI QR Code

Authority of Image in Internet Space

  • Jang, Seo-Youn (Department of Global Media, Soongsil University) ;
  • Lim, Chan (Department of Global Media, Soongsil University)
  • Received : 2019.02.15
  • Accepted : 2019.02.28
  • Published : 2019.03.31

Abstract

Language and letter are represented by a combination of its signifier and signified. All symblos are commonly calling direct attention to people who are living in the physical world. However, in cyberspace, the image takes control once inhabited by the language. Cyberspace with anonymity and deoent physical nature has something with physical laws. In this space the statue transcends the imaginary realm. Ideology gives a greater connotation by giving a series of regulation to images floating in cyberspace. Even if various media have the same image, the meaning of the image changes depending on which ideology is used. The impact of this on the public is great. In this study, I discuss the ideology in cyberspace where is supposedly wide open to who visits and spreads all the thoughts without suppression and the human body. The main ideas would be who owns the ideology and what does it want to control and how the people would react to the ideology. This paper would eventually head the prototype that visualizes above ideas. Though the interactive media it will also show the subject in the real world is accept the images floating in the cyberspace without any doubts.

Keywords

OTNBCL_2019_v8n1_153_f0001.png 이미지

Figure 1. Artwork by Joshua Davis

OTNBCL_2019_v8n1_153_f0002.png 이미지

Figure 3. Keyword searching in real-time

OTNBCL_2019_v8n1_153_f0003.png 이미지

Figure 4. Searched Images Inputting a text ‘apple’

OTNBCL_2019_v8n1_153_f0004.png 이미지

Figure 2. by Jonathan Harris

Table 1. Ordinary language and cyberspace image

OTNBCL_2019_v8n1_153_t0001.png 이미지

Table 2. Process of the Prototype Procedure

OTNBCL_2019_v8n1_153_t0002.png 이미지

References

  1. Mi-Sug Choe, "A Study on the Cyberspace Followed By the Cyberculture Fluctuation", Journal of Communication Design, Vol. 14, No. 2, pp. 15-24, 2003.
  2. Robert Root-Bernstein and Michele Root-Bernstein, Spark of Genius, HoughtonMifflin, pp. 288, 2000.
  3. Wang-Seok Kim and Do-Sam La, "Internet, Virtual Space and Subject", Journal of mass-communication, Vol. 24, No. 1, pp. 41-67, 1997.
  4. Hea-Ryun Shim, Aesthetics in the Age of Cyberspace, Salim, pp. 222, 2006.
  5. Seong-Heui Si, The Expression World Crossing Over the Paintings and Artistic Photographs, Ph.D. Thesis. Catholic University of Daegu, Daegu, Korea, 2005.
  6. Young-Jae You, "A Study on Randomness in New Media - Focus on Jackson Pollock & Joshua Davis", Bulletin of Korean Society of Basic Design & Art, Vol. 7, No. 4, pp. 409-420, 2006.
  7. Seon-A Mok, A Study on the Interactive Media Artworks based on the Computer Vision for Multicultural Integration, Ph.D. Thesis. University of Chung-Ang, Seoul, 2010.
  8. Mersch Dieter, Medientheorien zur Einf, Junius Verlag, pp. 281, 2009.
  9. Jeong-Hei Park, "A Philosophical and Ethical Contemplation of Cyberspace", Journal of Digital Design, Vol. 6, No. 2, pp. 153-162, 2006.
  10. Cham-Sam Yang, "Cyberspace and Human, and New Awareness of Education", Social Theory, Vol. 20, pp. 46-91, 2002.