• Title/Summary/Keyword: three primary color

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PET Dyeing in Black Shade with Disperse Dyes of Three Primary Color

  • Kim, Hae-Rim;Lee, Jung-Jin
    • Textile Coloration and Finishing
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    • v.21 no.5
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    • pp.27-34
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    • 2009
  • PET fabric was dyed in black shade with disperse dyes of three primary color. The effect of combination ratio of dye concentration and energy type of disperse dye on dyeing and color property of black dyed PET fabric was investigated. Dyeing compatibility of disperse dyes of three primary color on PET was evaluated by comparison of dyeing rates of them. From the results, color property was dependent upon the combination ratio of dye concentration. In order to obtain low lightness ($L^*$) and black color, blue dye should be added enough. S-type disperse dye and $130^{\circ}C$ dyeing was suitable rather than SE-type dyes or $120^{\circ}C$ dyeing. Disperse dyes of three primary color used showed good dyeing compatibility at high dye concentration. Washfastness was fair to moderate and lightfastness was moderate.

Compared electrical and optical characteristics of white organic light-emitting diodes using two complementary and three primary colors

  • Kim, You-Hyun;Choi, Jea-Yoon;Lee, Su-Hwan;Yoon, Hyun-Soo;Seo, Ji-Hoon;Park, Jung-Hyun;Kim, Young-Kwan;Kim, Woo-Young
    • 한국정보디스플레이학회:학술대회논문집
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    • 2007.08b
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    • pp.1429-1432
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    • 2007
  • We fabricated white organic light emitting diodes(WOLED) having two complementary and three primary colors with emission layers of DPVBi / MADN : DCM2-0.5% and DPVBi / $Alq_3$ / MADN : DCM2-1.5%, respectively. WOLED using three primary colors shows broad electroluminescence including green emission peak at 510nm while optical properties of the two complementary WOLED was higher current efficiency of 6.2 cd/A than 4.9 cd/A of three primary color WOLED. The maximum luminescence of WOLED with two complimentary color was $15200cd/m^2$ along with luminous efficiency 6.2cd/A, as achieving stable white color coordinates for both of WOLEDs at (0.33 , 0.33) almost.

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A Study on ink Saving Application Method for Domestic for Eco-Friendly Printing (국내 친환경 인쇄를 위한 Ink Saving 적용 방법에 관한 연구)

  • Koo, Chul-Whoi
    • Journal of the Korean Graphic Arts Communication Society
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    • v.30 no.2
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    • pp.35-45
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    • 2012
  • Need color separation process to appear number of minimum printing plate waterway maximum printing color at printing process. This time, printing plate is separated three primary colors of C(cyan), M(magenta), Y(yellow). Appear all colors of printing such three primary colors. But, three primary color ink appears 100% dark gray that is not clean as chroma is neared color to 0 because is not pure. As well as, the ink area rate that is whole by over print amount increase of three primary is expanded. As a result, influence in secondary printablity set-off growth by inaccurate color reproduction and ink dry badness, trapping efficiency decline etc.. Apply ink saving method that is replaced as K ink in consisted dark color constituent because three primary colors are over print each other adding one more K(black) plate by method to improve these problem. Therefore, can reduce extension of the total ink area rate, and help in correct color appearance control. As well as, eco-friendly printing process attains improving printablity at the same time curtailment of printing expense by reducing requirement of total ink. Usually, there are UCR(under color removal) and GCR(gray component replacement) to ink saving application method. But, the practical use limit is insufficient state to tribe of technological investigation or field application about these method in domestic printing field. Therefore, in this research, ink saving been bringing by one method of eco-friendly printing confirmed that is applicable in usual domestic printing environment. Also, searched result getting in printablity by ink saving application.

