• Title/Summary/Keyword: the preface of the painting Eight Drunken Celestials

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Variations of the poem Song of Eight Drunken Celestials by Du Fu - Paintings Expressing the Poetic Ideas and the Preface and Postscript to the painting (시(詩)의 변주, 시의도(詩意圖)와 서발(序跋) - <음중팔선가(飮中八仙歌)>, <음중팔선도(飮中八仙圖)>, <음중팔선도서(飮中八仙圖序)> -)

  • KANG, KYUNG HEE
    • (The)Study of the Eastern Classic
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    • no.37
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    • pp.189-216
    • /
    • 2009

  • The poem Song of Eight Drunken Celestials by Du Fu(杜甫) of the Tang Dynasty was one of the most favored theme by many painters through the Song, the Yuan, the Ming and the Qing Dynasty, as well as in Korea Chosun Dynasty and in Japan. This paper focuses on the paintings depicting Song of Eight Drunken Celestials by Wu Qiu(尤求) of the Ming Dynasty, Kim Hongdo (金弘道) of the Chosun Dynasty and Kaiho Yusho(海北友松) of Japan Momoyama Period, makes a comparative study of them. And also focuses on two preface and a postscript to the painting Eight Drunken Celestials by Yi Dukmu(李德懋), Park Jega(朴齊家) and Yi Bongwhuan(李鳳煥) of the Chosun Dynasty, makes a comparative study of them. This study helps us understand the repetition and the differences between the poem as an Ur-text and the paintings and the prose about the painting as the parody texts.