• 한국실내디자인학회논문집
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• 제24권1호
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• pp.197-206
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• 2015

The purpose of this study is to analyze characteristic interior spaces for TV news center studio. Based on eight channels including public and comprehensive programming broadcasting stations the method for this research is to make differentiate existing relevant literature by creating analysis items for interior spaces through various case studies as well as find out characteristics of spatial forms, colors, materials, decorations, and etc. The conclusions are as follows. Firstly, spatial form of desk and ceiling are similar shapes but floor and wall are different comparing with public and comprehensive programming broadcasting stations. Secondly, preferred color for floor and ceiling is black, for wall and desk are blue and gray. Thirdly, various materials are preferred between public and comprehensive programming broadcasting stations. Fourthly, Flat and elevated floors are preferred as well as space and logos of broadcasting station are preferred for background images as decoration elements. Lastly, Soffit ceiling, desk accommodating more than 4 people, spotlight for public broadcasting stations, and architectural lighting for comprehensive programming broadcasting stations are preferred.

• 한국화재소방학회논문지
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• 제22권2호
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• pp.57-62
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• 2008

한국의 실내장식재로는 대부분 벽지를 사용하고 있다. 이러한 주거공간에 화재발생시 화재 확대요인중의 하나는 벽지의 연소를 통해 이루어진다. 그동안 산소지수 관련연구들이 많이 이루어져 왔지만 상온에서의 연구가 많았다. 본 연구에서는 실내화재에서 화재의 확대요인이 될 수 있는 벽지의 산소지수가 상온과 고온에서 얼마나 차이가 발생하며 이러한 차이가 화재확대에 미치는 영향을 고찰하고자 하였다. 실험을 통해 LOI 및 TOI 측정한 결과 벽지의 상온과 고온에서의 산소지수는 $5{\sim}8%$정도의 차이가 나타났다. 실험에서 산소지수 0.1%의 차이로도 연소 길이에 현저한 차이가 나타나기 때문에 고온에서의 산소지수 감소가 화재확대에 큰 영향을 미치는 요인임을 알 수 있었다.

• 건축역사연구
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• 제4권2호
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• pp.45-64
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• 1995

This study examines the Section of 'Housing Regulations' in The Chronicles of the Three States (${\ulcorner}$三國史記${\lrcorner}$ 屋舍條) to verify the residential architecture during the period of the Unified Silla Dynasty. Through the study, the basic architectural terms in the Section of 'Housing Regulations', such as the size of the building, glazing roof tile, animal-shaped ornamental piece on roof ridge, eave purlin, wooden bracket arms, roof decoration, decorative paintings, stone steps, wall structure, blind screen, folding screen, bedstead, and gate are analyzed, interpreted and defined, and, in addition, the forms and styles of the residential architecture during the period of the Unified Silla Dynasty are basically reconstructed.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.158-165
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• 2006

The space of leisure boats & yachts is formed by interior design elements and shapes are formed by combination of those elements. By means of configuration of the design elements, space is made in a ship and patterns in an inside space are made through production. These space can be categorized as (1) cabin(common cabin, staterooms, one-cabin), (2) salon, (3) galleys & dinette, (4) heads(showers, toilets, bidets, sinks), (5) cockpit, (6) wheelhouses, navigation stations, (7) fore peaks, (8) engine room, (9) deck etc. Interior materials are classified into (1) walls(bulkheads & lining wall), (2) floors(sole), (3) ceilings(overheads), (4) doors & windows, (5) furniture, (6) lightings and (7) Hardware & decoration in large, medium and small sizes, which constitute interior design elements of a leisure boat & yacht. The materials used in leisure boats & yachts have properties of lightweight, noise and vibration resistance, fire & flame retardant, stability, strengths, lifespan, appearance and special operation in construction.

