The Research Journal of the Costume Culture (복식문화연구)

The Costume Culture Association (복식문화학회)
권호 표지

A Study on Aesthetic Characteristics of Drapery Costume

드레이퍼리 의상의 미적 특성

  • Ahn, Sun-Hee (Fashion Design, Dongduk University Education Center) ;
  • Lee, Myoung-Hee (Dept. of Clothing & Textiles, Sungshin Women's University)
  • 안선희 (동덕여자대학교 평생교육원 패션디자인) ;
  • 이명희 (성신여자대학교 의류학과)
  • Published : 2009.06.30
Download PDF
⟨ Previous Next ⟩

Abstract

Drapery costume started with using one fabric to loosely wrap around one's body without using technical skills or needlework. Drapery becomes a beautiful and indeterminate form of pleated costume which determines the costume silhouette and serves as an essential component for the composition of artistic costume. The purpose of this study was to examine the aesthetic characteristics of drapery costume using literature review. The study methods include considerations of the formation process of drapery costume with the analysis of costume in pictures. For modern costume designs, the study analyzed the designer's dress with a focus on drapery forms, which appeared in the collections from 2001 to 2007. First, drapery costume contains the beauty of human body. Drapery costume reveals the smallest movement of the body. The beauty of drapes, which is naturally revealed along the curve of the body, and the pleats which form on the soft cloth create the beauty of body. Second, drapery costume has rhythmical beauty. Drapery pleats feature not only functions, but also unique formativeness that provides rhythmicity and regular or irregular direction effects by line. Third, drapery costume features elegant beauty. Bias cutting by draping can effectively express the elegant characteristics of the fabric. In making a piece of clothing, the composition method can express elegant beauty by covering up the shortcomings of the fitting and by fitting to the body line without cutting the fabric, or fitting it by bias cutting.

Keywords

References

  1. 고정원 (2002). “Drape를 중심으로 본 고대 이집트 복식과 고대 그리스 복식의 연관성.” 중앙대학교대학원 석사학위논문.
  2. 김미영 (2006). “댄스 스포츠 의상의 조형성과 미적 특성에 관한 연구.” 복식문화연구 14권 6호.
  3. 김희균 (2000). “바이어스 드레이핑 디자인 연구.” 이화여자대학교 대학원 석사학위논문.
  4. 문인숙, 오춘자 (1993). “르네상스, 바로크 시대의 회화작품에 나타난 드레이퍼리(Drapery) 복식 연구.” 충남대학교 충남생활과학연구지 6권 1호.
  5. 박현정 (2000). “마들렌느 비요네(Madeleine Vionnet) 패션디자인의 조형성에 관한 연구.” 홍익대학교 산업미술대학원 석사학위논문.
  6. 양희영, 양숙희 (2007). “현대 패션에 나타난 주름의 조형적 특성에 관한 연구.” 복식 57권 1호.
  7. 유수경, 김의경 (2002). “마들렌느 비오네의 작품에 나타난 기하학적 특성에 관한 연구.” 복식문화연구 10권 6호.
  8. 조신연 (1998). “고대 그리스 복식의 조형미를 응용한 복식 디자인 연구: Drapery를 중심으로.” 이화여자대학교 디자인대학원 석사학위논문.
  9. 패션인사이트(주) (2005). World Fashion Designer Story. 서울: 주간 디자인신문.
  10. 패션전문자료사전 편찬위원회 (1997). Fashion 전문자료사전. 서울: 한국사전연구사.
  11. 함봉희 (2004). “드레이퍼리(Drapery)의 조형성을 응용한 의상 디자인 연구: Art Deco Fashion을 중심으로.” 이화여자대학교 디자인대학원 석사학위논문.
  12. 板倉壽郞 (1993). 복식미학. 이현숙 역. 서울: 경춘사.
  13. Anniversary Issue W: 30 Years of Fashion [retrieved 1-3 January 2008]. available from http://www.blog.naver.com/qnnp486/60051375720
  14. Calasibetta, Chrotte Mankey (1998). Dictionary of Fashion. 2nd ed. New York: Fairchild Pub. Inc.
  15. Color Me Chic. (2007 [retrieved 14 February 2007]). available from http://colormechic.blogspot.com/2007/02/vionnet.html
  16. Fashion: The Collection of the Kyoto Costume Institute (2002). Tokyo: Taschen Gmbh.
  17. Horn, Marilyn J. and Lois M. Gurel (1982). The Second Skin: An Interdisciplinary Study of Clothing. 3rd ed. Boston: Houghton Mifflin Co.
  18. Jacque, Herald (1991). Fashion of Decade: 1930s. London: B.T. Batsford Ltd.
  19. "Spring 2001- Spring 2007 Collection" [retrieved 23-29 January 2007]. The Online Home of Vogue & W. available from http://www.style.com
  20. Vionnet (2007 [retrieved 10 February 2007]). available from http://www.vionnet.com