• 농촌지도와개발
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• 제27권1호
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• pp.33-50
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• 2020

This study aims at shedding light on two questions: 1) how livelihood strategies hired by heterogeneous farm households differ and in what aspect, and 2) would the strategy change over time or remain identical across farm types? Using 2013-2017 Farm Economy Survey panel data, we divide the sample farms into 4 sub-groups based on income level and sources. Key findings are as follows. First, regardless of farm types, strong path dependency has been observed. That is, lots of farms are likely (enforced) to maintain the livelihood strategies, accounting for why many farms fail to response to market and/or policy signals. Second, along with compounding risks, farms are more vulnerable to specific sorts risks. Third, based on the findings, we made policy suggestions.

• Journal of Contemporary Eastern Asia
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• 제19권2호
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• pp.61-83
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• 2020

From 1959 to 1984, over 93,000 Koreans moved to North Korea from Japan as part of a repatriation project conducted during this time. Among them were people who had escaped from North Korea and immigrated to Japan and South Korea as well as the descendants of such people. This research examines the immigration trajectories of North Korean defectors related to the repatriation project and its effects on international relations in East Asia in a migration systems context. Specifically, it focuses on 26 North Korean defectors who have connections with Japan and settled in Japan and South Korea. It argues that the migration pathways of North Korean defectors linked with the repatriation project have been constructed with the cooperation of and amidst conflict between East Asian countries. To respond to the situation, North Korean defectors used their connections with Japan in amicable relations between Japan and China. However, after the relations went sour, defectors turned to informal transitional networks. If these strategies were unavailable, the defectors faced difficulties, unless they received social or capital support from the destination countries. After entering the destination country, those who settled in Japan have experienced different situations due to the inconsistency in administrative proceedings, while those in South Korea have been treated equally as other defectors. In this sense, some defectors have faced precarious situations in their immigration.

• 한국음향학회지
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• 제19권3호
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• pp.35-44
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• 2000

본 논문에서는 음성 패턴을 효율적으로 모델링하고자 분절 특징(segmental feature)을 이 용하여 은닉 마코프 모델(hidden markov model)의 일반적인 형식에 기반한 새로운 모수적 궤적 모델 (parametric trajectory model)을 제안한다. 일반적으로 벡터의 열로써 표현되는 분절은 관측 열의 궤적(trajectory)으로 표현된다. 이 궤적은 연속적인 프레임들의 전이 정보(transitional information)를 표현하는 디자인 행렬을 이용하여 얻어지며, 다항식의 회귀 함수(polynomial regression function)로써 나타낼 수 있다. 이러한 궤적을 HMM에 적용하기 위해서 프레임 특징 대신 분절의 특성 을 표현하는 궤적으로 대치하고 우도(likelihood) 계산에 궤적들의 비교에 의한 확률 값을 반영시켜야 한다. 본 논문에서는 궤적간의 유사도를 측정하는 분절 우도(segment likelihood)와 모델을 구성하는 궤적변수의 추정 알고리즘을 제안한다. 임의의 분절에 대한 관측 확률은 제안된 분절 우도와 궤적의 추정 오차(estimation error of trajectories)의 곱으로써 표현된다. 궤적의 추정 오차는 상태에서 주어진 분절 우도의 가중치로 표현될 수 있으며, 이 가중치는 궤적과 대응되는 분절의 적합도를 표현하는 확률을 나타낸다. 본 논문에서 제 안된 모델은 일반적 인 HMM과 모수적 궤적 모델의 일반화(generalization) 또는 확장(extension) 모델로 생각될 수 있다. 본 모델의 성능을 평가하기 위하여 TIMIT 데이터에 기반한 실험을 한 결과, 분절 길이(segment length)와 회귀 차수(regression order)가 변할수록 일반적인 HMM에 비하여 뚜렷한 성능향상이 있음을 알 수 있었다.

• 인문언어
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• 제7집
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• pp.247-269
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• 2005

The decade of the 1960s in Korea is normally regarded as a transitional period, but this transition has been consistently viewed in either economic or political terms. In this paper I examine the 1960s and the 1970s as a period of cultural transition―from a neo-Confucian emphasis on "high" art to a broader, more inclusive acceptance of "popular" forms of cultural expression. Although these two realms of cultural production are often viewed as fundamentally antithetical, I argue that there is actually significant continuity in terms of both artistic expression and cultural engagement. In particular, I look at the trajectories of Korean national literature and cinema and their areas of confluence. I examine the career of Kim $S{\breve{u}ng-ok$, who in the 1960s was the preeminent literary voice of a new generation and who in the 1970s was the screenwriter for some of the most popular films of that era, and I show how Kim's career changes track parallel changes in both literature and cinema. Artistically, Kim continued his literary expressions of a new sensibility in his screenplays, bringing to cinema a new infusion of seriousness and respectability. Culturally, Kim continued his explorations of the ways in which rapid changes in Korean politics and the booming economy led to miscommunication and chaos in society. By consistently exploring processes of national identity formation and re-formation, Kim's 1960s literature can be seen as crucial instances of Korean national literature (minjok munhak). In the same manner, Kim's 1970s screenplays can be seen as foundational moments in a Korean national cinema.