• 제목/요약/키워드: weak syllable

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영시 정형율에 나타난 음성, 음운론적 제약 (Phonetic and Phonological Constraints on Fixed Meters of English Poetry)

  • 손일권
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 2004년도 춘계 학술대회 발표논문집
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    • pp.161-163
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    • 2004
  • This study concerns the constraints of English Poetic Fixed Meter. In English poems, the metrical pattern doesn't always match the linguistic stress on the lines. These mismatches are found differently among the poets. For the lexical stress mismatched with the weak metrical position, ${\ast}W{\Rightarrow}$ Strength is established by the concept of the strong syllable. The peaked monosyllabic word mismatched with weak metrical position is divided according to which side of the boundary of a phonological domain it is adjacent to. In most poets, ${\ast}$Peak] is ranked higher than ${\ast}$[Peak. In Shakespeare, Adjacency Constraint is ranked higher than ${\ast}$Peak].

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영시 정형율의 제약들 - Iambic을 중심으로 - (Constraints of English Poetic Meter)

  • 손일권
    • 대한음성학회지:말소리
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    • 제42호
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    • pp.71-88
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    • 2001
  • This study is on the constraints of English Poetic Meter. In English poems, the metrical pattern doesn't always match the linguistic stress on the lines. These mismatches are found differently among the poets. The peaks mismatched with the weak metrical position are divided into the two ways according as they are adjacent to the boundary of a phonological domain or not. PAF and $^*UV$] are suggested for the mismatched peak which are not adjacent to the boundary of a phonological domain ; $^*Peak$] and BT for the mismatched peak which are adjacent to the boundary of a phonological domain. For the lexical stress mismatched with the weak metrical position, $^*W{\;}{\Rightarrow}{\;}Strength$ is set up by the concept of the strong syllable. $MPS{\;}{\Rightarrow}{\;}\Phi_{max}$ for the metrical position size can replace the resolution which is used to control the number of syllables in English poems. These constraints show the different hierarchies among the poets.

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영시 율격의 제약 - Iambic을 중심으로 - (Constraints of English Poetic Meter: Focused on Iambic)

  • 손일권
    • 한국영어학회지:영어학
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    • 제2권4호
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    • pp.555-574
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    • 2002
  • This study concerns the constraints of English Poetic Meter. In English poems, the metrical pattern doesn't always match the linguistic stress on the lines. These mismatches are found differently among the poets. For the lexical stress mismatched with the weak metrical position, W⇒ Strength is established by the concept of the strong syllable. The peaks of monosyllabic words mismatched with the weak metrical position are divided according to which side of the boundary of a phonological domain they are adjacent to. Adjacency Constraint I is suggested for the mismatched peak which is adjacent to the left boundary of a phonological domain; /sup */Peak] and Adjacency ConstraintⅡ for the mismatched peak which is adjacent to the right boundary of a phonological domain. These constraints are various according to the poets (Pope, Milton and Shakespeare) : /sup */[Peak [-stress], /sup */W⇒ Strength and /sup */Peak] in Pope; /sup */[+stress][Peak[-stress] and /sup */Peak] in Milton; /sup */[ +stress][Peak[-stress], /sup */W⇒Strength and Adjacency ConstraintⅡ in Shakespeare.

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강음절이 한국어 화자의 영어 연속 음성의 어휘 분절에 미치는 영향 (The Effect of Strong Syllables on Lexical Segmentation in English Continuous Speech by Korean Speakers)