The Practical Dyeing of Pure Polypropylene Fiber with Alkyl Substituted Three Primary Color Dyes (삼원색의 알킬치환 초소수성 염료에 의한 순수 폴리프로필렌 섬유의 실용적 염색)

  • Jeong, Jong-Seok;Jang, Gyeong-Jin;Kim, Tae-Gyeong;Yun, Seok-Han;Kim, Mi-Gyeong;Choe, U-Hyeok
    • Proceedings of the Korean Society of Dyers and Finishers Conference
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    • 2008.10a
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    • pp.73-74
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    • 2008
  • Three primary color super hydrophobic dyes were used to dye unmodified polypropylene fiber for various practical color. The color values of the dyed fibers were displayed on CIE 1931 Yxy chromaticity diagram. It was found that they showed various colors between three primary colors on the unmodified polypropylene fiber.

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Design of Color Filters for 4-Primary Systems Based on DLP

  • Wang, Lily;Tu, Yan;Heynderickx, I.
    • 한국정보디스플레이학회:학술대회논문집
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    • 2005.07a
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    • pp.217-220
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    • 2005
  • To find the optimal expansion of the color gamut of a display, we investigated various 4-primary display systems based on DLP. Via comparing the volume of the color gamut in a 3-D uniform color space CIELUV, the best 4-primary system on the premise of keeping the existing three primaries is brought forward.

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Multiprimary displays for natural color reproduction

  • Yamaguchi, Masahiro
    • 한국정보디스플레이학회:학술대회논문집
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    • 2002.08a
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    • pp.999-1004
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    • 2002
  • This paper presents the color displays using more than three primary colors, for the reproduction of wider color gamut, and high-fidelity color reproduction. First, Natural Vision system, which is currently under development for the natural color reproduction in visual telecommunication applications, is introduced, The natural vision is based on spectrum instead of trichromatic color space, and enables high-fidelity color reproduction using multispectral and multiprimary technologies. Then, sixprimary color projection displays using LCD and DLP, and a four-primary color flat panel display are shown. It is experimentally demonstrated that the color gamut becomes much larger than conventional RGB-based display. In addition, it is proved that the spectral color reproduction using multiprimary display suppresses the influence of observer metamerism, and as a result, the color matching between the display and the real object is well improved.

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The Symbolism of Color of Kas ya Interpreted by Paradign of Yin-Yang and Wu-Shing (음양오행의 틀로 해석한 가미색의 비교적 의미)

  • 은영자;김장향
    • Journal of the Korean Society of Costume
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    • v.40
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    • pp.25-35
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    • 1998
  • This thesis is a study of Kas ya, robes of buddhist monk, which is having peculiarity among human clothes. I kept my attention mainly on the symbolism of the color of Kas ya. To elucidate this, I chose the principle of T -chi and Yin-yang and Wu-shing as a frame-work of interpretation. In the first place, the original meaning of Kas ya mean a name of peculiar color. The concrete names of the color are color of persimmons juice, brown, yellow tinged with red, radish brown, non-primary color etc. The main motive to dye three robes of buddhist monk from white or primary color to the color of Kas ya was to differentiate buddhist monks from heathen or laymen. Therefore, as luxurious and primary colored cloths was donated to the buddhist monks, they are necessary to discolor them. Accordingly. they established 'non-primary color' as well-mate one for a ascetic. The non-primary color is called discolored color' as a result of discoloring primary colors. The discolored color is a synonym of Kas ya and the process of discoloring is necessary for making robes of buddhist monk. Secondly, discoloring means to mash five primary color. That is say, the process of discoloring means to return five primary colors back to 'profoundity·abstruseness·obscurity, namely darkness' as the source of them. Darkness as a condition amalgamated and not appeared all materials is the source and at the same time the terminus of all colors. Therefore, color of Kas ya symbolizes 'profound color' as the ultimate meaning of discoloring. Thirdly, discoloring garments of buddhist monk symbolize to destroy evil passions and haughtiness arising in ascetic's mind as well as means don't attach to the shaped materials'. Fourthly, discoloring means to return 'color'. namely 'all kinds of shaped material' to the inherent nature. Process of discoloring means to reture to the empty. nya. nya essentially do not make any colors, but over and over again come into being and become extinct as becoming colors. R pa, by one time Yin and the other time Yang'. R pa, color is a metaplasia of nya and nya is discoloring one of all colors. Then, discoloring means R pa is nya, R pa is nya at the same time and Because this is another expression of Dharma the original meaning of Kas ya symbolize true robes. Consequently, Kas ya means truth and beyond time and space do not be changed and conserve the color of the first till now.

