• 한국염색가공학회지
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• 제21권5호
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• pp.27-34
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• 2009

PET fabric was dyed in black shade with disperse dyes of three primary color. The effect of combination ratio of dye concentration and energy type of disperse dye on dyeing and color property of black dyed PET fabric was investigated. Dyeing compatibility of disperse dyes of three primary color on PET was evaluated by comparison of dyeing rates of them. From the results, color property was dependent upon the combination ratio of dye concentration. In order to obtain low lightness ($L^*$) and black color, blue dye should be added enough. S-type disperse dye and $130^{\circ}C$ dyeing was suitable rather than SE-type dyes or $120^{\circ}C$ dyeing. Disperse dyes of three primary color used showed good dyeing compatibility at high dye concentration. Washfastness was fair to moderate and lightfastness was moderate.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2007년도 7th International Meeting on Information Display 제7권2호
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• pp.1429-1432
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• 2007

We fabricated white organic light emitting diodes(WOLED) having two complementary and three primary colors with emission layers of DPVBi / MADN : DCM2-0.5% and DPVBi / $Alq_3$ / MADN : DCM2-1.5%, respectively. WOLED using three primary colors shows broad electroluminescence including green emission peak at 510nm while optical properties of the two complementary WOLED was higher current efficiency of 6.2 cd/A than 4.9 cd/A of three primary color WOLED. The maximum luminescence of WOLED with two complimentary color was $15200cd/m^2$ along with luminous efficiency 6.2cd/A, as achieving stable white color coordinates for both of WOLEDs at (0.33 , 0.33) almost.

• 한국인쇄학회지
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• 제30권2호
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• pp.35-45
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• 2012

Need color separation process to appear number of minimum printing plate waterway maximum printing color at printing process. This time, printing plate is separated three primary colors of C(cyan), M(magenta), Y(yellow). Appear all colors of printing such three primary colors. But, three primary color ink appears 100% dark gray that is not clean as chroma is neared color to 0 because is not pure. As well as, the ink area rate that is whole by over print amount increase of three primary is expanded. As a result, influence in secondary printablity set-off growth by inaccurate color reproduction and ink dry badness, trapping efficiency decline etc.. Apply ink saving method that is replaced as K ink in consisted dark color constituent because three primary colors are over print each other adding one more K(black) plate by method to improve these problem. Therefore, can reduce extension of the total ink area rate, and help in correct color appearance control. As well as, eco-friendly printing process attains improving printablity at the same time curtailment of printing expense by reducing requirement of total ink. Usually, there are UCR(under color removal) and GCR(gray component replacement) to ink saving application method. But, the practical use limit is insufficient state to tribe of technological investigation or field application about these method in domestic printing field. Therefore, in this research, ink saving been bringing by one method of eco-friendly printing confirmed that is applicable in usual domestic printing environment. Also, searched result getting in printablity by ink saving application.

• 한국염색가공학회:학술대회논문집
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• 한국염색가공학회 2008년도 제39차 학술발표회
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• pp.73-74
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• 2008

Three primary color super hydrophobic dyes were used to dye unmodified polypropylene fiber for various practical color. The color values of the dyed fibers were displayed on CIE 1931 Yxy chromaticity diagram. It was found that they showed various colors between three primary colors on the unmodified polypropylene fiber.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2005년도 International Meeting on Information Displayvol.I
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• pp.217-220
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• 2005

To find the optimal expansion of the color gamut of a display, we investigated various 4-primary display systems based on DLP. Via comparing the volume of the color gamut in a 3-D uniform color space CIELUV, the best 4-primary system on the premise of keeping the existing three primaries is brought forward.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2002년도 International Meeting on Information Display
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• pp.999-1004
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• 2002

This paper presents the color displays using more than three primary colors, for the reproduction of wider color gamut, and high-fidelity color reproduction. First, Natural Vision system, which is currently under development for the natural color reproduction in visual telecommunication applications, is introduced, The natural vision is based on spectrum instead of trichromatic color space, and enables high-fidelity color reproduction using multispectral and multiprimary technologies. Then, sixprimary color projection displays using LCD and DLP, and a four-primary color flat panel display are shown. It is experimentally demonstrated that the color gamut becomes much larger than conventional RGB-based display. In addition, it is proved that the spectral color reproduction using multiprimary display suppresses the influence of observer metamerism, and as a result, the color matching between the display and the real object is well improved.