  • 김선미;남기춘
    • 말소리와 음성과학
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    • 제5권2호
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    • pp.43-51
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    • 2013
  • English native listeners have a tendency to treat strong syllables in a speech stream as the potential initial syllables of new words, since the majority of lexical words in English have a word-initial stress. The current study investigates whether Korean (L1) - English (L2) late bilinguals perceive strong syllables in English continuous speech as word onsets, as English native listeners do. In Experiment 1, word-spotting was slower when the word-initial syllable was strong, indicating that Korean listeners do not perceive strong syllables as word onsets. Experiment 2 was conducted in order to avoid any possibilities that the results of Experiment 1 may be due to the strong-initial targets themselves used in Experiment 1 being slower to recognize than the weak-initial targets. We employed the gating paradigm in Experiment 2, and measured the Isolation Point (IP, the point at which participants correctly identify a word without subsequently changing their minds) and the Recognition Point (RP, the point at which participants correctly identify the target with 85% or greater confidence) for the targets excised from the non-words in the two conditions of Experiment 1. Both the mean IPs and the mean RPs were significantly earlier for the strong-initial targets, which means that the results of Experiment 1 reflect the difficulty of segmentation when the initial syllable of words was strong. These results are consistent with Kim & Nam (2011), indicating that strong syllables are not perceived as word onsets for Korean listeners and interfere with lexical segmentation in English running speech.

An Analysis of the English l Sound Produced by Korean Students

  • Yang, Byung-Gon
    • 음성과학
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    • 제15권1호
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    • pp.53-62
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    • 2008
  • The purpose of this study was to examine the English l sound in an English short story produced by 16 Korean students in order to determine various allophones of the sound using acoustic visual displays and perceptual judgments. The subjects read the story in a quiet office at normal speed. Each word included the lateral sound in onset or coda positions and before a vowel of the following word. Results showed as follows: Firstly, there was a durational difference between the two major groups. Also the majority of the subjects produced the clear l regardless of the contexts. Some students produced the sound as the Korean flap or the English glide [r]. A few missing cases were also seen. The dark l was mostly produced by the subjects of English majors in coda position with a few cases before a vowel in a phrase. Visual displays using the computer analysis were very helpful in distinguishing lateral variants but sometimes perceptual process would be necessary to judge them in fast and weak production of the target word. Further studies would be desirable to test the discrepancies between the acoustical and perceptual decisions.

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Against a Lenition Account of Tapping: Evidence from Yonbyon Korean

  • Han, Jeong-lm;Kang, Hyun-Sook
    • 음성과학
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    • 제8권2호
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    • pp.107-117
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    • 2001
  • The purpose of this study is to revisit the property of tapping, based on the data from Yonbyon Korean. Taps have been described as short segments derived from corresponding stops or trills. It is also widely assumed that tapping occurs due to lenition to minimize articulatory effort. However, Yonbyon Korean data show that taps can occur in strong as well as weak positions The results of the acoustic experiments conducted in this study show that in syllable-onset position, obstruent taps consistently appear from the underlying laterals, while in intervocalic position, sonorant taps similar to American English taps occur. The results of this study provide evidence against the uniform account of tapping as the result of lenition.

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Speech Rhythm and the Three Aspects of Speech Timing: Articulatory, Acoustic and Auditory

  • Yun, Il-Sung
    • 음성과학
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    • 제8권1호
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    • pp.67-76
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    • 2001
  • This study is targeted at introducing the three aspects of speech timing (articulatory, acoustic and auditory) and discussing their strong and weak points in describing speech timing. Traditional (extrinsic) articulatory timing theories exclude timing representation in the speaker's articulatory plan for his utterance, while the (intrinsic) articulatory timing theories headed by Fowler incorporate time into the plan for an utterance. As compared with articulatory timing studies with crucial constraints in data collection, acoustic timing studies can deal with even several hours of speech relatively easily. This enables us to perform suprasegmental timing studies as well as segmental timing studies. On the other hand, perception of speech timing is related to psychology rather than physiology and physics. Therefore, auditory timing studies contribute to enhancing our understanding of speech timing from the psychological point of view. Traditionally, some theories of speech timing (e.g. typology of speech rhythm: stress-timing; syllable-timing or mora-timing) have been based on our perception. However, it is problematic that auditory timing can be subjective despite some validity. Many questions as to speech timing are expected to be answered more objectively. Acoustic and articulatory description of timing will be the method of solving such problems of auditory timing.

