• 건축역사연구
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• 제32권5호
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• pp.51-58
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• 2023

This study was conducted to examine the architectural characteristics of Hak-seong Lee Family's Geun-jae-gong Historic House located in Seok-cheon-ri, Ung-chon-myeon, Ulju-gun, Ulsan. The house is said to have been rebuilt in the early 20th century after it was built in the 18th century, and now there are nine buildings left, including the An-chae, Sa-rang-chae, Sa-dang, storehouses and etc. This house is a large-scale house that is difficult to find similar cases in near region. The division of areas on each building is clear, and it is evaluated that it retains the typical characteristics of the head family in the late Joseon Dynasty in terms of its overall size and layout. In addition, the current wooden structure, which is said to have been rebuilt in the early 20th century, shows the composition method and space utilization method of the 3-Dori type upper structure, which have become more diverse since the late Joseon Dynasty. This has not been dealt with in the previous survey, and should be considered in detail through this paper.

• 한국수학사학회지
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• 제32권6호
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• pp.259-270
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• 2019

Haidao Suanjing was introduced into Joseon by discussion in Yang Hui Suanfa (楊輝算法) which was brought into Joseon in the 15th century. As is well known, the basic mathematical structure of Haidao Suanjing is perfectly illustrated in Yang Hui Suanfa. Since the 17th century, Chinese mathematicians understood the haidao problem by the Western mathematics, namely an application of similar triangles. The purpose of our paper is to investigate the history of the haidao problem in the Joseon Dynasty. The Joseon mathematicians mainly conformed to Yang Hui's verifications. As a result of the influx of the Western mathematics of the Qing dynasty for the study of astronomy in the 18th century Joseon, Joseon mathematicians also accepted the Western approach to the problem along with Yang Hui Suanfa.

• 한국의사학회지
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• 제32권2호
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• pp.79-90
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• 2019

In many periods of Korean history, state-sponsored medical books played a crucial role in terms of distributing medical knowledge as well as systemizing medical information. This study uses comparative analysis to examine the tables on contents of state-sponsored medical publications in Korea. These tables of contents reveal the placement and categorization of medical knowledge, which implicates the ways in which diseases were classified. Historically, Korean medicine has been influenced by Chinese medicine, and at the same time, it has made steady efforts to localize Chinese medicine. This paper argues that Korean medicine adopted the Chinese styles of categorizing medical knowledge in the middle of 15th century for the first time and shows the tendency to Koreanize medical knowledge through the early 17th century. In the 18th century the Complete Records of Medicine (醫部全錄) shows the trace of referring the style of Korean medical book, the Treasured Mirror of Eastern Medicine (東醫寶鑑) in terms of categorizing medical knowledge.

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.164-174
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• 2009

Since the end of 19th century, The form and inner space for the religious ceremony; liturgical space of Catholic churches in Busan diocese have been changed as various styles by several outer and inner factors. The changing of historical, social, and religious environment, such as Opening Harbor, Japanese Occupation, Korean War & Rehabilitation Period, and Vatican II are generally regarded as main outer factors, and the locality that lay behind the flux of those events is considered as the main inner factor. The former has usually operated as a momentum for showing general trend of Catholic church, while the latter has made local singularity expressed as unusual style and somewhat modified liturgical space compared with Its contemporary churches. In the context, this paper attempt to analyze the transformation process of style and liturgical space of Catholic churches in Busan diocese focused on revealing local singularity with main five churches, Bumil Church, Samrangjin Church, Milyang Church, Jungang Church, and Dongrae Church, constructed between the end of 19th century and 1962.

• 대한건축학회논문집:계획계
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• 제35권7호
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• pp.73-80
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• 2019

This paper tried to investigate the features of French garden pavillons (jardin pavillons) in the 17th and 18th centuries, in which the royal built them, publicly enjoying culture or privately having a refuge. The scope of the garden pavilions covered those associated with a pleasure place that accommodated performances, dancing, and dinners. They included not only rustic, Chinese, Turkish and Gothic pavilions but also grottos, nymphaeums, and artificial ruins built for banquets and festivals. This paper identified the features of the 17th and 18th century French garden pavilions as follows: Those pavilions firstly established French Neoclassicism, secondly applied the techniques of pastiche, thirdly reflected women's influence, and lastly revealed the short cycles of their vicissitudes. In conclusion this study, with the summary of the main text, explained the influence of the French pavilions on Europe and America.