• 한국실내디자인학회논문집
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• 제24권1호
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• pp.189-196
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• 2015

As the number of children's libraries has increased in Korea, it has been discussed to improve the quality of design in the libraries. In a reading room of children's library, spatial consideration should be focused on the children under 10 years old since they are in important points to learn Hangul and to develop reading habits. This study is aimed to examine the characteristics of a floor-sitting reading room, where children can feel like a home, stay in clean and safe and play while reading. The seven case studies of floor-sitting reading rooms are analyzed from the viewpoint of each factor of physical environment, including structure, furniture, and decoration. The following is the summary of findings of this study. First, floor-sitting reading rooms tend to compose main reading areas around bookshelves. Reading areas create the characters by changing floor levels and arranging furniture associated with windows, columns, and wall-type bookshelves. In the reading areas, movable low-level tables are frequently placed for flexible space uses, and seats for reading tend to put together with fixed bookshelves. Second, the central areas of the reading rooms are often shaped in the forms of pods, storytelling areas, sculptures, and unique furniture. Especially storytelling areas and pods play the cores of the reading rooms with the varying steps of floors and pictorial graphics on walls. Third, decoration elements in the reading rooms are designed with graphics, visual displays, and sculptural decorations. In my case studies, spatial elements such as reading nooks, attics, tunnels, and shelters are not often found in the floor-sitting reading rooms even though children like to have them. Since it is the advantage of floor-sitting reading rooms where children can take off shoes and act freely, we should look for the design of such spatial elements in the floor-sitting reading rooms.

• 한국농촌건축학회논문집
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• 제14권4호
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• pp.107-116
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• 2012

This study aims to investigate what degree do the hospital buildings carry out their role in regional scenery. To carry out this study the existing theoretical and field survey was conducted to the 44 private hospitals in small and medium-sized cities - Jeonju city, Kunsan city and Iksan city in Jeonlabukdo district. The contents of the survey are the general aspect of the polled, the image of the buildings, that of medical treatment parts, the relations to the regional scenery. And they are questionnaire surveyed to the 44 private hospital buildings. In questionnaire survey, the 35 professional architects who major architecture and related design and 118 citizens who doesn't major architecture are participated. The results of this study are as follows: 1. Those surveyed who answered those private hospital buildings which have their functional images are barely 20%. Some of 27% answered they have images of the commercial building. Especially in professional architects, 5% of them answered thet have their hospital images. It showed that they don't have their identity in the architectural expression in the processof architectural design. 2. The architectural facade elements that express their images in surveyed buildings are answered that architectural building form is 62%, architectural color is 27% and architectural material is 10% in turn. And the architectural elements that express their images in surveyed buildings are answered that building wall is 56%, architectural decoration is 32%. In this article, the reason why the ratio of the architectural decoration is high is that they don' have their identity in building itself. And they expressed their identity by their decoration, sign system not their buildings. 3. As the preference level for their images, some of the 49% of the total surveyed answered common. The general surveyed answered a little preference. But the architect professional group answered preference is 14%, not preference is 29%. The reason of this article is that the general surveyed are familiar with their buildings. So the questionnaire of the harmony with the surrounding scenery, 25% of the general surveyed answered that they are in harmony with surrounding but 22% of them answered that they are not in them. But In professional group, they answered 6% oh them are positive 37% of them are negative. This results suggests that the identity of the private hospital buildings are established in the process of archiectural design.

• 건축역사연구
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• 제17권4호
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• pp.83-95
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• 2008

This study was firstly to reflect upon the background of the generation and the urban spatial value and significance of the medieval plaza. The main aim of this study was to extract the spatial determinants which give the great influence on the formation of the medieval plaza and in addition the endogenous rules and aesthetical grounds regarding the respective elements. Especially they could be applied to the design guideline. They are dimension(volume and scale), shape, elevation as the morphological elements and enclosure, proportion, grade difference, spatial sequence and plaza group as the spatial determinants and visual sequence, visual or spatial boundary, approaching axis and perspective effect as the aesthetic and visual elements and function(use), human behaviour as the social-behavioral elements and otherwise, for instance, plaza furniture, ground decoration and vegetation. This study was intended to analyze each elements based on the classical historical literatures and to suggest the planning conditions for composing the ideal plaza referring to the cases and literature review on the medieval plaza and finally is expected to contribute to the plaza design methodology.