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일제강점기 강화 보문사 마애관음보살좌상 연구 (A Study of the Japanese Colonial Era Rock-Carved Seated Avalokiteśvara Statue at Ganghwa Bomunsa Temple)

  • 이주민
    • 헤리티지:역사와 과학
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    • 제53권3호
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    • pp.62-79
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    • 2020
  • 강화 보문사 마애관음보살좌상은 일제강점기였던 1928년에 조성된 거대한 규모의 마애불상으로 한국 근대 불교 조각사에서 중요한 위치를 차지하는 기년명 불상임에도 불구하고 그동안 근대 불교 조각에 대한 연구 부진으로 심도 있는 논의가 이루어지지 못하였다. 본고에서는 보문사 마애관음보살좌상이 근대기 불상으로서 갖는 의미를 다양한 측면에서 살펴보기 위해 마애불 주변에 있는 명문을 판독하여 조성 연대와 제작자 및 후원자를 확인하였으며, 바위의 형태와 지형이 불상의 조형성에 어떤 영향을 끼쳤는지 알아보기 위해 제작자와 참배객의 시점(視點)을 비교 분석하였다. 또한 제작자 후손들과의 인터뷰를 통하여 불상 조성 당시의 구체적 정황을 파악해 보았다. 보문사 마애관음보살좌상의 제작에는 금강산 승려 이화응(李華應)이 화주(化主)겸 화사(畫師)를 맡았고, 불상 조성이 시작되는 1928년에는 100여 명이 넘는 시주자가 공동으로 후원하였으며, 1937년 참배공간을 확장할 때는 간송 전형필(澗松 全鎣弼)이 단독 후원하였다. 이 마애불 조성을 계기로 강화 보문사는 양양 낙산사, 남해 보리암과 더불어 우리 나라 3대 관음 도량으로 손꼽히게 되었다. 불상의 제작 기간은 약 3개월이 소요되었으며 초(草)는 화주를 맡았던 이화응이 그리고 조각은 운송학(雲松學) 등 다섯 명의 강화 지역 석수가 참여하였는데, 화승이 그린 초를 바탕으로 조각이 이루어졌기 때문에 마애불 곳곳에서 선묘적 기법이 발견된다. 화사로서 이화응의 면모가 밝혀짐에 따라 석옹철유(石翁喆有)-화응형진(華應亨眞)-일옹혜각(一翁慧覺)으로 이어지는 화맥의 단초를 확인할 수 있게 되었다. 보문사 마애관음보살좌상은 보관을 쓰고 정병을 든 전형적인 관음보살로 방형의 큰 얼굴에 목이 짧고 전체적으로 투박하여 경직된 인상을 준다. 제작자는 높이 10m에 40°가량 기울어져 있는 바위에 마애불을 왜곡 없이 보이기 위해 최대한 동작을 절제하고 대칭성을 강조하여 세부 표현을 생략하였고, 머리와 신체 비례는 1:1에 가깝게 조정하여 시각적 왜곡 문제를 해결하였다. 특히, 본고에서는 보문사 마애관음보살좌상처럼 별도의 불단을 만들지 않는 '불상과 불단의 일체화'된 형식을 근대기 불교 조각의 특징으로 상정하였다. 그 외에 광배에 새겨진 6글자의 범자(梵字)를 그동안 육자대명왕진언(六字大明王眞言)으로 해석했으나, 정법계진언(淨法界眞言)과 사방진언(四方眞言)이 조합된 것임을 새롭게 밝혔다. 아울러 처마 바위에 박혀 있는 3개의 쇠고리는 제작 과정에서 다림추를 달아 초를 그릴 때 기준점으로 활용하였고, 이후에는 고리에 풍탁을 달아 보살상을 장엄하는 용도로 사용한 것을 확인하였다.