• 복식
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• 제40권
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• pp.25-35
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• 1998

This thesis is a study of Kas ya, robes of buddhist monk, which is having peculiarity among human clothes. I kept my attention mainly on the symbolism of the color of Kas ya. To elucidate this, I chose the principle of T -chi and Yin-yang and Wu-shing as a frame-work of interpretation. In the first place, the original meaning of Kas ya mean a name of peculiar color. The concrete names of the color are color of persimmons juice, brown, yellow tinged with red, radish brown, non-primary color etc. The main motive to dye three robes of buddhist monk from white or primary color to the color of Kas ya was to differentiate buddhist monks from heathen or laymen. Therefore, as luxurious and primary colored cloths was donated to the buddhist monks, they are necessary to discolor them. Accordingly. they established 'non-primary color' as well-mate one for a ascetic. The non-primary color is called discolored color' as a result of discoloring primary colors. The discolored color is a synonym of Kas ya and the process of discoloring is necessary for making robes of buddhist monk. Secondly, discoloring means to mash five primary color. That is say, the process of discoloring means to return five primary colors back to 'profoundity·abstruseness·obscurity, namely darkness' as the source of them. Darkness as a condition amalgamated and not appeared all materials is the source and at the same time the terminus of all colors. Therefore, color of Kas ya symbolizes 'profound color' as the ultimate meaning of discoloring. Thirdly, discoloring garments of buddhist monk symbolize to destroy evil passions and haughtiness arising in ascetic's mind as well as means don't attach to the shaped materials'. Fourthly, discoloring means to return 'color'. namely 'all kinds of shaped material' to the inherent nature. Process of discoloring means to reture to the empty. nya. nya essentially do not make any colors, but over and over again come into being and become extinct as becoming colors. R pa, by one time Yin and the other time Yang'. R pa, color is a metaplasia of nya and nya is discoloring one of all colors. Then, discoloring means R pa is nya, R pa is nya at the same time and Because this is another expression of Dharma the original meaning of Kas ya symbolize true robes. Consequently, Kas ya means truth and beyond time and space do not be changed and conserve the color of the first till now.

• 감성과학
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• 제18권1호
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• pp.67-78
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• 2015

This study investigated whether people experience a correspondence between color hue-tone and the main characters' emotions in the 2012 British musical drama film, Les $Mis\grave{e}rables$ through three practical experiments. Six screen images, which represent the characters' different emotions (Parrot's six primary types including love, joy, surprise, anger, sadness, and fear) were selected. For each screen image, participants were asked to judge the degree of the character's dominant emotions evoked from 17 varied screen images, which consisted of original chromatic and achromatized images as well as 15 color-filtered images (5 hues X 3 tones of the IRI color system). These tasks revealed that a chromatic color scheme is more effective to deliver the characters' positive emotions (i.e. love and joy) than an achromatic one. In addition, they proved that the hue and tone dimensions partially influence the relationships between the character emotions and colors.

• Journal of the Optical Society of Korea
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• 제15권4호
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• pp.335-339
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• 2011

Recently, we reported a single input channel joint transform correlator for the color pattern recognition which decomposes the input color image into three R, G, and B gray components and adds those components into a single gray image in the input plane. This technique has the merit of a single input channel instead of three input channels. However, we found this technique has some problems with discrimination impossibility in the case of a simple primary color pattern which results in the same gray level through the addition process. Thus, we propose a modified coding technique which selectively recombines the decomposed three R, G, and B gray components instead of the simple adding process. Simulated results show that the modified coding technique can accurately discriminate a variety of kinds of color images.

• 대한전자공학회논문지SP
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• 제42권6호
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• pp.9-18
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• 2005

본 논문에서는 멀티 프라이머리 디스플레이(multi-primary display; MPD)에서 색 재현을 위해 선형 LAB 색공간에서 3차원 took-up-table(3D-LUT)을 이용한 색신호 분리방법을 제안한다. 제안한 방법은 인간 지각의 3가지 속성을 반영하는 선형 LAB 색공간에서 작성된 MPD 색역의 경계를 적은 용량의 메모리를 가지는 3D-LUT로 작성한다. 이때 색역 경계점의 자극치와 MPD의 색신호의 선형관계를 이용하여 3D-LUT에는 휘도 및 색상에 대한 채도와 색신호 조합이 저장된다. 작성된 3D-LUT에 기반하여 입력 자극치에 대응하는 MPD 색신호를 주변 색역 경계점의 색신호 변화를 고려하여 색역 경계점과 입력의 채도비로 보간한다. 그 결과, MPD 색신호가 연속적 계조를 가지도록 하였다. 또한 선형 LAB 색공간에서 색역 경계 LUT를 사용하여 연산의 복잡도를 감소시키고 MPD의 부드러운 색신호 변화를 유도하였다.