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The Effects of Color Hue-Tone on Recognizing Emotions of Characters in the Film, Les Misérables

  • Kim, Yu-Jin
    • Science of Emotion and Sensibility
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    • v.18 no.1
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    • pp.67-78
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    • 2015
  • This study investigated whether people experience a correspondence between color hue-tone and the main characters' emotions in the 2012 British musical drama film, Les $Mis\grave{e}rables$ through three practical experiments. Six screen images, which represent the characters' different emotions (Parrot's six primary types including love, joy, surprise, anger, sadness, and fear) were selected. For each screen image, participants were asked to judge the degree of the character's dominant emotions evoked from 17 varied screen images, which consisted of original chromatic and achromatized images as well as 15 color-filtered images (5 hues X 3 tones of the IRI color system). These tasks revealed that a chromatic color scheme is more effective to deliver the characters' positive emotions (i.e. love and joy) than an achromatic one. In addition, they proved that the hue and tone dimensions partially influence the relationships between the character emotions and colors.

Coded Single Input Channel for Color Pattern Recognition in Joint Transform Correlator

  • Jeong, Man-Ho
    • Journal of the Optical Society of Korea
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    • v.15 no.4
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    • pp.335-339
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    • 2011
  • Recently, we reported a single input channel joint transform correlator for the color pattern recognition which decomposes the input color image into three R, G, and B gray components and adds those components into a single gray image in the input plane. This technique has the merit of a single input channel instead of three input channels. However, we found this technique has some problems with discrimination impossibility in the case of a simple primary color pattern which results in the same gray level through the addition process. Thus, we propose a modified coding technique which selectively recombines the decomposed three R, G, and B gray components instead of the simple adding process. Simulated results show that the modified coding technique can accurately discriminate a variety of kinds of color images.

Color decomposition method for multi-primary display using 3D-LUT in linearized LAB space (멀티프라이머리 디스플레이를 위한 3D-LUT 색 신호 분리 방법)

  • Kang Dong-Woo;Cho Yang-Ho;Kim Yun-Tae;Choe Won-Hee;Ha Yeong-Ho
    • Journal of the Institute of Electronics Engineers of Korea SP
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    • v.42 no.6
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    • pp.9-18
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    • 2005
  • This paper proposes the color decomposition method for multi-primary display (MPD) using a 3-dimensional look-up-table (3D-LUT) in a linearized LAB space. The proposed method decomposes conventional three-primary colors into the multi-primary control values of a display device under constraints of tristimulus match. To reproduce images on the MPD, the color signals should be estimated from a device-independent color space, such as CIEXYZ and CIELAB. In this paper, the linearized LAB space is used due to its linearity and additivity in color conversion. The proposed method constructs the 3-D LUT, which contain gamut boundary information to calculate color signals of the MPD. For the image reproduction, standard RGB or CIEXYZ is transformed to the linearized LAB and then hue and chroma are computed to refer to the 3D-LUT. In the linearlized LAB space, the color signals of a gamut boundary point with the same lightness and hue of an input point are calculated. Also, color signals of a point on gray axis are calculated with the same lightness of an input. With gamut boundary points and input point, color signals of the input points are obtained with the chroma ratio divided by the chroma of the gamut boundary point. Specially, for the hue change, neighboring boundary points are employed. As a result the proposed method guarantees the continuity of color signals and computational efficiency, and requires less amount of memory.