• 동양고전연구
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• 제72호
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• pp.157-183
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• 2018

이 논문은 "운수연방선생안"을 통해 조선후기 전라도 임실현 향리층의 존재양태를 살펴보기 위해 작성되었다. "운수연방선생안"에는 경종 4년(1724)부터 작성하기 시작하여 20세기 초반까지 작성한 임실현 향리들의 명단을 수록하고 있다. "운수연방선생안"에는 모두 704명의 향리들이 확인된다. 김씨 119명, 엄씨 103명, 진씨 103명, 박씨 87명, 문씨 86명, 이씨 66명, 백씨 31명, 황씨 27명, 태씨 17명 등이다. 이외에도 12개의 성씨가 확인되는데, 10명 미만의 향리를 배출할 따름이다. 이 지역의 대표적인 향리 성씨를 전체 점유율 순으로 추정해본다면, 김씨, 엄씨, 진씨, 박씨, 문씨, 이씨 등이라 할 수 있을 것이다. 또 다른 특징은 전씨와 양씨가 19세기에 들어와서 전혀 향리를 배출하지 못한 반면, 황씨가 19세기에 들어와 5%대의 향리를 배출하고 있으며, 진씨가 10%이상대의 점유율을 보이며 약진하고 있다는 사실이다. 이는 몇 몇 향리 성씨가 향리 사회를 주도함에도 불구하고 그 내부에는 약간의 변화들이 늘 상존했음을 보여준다. 이들 성씨들의 본관을 "노소계안"을 통해 살펴본 결과, 이들은 경주 김씨, 영월 엄씨, 남원 진씨, 함양 박씨, 남평 문씨, 경주 이씨였다. 다음으로 "운수연방선생안"에 호장 직역을 역임한 것으로 기재된 76명의 호장 성씨를 통해 상층 향리를 배출한 성관도 위의 성관과 동일한 지 살펴보았다. 향리의 최상층 직임인 호장을 다수 배출한 성관과 향리를 가장 많이 배출한 성관은 전체적으로 보면 거의 일치하나, 시기에 따른 차이가 있었다. 18세기에는 6개 성관이 비슷한 비율로 호장을 배출했다면, 19세기에 와서는 남원 진씨에서 13명, 남평 문씨 9명, 영월 엄씨 6명 등 3개 성관만이 10명 이상의 호장을 배출하고 있다. 19세기의 주목할 만한 또 다른 변화는 한 명의 호장이 두 번 이상 호장을 역임하는 빈도수가 18세기에 비해 급격히 늘어났고, 특정 성관으로 집중된다는 사실이다. 이같이 조선후기 임실현의 향리 사회는 6개 성관이 다수의 향리를 배출하며 공존하는 양상이나, 내부적으로는 시기에 따른 상층 향리 성관의 변화가 일부 확인되며, 특정 성관이 향리 사회를 주도하는 양상으로 변화하고 있었다.

• 대한지리학회지
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• 제29권1호
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• pp.46-64
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• 1994

본 논문은 18세기에서 19세기에 이르는 전환기적 시기에 줄포만에서 행해진 자염을 소재로하여 당 지역의 역사지리적 경관복원을 시도해 본 것이다. 먼저 자염업의 성립배경과 관련해서 줄포만은 넓은 간석지를 근간으로 한 지형적 측면을 포함해 조석, 기후, 식생, 토 양 등 자연지리적 제 조건의 혜택하에 염업이 활성화 될 수 있었다. 사회경제적으로는 인구 증가, 농민층의 분해, 교환경제및 어업의 발달 등이 자염발달의 촉발요인이 되었다. 당시의 염장은 고부, 부안, 홍덕, 무장 등 4개 군현에 걸쳐 분포하였으며, 이 가운데 고부의 것은 월 경지인 부안면에 소재한 것으로 밝혀졌다. 그리고 본지역 자염의 기원지는 무장의 검당으로 비정하였다. 주요 제염설비에는 염막, 염전, 섯등, 염정, 염조, 염부 등이 있었고 실 작업에는 제염도구로 재래농기구가 동원되었다. 제염은 물때에 맞추어 행해지며 섯등굴착. 염토살포, 염밭갈이, 섯등구축, 염수회득, 자염의 과정을 거쳐 화염을 얻어내는 형태를 취하였다.

