• Bulletin of the Korean Chemical Society
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• v.21 no.1
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• pp.145-147
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• 2000

• Bulletin of the Korean Chemical Society
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• v.21 no.8
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• pp.835-838
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• 2000

• Bulletin of the Korean Chemical Society
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• v.21 no.10
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• pp.1011-1014
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• 2000

• Bulletin of the Korean Chemical Society
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• v.21 no.12
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• pp.1245-1248
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• 2000

• Bulletin of the Korean Chemical Society
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• v.21 no.2
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• pp.221-227
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• 2000

• Journal of the Korean Society of Costume
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• v.58 no.2
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• pp.107-119
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• 2008

This study aims to define the concept of the futuristic image in fashion since 2000. In this study, earlier studies of the futuristic images in the fashion are analyzed and it is discovered that the most important characteristics of the futuristic images are the cosmic space and virtual reality. An analysis of actual data of the futuristic images of the fashion since 2000 produces the following conclusions. First, since 2000 the futuristic fashion to convey the image of space tends to be minimalist, taking H or A silhouette and using white, silver, or other vivid colors. Second, since 2000 the image of virtual reality is often expressed in the fashion of futuristic image as female fighters or vampires of the future who mostly wear pants suit or skirts that expose the body line. Materials of advanced technology or shiny leather are often used and dark colors including black are dominant in these images. Third, when the space image is expressed, the androgynous youth is emphasized. However when female fighters or vampires of the future are shown, sexual image of gloomy atmosphere is often stressed. Fourth, the fashion of futuristic image since 2000 takes up the space age look of the 1960s and the techno-cyber look of the 1980s and the 1990s. However their internal meanings are lost and only external forms are repeated. In sum, the current fashion of futuristic image emulates the past look of the fashion which was circulated as futuristic images and may be considered as a result of combination of futuristic image and retrospective image.

• Information and Communications Magazine
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• v.18 no.6
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• pp.25-33
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• 2001

현재 IMT-2000 시스템에 대한 일련의 국제 표준 스펙이 발표되고 있으며, 이를 개발하는데 각국의 정보통신업체들이 총력을 기울이고 있다. 또한, 기존의 IMT-2000 시스템의 성능을 향상시킬 수 있는 무선전송 기술로 적응 변조 및 부호화 방법, Hybrid Automatic Repeat request, 빠른 셀 선택 기법, 다중 입력 다중 출력 안테나 처리 등에 대한 연구 및 표준화 작업이 진행 중이다. 또한 사설 또는 공설의 유선 네트워크와 연동하여 사용할 수 있는 Broad-band Wireless Access를 제공하는 표준안 작성 작업이 완성단계에 있으며, 이는 IMT-2000 시스템의 보완물로써 새로운 모빌 플렛폼 또는 새로운 서비스를 제공할 수 있는 기회를 준다.

• Journal of the Korean Society for information Management
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• v.30 no.4
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• pp.31-59
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• 2013

The purpose of this study was to examine the intellectual structure of domestic LIS in the 1990s and 2000s using author bibliographic coupling analysis (ABCA). First, cluster analysis and multi-dimensional scaling analysis were performed to examine core subject areas and to map authors in two-dimensional space. Second, network analysis was used to visualize intellectual relationships among subject areas and to reveal the top subject areas for global centrality. Third, the 1990s and 2000s intellectual structures was compared to identify the changes of the intellectual structure over the course of time.

• The Journal of the Korea Contents Association
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• v.19 no.3
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• pp.213-222
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• 2019

This article aimed at change patterns of representations of male character and cinematic space in 2000s korean division films. The concept of division film is the unique particularity film in the narrative and representation about Korean division. The Gancheop is the special character of korean films and have been reproduced in a variety of ways. In the past, Korean films have been dealt with Korean Civil War and 'special nature' of inter-korean ties. But in the 2000s, the representation of Gancheop in films has begun to change and filmed in a variety of genres such like comedy, thriller, romance and so on. , , are consistent with close relationship of male characters. The relationship is represented as friend, brother, partner. The meaning of these changes symbolizes our concept of national unification.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.32 no.3C
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• pp.297-305
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• 2007

In the paper, a Motion JPEG2000 coder which has been set as the standard for image compression by the Digital Cinema Initiatives (DCI), an organization composed of major movie studios was implemented into a target FPGA. The DWT (Discrete Wavelet Transform) based on lifting and the Tier 1 of EBCOT (Embedded Block Coding with Optimized Truncation) which are major functional modules of the JPEG2000 were setup with dedicated hardware. The Tier 2 process was implemented in software. For digital cinema the tile-size was set to support $1024\times1024$ pixels. To ensure the real-time operations, three entropy encoders were used. When Verilog-HDL was used for hardware, resources of 32,470 LEs in Altera's Stratix EP1S80 were used, and the hardware worked stably at the frequency of 150Mhz.