H. P. Berlage's Modern in The Amsterdam Exchange - The Amsterdam Exchange and H. P. Berlage's Villa Project between 1892 and 1896 -

암스테르담 거래소에서 보이는 근대성에 관한 연구 - 베를라헤의 빌라 프로젝트가 암스테르담의 거래소의 디자인에 미친 영향에 관하여 -

  • Published : 2006.06.01

Abstract

As a proto-modernist work the Amsterdam Exchange has been regarded as a specimen of Structural Rationalist's architecture. Because of its ma]or steel structure, use of geometry, and reminiscence of Gothic the designer of the building was labeled by Kenneth Frampton as one of the apostles of Viollet le Duc. The architect was Hendrick Petrus Berlage. Contrary to above Nicolaus Pevsner claimed that Berlage's architectural discourse was 'Anti-Rational' because of its anachronistic formal language, Expressionism. In terms of structure Berlage's idea is rational, whilst formally 'Anti-Rational'. These polarised view points were due to the legacies of Modern Architecture that was controled by hegemonic figures in terms not only of practical field but of historiography. The hegemonic figures wanted to see Berlage as what they wanted to see. With this idea, this paper is one of endeavours to collect fragmented history in the early modern architecture. The Amsterdam Exchange has a long term story until the opening. Without understanding the story we have to withhold an evaluation of Berlage's architecture.

Keywords

References

  1. Banham, R., Theory and design in the first machine age. 1st MIT Press paperback ed. Cambridge, Mass, MIT Press, 1980
  2. Bergeijk, H. v., De steen van Berlage: Theory en Praktijk van De Architectuur rond 1895. Rotterdam, 010 publisher, 2003
  3. Berlage, H.P. Hendrick Petrus Berlage: though on style, 1886-1909. trans. Whyte, I. B. and De Wit, W., Santa Monica, CA, Getty for the History of Art and the Humanitie, 1996
  4. Bock, M. et al., eds., Berlage in Amsterdam, Amsterdam, Architectura & Naturs Press, 1992
  5. Crary, J., Suspensions of perception: attention, spectacle, and modern culture, Cambridge, Mass.: MIT press, 1999
  6. Frampton, A., modern architecture: a critical history, Thames & Hudson, 3rd ed., 1992
  7. Giedion, S., Space, Time and Architecture; The Growth of a New Tradition, 5th ed. Charles Eliot Norton lectures; 1938-1939. Cambridge, Harvard University Press, 1967
  8. Guido Hoogewoud, 'De Amsterdamse Beursprijsvraag van 1884', in AA. V.V., H. P. Berlage 1856-1934: Een bouwmeester en zijn tijd, 1975
  9. Molema, J., 'Berlage's Beurs-concept and method', The Journal of Architecture, 4, 1999
  10. Pevsner, N., 1960 ed., Pioneer of Modern Design from William Morris to Walter Groupius. Middlesex, Penguin Books Ltd., 1936
  11. Polano, S., et al., Hendrick Petrus Berlage, complete works. New York, Rizzoli, 1988
  12. Richards, J. M. and Pevsner, N., The ANTI-RATIONALISTS and The RATIONALISTS. London, Architectural Press., 1973
  13. Rinink, A. W., Amsterdam en de Beurs van Berlage: Reacties van tijdgnoten. Staatsuitgeverij, s'-Gravenhage, 1975
  14. Sang-Hun, L., Technology and Form: iron construction and transformation of architectural ideas in nineteenth century France, 1830-1889, MIT, 1996
  15. Singelenberg, P., H.P.Berlage. Idea and style. The quest for modern architecture. Utrecht, Haentjens Dekker&Gumbert., 1972
  16. Taewoong, K., 'Hendrick Petrus Berlage's Villas' The Journal of Architecture, 5, U.K., 2005