• 복식
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• 제3권
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• pp.29-46
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• 1980

The purpose of this thesis is to find out how the upper garment styles in the Ancient East and est had been influenced with each other. Analytical studies conclude the fellowing findings: 1) Upper garment styles in the feat Asia and the Egypt already highly developed in 28th century B.C. and show us the original style of the wrap-over to the left and that of the round neckline(曲領). Upper garment of the open in the center front shown in Babylonia in 18th century B.C. had been inherited to the caftan of the Hebrew and later succeeded to the Persia. 2) The tunic styles of the round neckline, the wrap-over to the left and the open in the cotter front, which were the basic styles of the upper garment, had teen widely accepted to the central Asia and the East Asia, as well as the Northern Europe, from the West Asia. 3) The styles of the wrap-over to the right originated from China since it had begun to show in the Shang Dynasty(商代, 殷代). 4) The East and the West costumes had been very much intermixed in 4th century B.C. Alexander the Great of Macedoria in 4th century B.C. expanded his territory to the central Asia and built up the Bacteria, when the most western civilization had been greatly transmitted to the Orient. Meanwhile the tunic being clad in the West and Central Asia began to be worn by soldiers in the period of the Warring States in China (326-299 B.C.) and afterwards worn even by civil officials since the age of the T'ang Dynasty of China. 5) The Upper garments of the open in the center front, the wrap-over to the right, the wrap-over to the left and the round neckline were found in Korea, which mean that the upper garment styles in the Ancient Korea were intermixed of the factors from the West Asia, the central Asia and the East Asia. 6) The styles of costume in the East Asia were influenced by the West Asia through the central Asia. The upper garment styles Europe were also influenced by the West Asia. Thus the upper garment styles in the Ancient East and West had been mutually affected with each other.

• 복식
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• 제64권3호
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• pp.155-164
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• 2014

This paper discusses the social changes in the late 19th century that provided a historical background in the appearance of the ready-to-wear clothing in the West. It examines the social meanings of the appearance of the ready-to-wear clothing at the time and traces the origins of these social characteristics to the book published in the $16^{th}$ century by Thomas More, Utopia. The results of this study can be summarized as the following. First, the appearance and expansion of the ready-to-wear clothing coincided with the social transition from a class-based society to a democratic society in the west in the $19^{th}$ century. Second, uniforms were produced in the $18^{th}$ century Europe in order to distinguish different classes and ethnic groups, with the military uniforms being the most visible example. Frequent military campaigns in Europe resulted in the increasing demand and expansion of military uniforms, which later became the basis of the standardization of the men's clothing with uniforms. Third, the women's ready-to-wear clothing appeared later than their male counterpart and was made possible by the simplification of design, an important characteristic of women's wear in the later period. Fourth, the social characteristics of the ready-to-wear clothing can be traced to a democratic and egalitarian society without personal properties that was depicted in the book of Utopia by Thomas More. Fifth, one of the characteristics of the ready-to-wear clothing can be found in the description of Utopia, in which everyone in Utopia wears a clothing of the same form for life.

• 건축역사연구
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• 제29권3호
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• pp.79-90
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• 2020

In Korean traditional architecture, the Gong-po style is divided into the Jusimpo, Dapo and Ikgong. Jusimpo and Chulmok-Ikong, where only Gong-po is placed on the column, differ in form of Gong-po depending on the viewpoint. Since 'Chulmok-Ikgong' has been generally regarded as 'One Chulmok-Two Ikgong', the precedent researches have been conducted mainly on 'One Chulmok-Two Ikgong' in the Gong-po style classification. However, when it comes to 'One Chulmok', the style of Ikgong can be organized from the one to three steps and this study is particularly for examining the occurrence and transformation of 'One Chulmok-One Ikgong'. One of the case study sites, Bonghwa Cheongamjeong was originally built in the 16th century, and is believed to have been repaired from 'Non Chulmok-One Ikgong' to 'One Chulmok-One Ikgong'. Since the beam linked directly to the upper part of a capital, it does not connect the eave trave(architrave) in between. Also, Soro which supports Jangyeo(the architrave strip) has been placed and linked in comparatively lower position. It is confirmed by the signigicant difference in the hierarchy of Gong-po forms in one architecture. The Jeonju-Hyanggyo Daeseongjeon, which was built in the 17th century among the subjects, was similar with 'One Chulmok-One Ikgong', but it was found to be the type of Jusimpo form because the bottom of the beam and the top of the Ikong are apart. And Gongan is confirmed at Cheomcha. In the 17th century, it can be seen that Heot-Cheomcha disappeared and Ikgong was started to use as a constant figure. The end of the 18th century, it can be seen that it was changed into a ornament added on Haeng-gong, being seen in the case of Hwaseong Dongjangdae. In conclusion, it can be seen that 'One Chulmok-One Ikgong' were developed in both the Jusimpo and Ikong style. The transformation into 'One Chulmok-One Ikgong' was inevitable consequence related with an elevation difference between the eave trave and the column trave.