• 한국실내디자인학회논문집
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• 제6호
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• pp.15-20
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• 1995

In this paper, a strategy for utilizing the Korean tradi-tional spaces and interior design elements in inner space in order to express Korean-style interior design has been studied. Characteristics of Korean tradition was gathered from literatures in two categories; space and el-ements. Space again has been studied in detail in the area of split, continuity, hierarchy, elasticity, dynamics. And study of elements includes floor, wall, ceiling, dan-chung, lattice, laytiles on a roof, rafter, extended eaves, the line of eaves. 30 Korean restaurants were selected, analysed and compared with literature review. Based on the compari-son, a strategy for proper expression and utilization of Korean tradition is suggested. In the process of compari-son, current status of implementation and problems were found. Traditional elements are used in about 50% of Korean restaurants located in hotels, and 25% of those located in department stores. With the survey and other professional's opinions, an implementation plan is suggest-ed as follows; 1. Succession design method of tradition should use main-ly amelioration method and use copy and partly abstraction method. 2. Expression of tradition has to include all of space, ele-ments, and decoration. In space structure, Korean tra-dition space structure must be applied. 3. In order to design with feeling of Korean tradition, various different Korean elements have to be used. 4. In order to express high quality design, high-quality elements has to be used.

• Acta Via Serica
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• 제7권2호
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• pp.1-38
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• 2022

Many knotted carpets from western China and Central Asia from 700 BCE to 700 CE demonstrate strong resemblances to the Assyrian-Persian stone reliefs and Hellenistic-Romanmosaics. Egypt reveals the earliest samples in plain linen fiber and carpets with colorful designs in the mural paintings. The Egyptian wall decoration in faience shows the motifs of waterlily in two variations in the design, both of which appear in the Assyrian floor thresholds designs. The same waterlily or four-petal design in the Egyptian and Assyrian stonework also appear in the Pazyryk knotted carpet in the same manner. The Assyrian thresholds show a composition with a central area and borders in a square or rectangular overall design, which again parallels the Pazyryk carpet. The ideas of composition and motifs commonly seen in the Hellenistic and Roman mosaics appear in the carpets of Central Asia and western China. The similarities between the stone mosaic works and carpets demonstrate clearly that the remote places and peoples in ancient times learned from, and exchanged with, each other the ideas and artistic styles, and integrated to create some local artistic traditions, thanks to the roles the easy-to-carry textiles played throughout the Silk Road. The carpets played their roles: as practical material for daily use, and as carrier of cultural information through their designs.

• 건축역사연구
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• 제20권4호
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• pp.135-156
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• 2011

Stupa in India divides into two: stupa in flatland temple with a character of tomb, and devotional stupa made for offering. The difference of such character is made by whether there is any Sari, and main center for worship is flatland stupa where Sari is settled. Stupa in flatland temple is targeted to that with Sari, whose character is applied into Relief-stupa. The characteristics of Relief-stupa can be divided into two: a relief with similar type of flatland stupa in the form, and a devotional relief in which drum and upper part of tower are developed. The Relief-stupa of flatland temple could be confirmed at tower gate of Sanchi tower, decoration of handrail, and the wall attached to Amaravati and Nagarjunakonda stupa. To the contrary, drum and upper wheel part in the Relief-stupa are developed in the votive stupa. Such characteristics had different features according to usage: The example of former is that there is an expression of landscape of stupa built at that time, and the example of latter is those which had similar type of stone cave temple or offering tower near stupa. Thus, the meaning is subject to the existing of Sari. Stupa building developed along with the development of Buddhist structural activity with the existing popular tradition. And its influence was expanded along with various cultures locally. And, the structure and tower reflected various types and thoughts. Stupa reflected its building site and method according to types, and was created in a new form by its usage.