• Title/Summary/Keyword: the pattern of Mugunghwa

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The Institution of Court Costume in the Year 1900 (the 4th Year of Korean Empire Gwangmu) and the Symbolism of Mugunghwa, the Rose of Sharon Pattern (대한제국 1900년(광무(光武)4) 문관대례복 제도와 무궁화 문양의 상징성)

  • Lee, Kyung-Mee
    • Journal of the Korean Society of Costume
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    • v.60 no.3
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    • pp.123-137
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    • 2010
  • The purpose of this study is contemplating and substantiating Korean Empire's court costume through relics and photos. Additionally, the meaning of the pattern of Mugunghwa as the national symbol in the court costume is considered. The results of this study are following. First, a phased introduction of western-style court costume was executed through Ulmi Reformation in 1895 and Court Costume Rule in 1900. U1mi Reformation was characterized by transitional reformation because newly introduced system and traditional costume consolidated in costume. Under Court Costume Rule, however, by accepting western-style on contemporary costume, modernized style was settled in every respect of form and matter. The court costume comprised bicorn, coat, vest, pantaloon, sword, sword belt, white collar and white gloves at audience with the Emperor. Second, by examination of the relics of Chigimgwan and Juimgwan, it was confirmed that the court costume was manufactured in foreign countries such as France and Russia on the basis of order. It was also identified by pictures that court costume was worn by diplomats dispatched. Third, the pattern of Mugunghwa in court costume was featured by embroidery of 6 petal pattern. And the pattern of Mugunghwa, as national symbol, has important meaning in view of history and national affection, while Japanese and European adopted the crest of the royal household. In summary, Korean Empire proclaimed modernized court costume institution to handle international relationship driven by West. It was uneasy reformation in adopting western court costume imported from overseas because its textile and style were completely different from traditional costume. However, the willingness of Korean Empire should be reevaluated in the history of Korean costume, in that Korean Empire established court costume proclaimed its sovereignty domestically and overseas, and that the pattern chosen as national symbol was that of Mugunghwa which is current national flower.

Study on the development of national symbolic patterns viewed from the standpoint of neo-pop art - Focusing on Mugunghwa, Taegeukgi, and the Great Seal - (네오 팝아트 방식을 적용한 국가상징 패턴 개발 - 무궁화, 태극기, 국새를 중심으로 -)

  • Ku, Bonhye;Kim, Mihyun
    • The Research Journal of the Costume Culture
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    • v.23 no.4
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    • pp.581-594
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    • 2015
  • The emergence of pop art in the 1960s exerted a profound impact on integrating art into the real lives of the general public, which continues in the current area of culture of post-industrial society. Thus, this study aims to attempt the popularization and modernization of Korean images by applying the concept of pop art to the development of a national symbolic image. This study utilized Mugunghwa, Taegeukgi, and the Great Seal, which are national symbolic images that establish the identity of Korea through differentiation, universality, and visual formativeness. It then proceeded with the development of neo-pop art motives and patterns using national symbolic images from the standpoint of symbolism, mix-match, and repetitiveness from among the characteristics of neo-pop art. This study carried out pattern design by departmentalizing each characteristic according to the standpoint of neo-pop art through scribbles composed of the following: Signs, pictograms, and childlike characters; drawing simplification for symbolism; a mix of the East and the West; a mix of subfashion and subculture for mix-match; the repetition of lines, characters, and icons; and the exaggeration and grotesqueness of characters and icons for repetitiveness. This study is expected to serve as momentum for raising the cultural value of Korea and for the development of a pattern design capable of achieving worldwide competitiveness through the combination of the permanence and continuity of national symbols with the popular universality of pop art.

New Electrified Rail Impact on Conventional Railroad ; An Empirical Analysis (서울~천안간 전철 개통후 일반철도 수요변화 분석)

  • Kim Jyoung-Tae;Lee Jin-Sun
    • Journal of the Korean Society for Railway
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    • v.8 no.6 s.31
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    • pp.592-596
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    • 2005
  • This study analyzed changes of train operation between Seoul~Cheonan after the introduction of new electrified rail in 2005. As expected number of passengers were reduced at specific service section and several railroad stations which were served by the Mugunghwa. Also, the statistic shows that passenter demand concentrated in a specific time, so train service frequency and level of service need to be modified to meet with changed demand pattern. The purpose of this paper is to identify critical demand pattern, especially, in several section of the railroad system. This studies provide a railroad transportation system that is significantly more efficient, with far greater capacity, by providing solutions to the problems of congestion impact.

Market Share Analysis by Railroad Service Change (철도의 서비스 변동이 철도내 분담률에 미치는 영향)

  • Kim Kyoung-Tae;Lee Jin-Sun
    • Proceedings of the KSR Conference
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    • 2005.05a
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    • pp.1097-1100
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    • 2005
  • This study explored the ridership pattern between Seoul and Busan after the introduction of KTX in 2004. Since the KTX opening, average daily passengers on the Kyungbu lines have increased. These figures clearly indicate that the transportation network is becoming railroad-centric. However, the operation. of the KTX will leave many existing Saemaul and Mugunghwa train sets idle, which will be put into operation for areas, not covered by the KTX. Statistics show that the railroad ridership is clarified the distinction between train service levels. So, our paper studied the change of market share by service levels between Seoul-Busan line which is a long distance route.

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