• 한국가정과학회지
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• 제4권2호
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• pp.123-140
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• 2001

The purpose of this study is to find the suitable suit design of mid-aged men by examining visual effects in Physical and Psychological side aspects. I used convenience sampling by considering sex and age distribution. These methods were used to analyze data that were frequency analysis, variate analysis, centesimal scale, primary factor analysis, three primary variate analysis, duality variate analysis, equation variate analysis and Cronbach's multiplex range verification 1. Image perception of men's suit was analyzed with arrangement, numbers of button, pattern and the shape of one's body and was divided into charming, youthfulness, modernism. affection and manly. 2. 1) There are partly resemblance difference in physical visual effect by the shape of body and suit design. 2) There are partly resemblance differences in psychological visual effect by one's shape and suit design. In conclusion arrangement, number of button and Pattern are very important to give an effect on whole visual effect man's suit. Also, these were felt differently in each types of body Therefore it is confirmed that the type of body is important fluent to make people perceive.

• 한국의류학회지
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• 제26권5호
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• pp.594-605
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• 2002

The purpose of this study is to investigate the visual sensibility of wedding dress. There are 28 kinds of costume samples from photographs in wedding dress magazines. They were divided into simple, accent and decorative design. The Semantic Differential method was used in this study to measure them. The semantic scale was composed of 20 pairs of adjective words. The data were analyzed by factor analysis, ANOVA, MDS and regression analysis. The results are as follow; 1. Factor analysis has extracted five factors which consist of the visual sensibility of wedding dress. The factors are High quality, Cuteness, Femininity, Decoration and Modernness. 2. There were significant differences in the visual sensibility of wedding dress and demographics.3. The evaluative dimensions of the visual sensibility of wedding dress were identified by Cute-Adult and Simple-Decorative. 4. Preference was related to what are wearing-desirable, chic, cute, natural and beautiful, etc., and the wearing desire was related to what are favorite, lively, chic, special and gracious, etc. The noble sensibility was related to what are elegant, cute, feminine and chic, etc.

• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2017년도 춘계학술대회
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• pp.611-612
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• 2017

최근 전시 공간은 공간에 대한 직간접적인 체험을 할 수 있는 영상콘텐츠 공급자와 관람자가 몰입감을 줄 수 있는 형태로 나타나고 있으며, 제한된 공간 안에서 보다 확장된 공간을 관람자에게 제공하여 물리적인 한계를 넘어서는 가상현실까지 확대되고 있으며, 전시 디자인에서 시각적인 요소뿐만 아니라 사람과 콘텐츠 그리고 사물 사이에서 발생하는 정보서비스의 수행이 요구되고 있다. 본 연구에서는 전시 디자인의 시대적 환경변화인 사물인터넷을 활용한 전시기법의 변화와 발전방향을 모색해 보고, 영상콘텐츠의 디자인 전시에서 사물인터넷을 통한 공간의 체험하는 관람자의 스마트폰의 상호통신을 통한 정보의 축척과 사용하는 행위 속에서 영상매체(영상전시물)의 사용자 인지에 따른 다양한 형태의 변화를 살펴보고, 일반적인 전시와 사물인터넷을 통한 전시디자인 사이의 관계를 사례분석을 통한 시각과 감정의 변화에 대한 관람자의 영상콘텐츠 학습에 대한 몰입과 현장감을 확인 할 수 전시디자인을 제안한다.

• 디자인학연구
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• 제14권3호
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• pp.49-58
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• 2001

멀티미디어 시대의 커뮤니케이션 디자이너는 색채, 형태, 시간, 움직임과 같은 시각적인 요소뿐만 아니라 사운드까지도 메시지를 전달하는 표현요소로서 인식하여야 한다. 잘 알려졌다시피 시각이나 청각 어느 하나만으로 메시지를 전달할 때보다 시청각을 조화시켜 메시지를 전달할 경우 인지도가 높기 때문이다. 시각과 청각의 만남은 공감각에 근거하는데 이것은 색채와 음, 형태와 사운드의 연상작용으로 나타난다. 기초적인 예를 들면 낮은 음은 어두운 색을 연상시키며 높은 음은 밝은 색을 연상시킨다. 또 타악기는 원을, 멜로디는 선을 연상시킨다. 멀티미디어에서 시각적 요소와 청각적 요소는 이전의 시청각매체에서와 달리 단순히 보이는 장면과 관련된 소리를 들려주는 동시성의 수준에서 벗어나 각각 독립적인 표현요소로 작용하여야 한다 이렇게 독립적인 표현요소로서의 시각과 청각이 만나서 상호작용을 일으킴으로써 그 중 어느 하나만으로는 도달할 수 없는 새로운 감동을 불러일으킬 수 있는 것이다. 멀티미디어 시대의 디자인 교육은 이렇게 시각과 청각의 상호작용의 원리를 이해하고 메시지를 시청각적으로 표현할 수 있는 능력을 개발하는 교육 프로그램을 필요로 한다. 본 논문에서는 이러한 교육 프로그램을 시청각 조형, 시청각 구성, 시청각 디자인으로 구분하여 구체적인 과제들을 예로서 제시하였다.

