Journal of the Architectural Institute of Korea Planning & Design (대한건축학회논문집:계획계)

Architectural Institute of Korea (대한건축학회)
권호 표지
DOI QR코드

DOI QR Code

Comparison between Premodern Garden Follies and the Folies of the Parc de la Villette

근대 이전 정원 폴리와 라빌레뜨 공원 폴리의 특성비교

  • Received : 2015.10.01
  • Accepted : 2016.05.06
  • Published : 2016.05.30
⟨ Previous Next ⟩

Abstract

This paper tried to identify postmodern characteristics of follies by comparing major garden follies of the premodern period with the folies of the Parc de la Villette. First, the layout motive of the premodern gardens was based on iconographical allegories in contrast to la Villette on the disjunction of the folies. Second, each layout borrowed its model from the artistical collage of collision or the cinematic montage of collision. Third, as a layout method, the former employed the narrative sequence using prosopopeia while the latter employed the narrative sequence for the cinematic promenade. Fourth, the decoration of the premodern follies tended to symbolize the genius loci, while a series of la Villette folies revealed the de-constructive performance of the cube. In conclusion, these characteristics have in common the postmodern hybridization, potential in the representation of the contemporarily diversified culture.

Keywords

Acknowledgement

Supported by : 한국연구재단

References

  1. Archer, B. J. & Vidler, A. (1983). Follies : architecture for the late-twentieth-century landscape, New York, Rizzoli, 9-13.
  2. Rowe, C. & Koetter, F (1978). Collage City, Cambridge, MIT Press, 86-117.
  3. DeLorme, E. P. (1996). Garden Pavilions and the 18th century French Court, Antique Collectors' Club.
  4. Hatipoglu, O. (2014). Performing Objects: Folies in Bernard Tschumi's Parc de la Villette, French Studies Bulletin, 35(131), 23-25. https://doi.org/10.1093/frebul/ktu007
  5. Hayward, S. (2006), Cinema Studies : the Key Concepts, (tr. 2012), Seoul, Hannarae
  6. Hirsch, N., Misselwitz, P., Chun, E. Y., & Kim, J. H. (2013). Gwangju Folly II, Gwangju, The Gwangju Biennale Foundation, 80-81.
  7. Holmes, C. (2008). Follies of Europe : Architectural Extravaganzas, Suffolk, Garden Art Press.
  8. Hunt, J. D. (1996). Garden and Grove, Philadelphia, U. Penn Press, 133-139, 205-213.
  9. Hunt, J. D. (2008). Folly in the Garden, The Hopkins Review, 2008, Vol.1(2), 228-234.
  10. Moskow, K., & Linn, R. (2012), Contemporary Follies, New York, Monacelli Press, 7-11.
  11. Rogers, E. B. (2001). Landscape Design, New York, Harry N. Abrams, 232-266.
  12. Saudan, M. (1988). From Folly to Follies : Discovering the World of Gardens, New York, Abbeville Press. 1-20, 187-195.
  13. Tschumi, B. (1987). Cinegramme Folie, le Parc de la Villette, Princeton, NJ, Princeton Architectural Press
  14. Tschumi, B. (1994), Architecture and Disjunction, MIT Press, (tr. 2003), 35-214.
  15. Tschumi, B. (1994). The Manhattan Transcripts: Theoretical Projects, Academy Group
  16. Tschumi, B. (2012). Architecture Concepts : Red is not a Color, New York, Rizzoli 112-161.
  17. Venturi, R., & Izenour, S. (1977). Learning from Las Vegas, Cambridge, The MIT Press, 87-163.
  18. Sacro Bosco (www.sacrobosco.it/eng/enter.php)
  19. Stowe Gardens (http://faculty.bsc.edu/jtatter/stowe.html)
  20. Potsdam-Park-Sanssouci (www.potsdam-park-sanssouci.de)
  21. Palace of Versailles (www.chateauversailles.fr/homepage)
  22. Villa Adriana (www.villa-adriana.net)