Pluralism in Duct Tape Fashion

덕트 테이프 패션에 표현된 다원주의

  • Lee, Bong-Duk (Dept. of Fashion Design Kwangju Women's University) ;
  • Yang, Sook-Hi (Dept. of Clothing & Textiles, Sook-myung Women's University)
  • 이봉덕 (광주여자대학교 패션디자인전공) ;
  • 양숙희 (숙명여자대학교 의류학과)
  • Received : 2000.08.18
  • Published : 2000.11.30

Abstract

Pluralistic and diverse values exist in the realm of post modernism society. In this context, one particular outlook does not have the same meaning across the whole society. The creation and sharing of a new meaning do not necessarily need the consent of every member of the society. There have been a few attempts to delve into the relationship between sociocultural phenomenon and fashion trends in the pluralistic cultures. However, there has been little research on the theoretical framework in order to analyze a pluralistic phenomenon itself. The purpose of this study is to provide the theoretical paradigms to analyze and interpret various pluralistic phenomena in postmodernism fashion. Theories developed by Gilles Deleuze have been utilized to analyze and interpret the duct tape fashion which is in vogue among the young generation in the USA. The analysis based on the paradigm of Gilles indicates that the duct tape fashion shows pluralistic features of as in the other postmodern cultural activities.

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