• 대한토목학회논문집
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• 제29권6D호
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• pp.663-673
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• 2009

도로의 곡선구간에서 운전자가 주행시 느끼는 인지곡선반경은 실제곡선반경과 상이하게 나타나는데, 이러한 현상을 시각왜곡현상이라 한다. 시각왜곡현상은 운전자에게 시각변화를 일으켜 운행속도에 영향을 미치고, 이로 인한 운행속도의 변화는 각운전자들의 인지정도 차이에 따라 운행속도의 편차에 영향을 주어 곡선부 주행안전에 악영향을 미친다. 그러나 현재까지 곡선부의 사고위험도를 증가시키는 시각왜곡현상을 정량적으로 분석하여 산정하거나, 시각왜곡현상을 고려해 도로 곡선부 설계시 이용될 설계기법에 대한 연구는 미비한 실정이다. 이에 본 연구에서는 도로 곡선부의 시각왜곡현상을 경험적 실험을 통한 분석을 실시하여 시각왜곡도를 정량적인 수치로 제시하였고, 곡선부 시각왜곡도를 고려한 설계기법을 제시하였다. 본 연구의 수행절차는 다음과 같다. 첫째, 설문조사를 실시하여 자료를 수집 활용하여 인지곡선반경을 종속변수로 하고, 기하구조를 독립변수로 하는 곡선부 인지곡선반경 모형식을 개발하였다. 둘째, 도로의 유형별로 인지곡선반경에 대한 실제곡선반경의 비율을 계산하여 곡선부 시각왜곡도를 산정하였다. 마지막으로, 곡선부 시각왜곡도 영향인자를 분석하여 이를 고려한 설계기법을 제시하였다.

• 한국실내디자인학회논문집
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• 제30호
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• pp.78-85
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• 2002

Human exists in environment. As environment affects in human movement, human reacts to everything happens in environment especially by the view point of visual continuity and changeability. This study has two purposes. The one is to clarify the visual changeability due to the Human movement from the visual point based on checking the visual field. And the other is to understand the applicable possibility of Philip Thiel's method through the experiment in passing ways. Condition of this study is that colors and figures are affective elements of visual environmental sequence by the Human movement. The Human movement is due to the visual phenomenon. That means it is not limited in Philip Theil's method(Node, District). In particular, the chroma which is checked by the BPA(Basic-Pattern-Area) is the most affective visual environmental element in contemporary shopping mall. Also, everything in visual environment and the movement is connected by the time axis. As an analytical method, the sequence notation devised by Philip Thiel was applied.

• 한국공작기계학회논문집
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• 제14권5호
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• pp.55-61
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• 2005

In this paper, we propose the visual simulation system for virtual reality motion rider system. The visual simulation system can apply verity virtual reality system. This paper deals with programs on 3D automatic creation of terrain, road design, and a realtime rendering program for the virtual reality system. For the 3D automatic creation of terrain, DEM data and rectangular grid method are applied. We can make two different road object with the road design program. One of them includes road definition, and the other is obtained by using 'NURBS curve.' Visual simulation is consisted by additional modeling and real-time rendering. We can apply the programs made in this way to visual system of driving simulator.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.30-38
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• 2011

Personal creativity could be promoted and improved through many experience, training and various prior knowledge. This researcher had proceeded several preceding studies to find effective using methods of analogy for creativity enhancement. This study, following work of preceding studies aims to verify the effects of verbal and visual analogy for creativity improvement. Effect verification had been progressed by comparing the residential design results of two groups which are classified an experimental group consisted of sophomore college students with a comparative group consisted of sophomore university students. Consequently, the experimental group that had undergone many training on verbal and visual analogy in several preceding studies is superior to the comparative group in terms of creative design rate, sketch rate with high quality. Through this result it is verified that the using methods of verbal and visual analogy is very effective on creativity enhancement in interior design process. But the limitation of this study is that there were a few populations. Nevertheless, interdisciplinary this study will be used as a practical one to suggest a model on a teaching method and a theory for creativity improvement in interior design education.

• 한국의류산업학회지
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• 제11권2호
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• pp.210-218
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• 2009

The Purpose of this study is to demonstrate Storytelling as an effective device for Fashion Design by establishing relationship between Fashion Design Process and Storytelling. Through researching a social background and a concept of storytelling, found that story used interactively is a powerful tool for attention, understanding and change in both individuals and communities. Analysed the elements and the structure of storytelling and Fashion Design Process, by researching preceding researches. Therefore, we proposed a new four elements -text factor, visual factor, audio factor and virtual factor- and four steps (1)exploring stories, (2)planning a story, (3)building the story, (4)do storytelling- of storytelling and four steps-(1)gathering and analysing informations, (2)building a concept, (3)planning and developing a design, (4)do evaluation and make decision- of fashion design process. Through comparative analysis, we found a closeness between two structures, a use of common factors and also found characteristics to be considered in each stage. In the first stage, we found text, visual and audio factor as common factors. In the second stage, we suggested text and visual factor as common factors and also suggested clarity, realism and probability as characteristics. In the third stage, we found text, visual and virtual factor and also found dynamism, immersion and continuity. In the last stage, we suggested text, visual, virtual and audio factor and also suggested presence and interactivity as characteristics.

• International Journal of Internet, Broadcasting and Communication
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• 제15권4호
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• pp.160-165
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• 2023

The pixel art style evolved from the shortcomings of computer image display technology has gradually transformed from a technical limitation into a widely recognized form of artistic expression since development in the early 20th century. This study analyzes the application and characteristics of the expandability of pixel art style design content in sub industries such as physical goods, environmental design, website design, digital art and illustration in the design field. It aims to explore the visual expression and sustainable development form of pixel art style under the development of new media technology that contradicts traditional technological concepts. The research results show that although the pixel art style generally pursues external visual features such as pixelated visual effects, sawtooth and matrix arrangements, its expansion in the art field shows a unique diversity of visual expressions. It has become an important means to convey nostalgic emotions and cultural values. Through this research, we hope to inspire more academic researchers and technology practitioners to explore the development potential of the pixel art style in emerging fields and promote its innovative application in design practice.