• 한국의사학회지
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• 제28권1호
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• pp.25-37
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• 2015

"Donguibogam" has been published several times in Japan and China since the first was published and established itself as representing the East Asian medicine in 17th Century. Also, modern far has attracted attention as a major classic book of Korea medicine. For these "Donguibogam" its contents, as well as several medical historians and bibliographers were early comment on versions. However, these prior studies did not confirm about the various editions of the publication time, especially for the initial wood-block edition estimate only. Through this new study found the following facts. First, Wood-block edition of two Jeollagamyeong published until the mid-18th century to be confirmed by the "Seungjeongwonilgi". Second, the timing of the editions published later modified in Naeuiwon is confirmed by the "Chakpan Catalog" and the "Seungjeongwonilgi". Third, the person who keeps wood-block edition of Chonnamgamyeong is the first empirical examples of the same edition. Fourth, the edition is not published editions group that bypasses the Naeuiwon modified.

• 복식
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• 제63권5호
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• pp.18-34
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• 2013

This paper examines the costumes of 18th century Joseon dynasty that appears in the writings of Lee Ok(李鈺, 1760~1815). The main characteristics that can be inferred about the clothing from his writings are as follows. 1) It suppose that the color of first grade(一品) official uniform was purple. The popular color for the bride's ceremonial dress was red. 2) It was likely that only bridesmaids or married women were allowed to wear Jokduri(ceremonial coronet). 3) White clothes were only preferred in Yeongnam-udo, whereas other regions mainly wore blue, which differs from the national preference for white clothes that was prevalent in the end of the Joseon dynasty. 4) Once cotton was harvested, it only took 5 days to convert it into cotton cloth and be sold on the market. Cotton cloth was one of the most important products during the latter half of the Joseon dynasty. It was common practice in markets to sell expensive costume materials as counterfeits or fungible goods with the intent to cheat. 5) The buddhist monk's hat is various that short cylinder form(短桶帽) and jade or gold headband button(玉圈 金圈) attached shape, etc. Consequently, Lee Ok's writing is a suitable reference for researching Joseon dynasty clothing, since it includes detailed and various descriptions of everyday clothing worn by strict noblemen, which is difficult to find elsewhere.

• 한국화예디자인학연구
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• 제44호
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• pp.33-51
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• 2021

본 논문은 17세기부터 18세기 초반까지의 네덜란드 꽃정물화를 대상으로 조형적 특징을 분석하였다. 그리고, 꽃정물화의 조형적인 특성이 꽃정물화 수요의 관계 안에서 변화하고 있음을 설명하였다. 네덜란드의 꽃정물화는 외국에서 수입된 희귀하고 값비싼 꽃들을 조화롭게 구성헌 그림으로 감상과 수집 취미를 동시에 충족할 할 수 있는 가치가 있었다. 본 연구에서는 가장 일반적이고, 꽃정물화의 본질을 잘 나타내는 화병에 꽂힌 꽃다발 그림을 연구 대상으로 한정하였다. 17세기 초반의 네덜란드는 유럽 최고의 경제적 중심지로 무역과 상업에 종사하는 시민계층이 사회의 주류를 이루었다. 이들은 자신의 경제적 이익과 미적 취향의 충족, 그리고 부를 과시하고자 미술작품을 구매하였다. 그중에 꽃정물화의 인기는 신대륙으로부터 들어온 희귀한 꽃들에 대한 집중된 수요와 관계있었다. 사업에 성공한 부유한 시민계층의 취향은 꽃의 정체성을 확인할 수 있는 실제와 똑같은 그림이 중요했다. 따라서 초기 꽃정물화는 희귀한 꽃들의 이상적인 모습을 완벽하게 묘사하고, 공간감을 강조하여 실제 공간 속에 놓인 꽃처럼 보이게 하는 사실감이 뛰어났다. 그러나 17세기 중반 이후 네덜란드의 경제적 성장이 둔화되고, 부유한 시민계층이 금리 생활자인 도시 귀족으로 변화하면서 꽃정물화의 수요는 주관적인 감성을 중시하는 경향으로 나아갔다. 귀족적이면서도 비대칭적이고, 극적인 키아로스쿠로의 표현이 두드러졌다. 더 나아가 18세기에는 환영주의를 포기한 평면적인 표현방식으로 장식적인 효과를 강화하는 새로운 미를 추구했다. 이러한 점에서 볼 때 현대미술의 문을 열었다고 평가되는 낭만주의는 네덜란드 시민문화의 미적 취향으로부터 시작된 것이라고 봐도 과언이 아니다.

• 복식문화학회:학술대회논문집
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• 복식문화학회 2001년도 International Costume Culture Conference
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• pp.73-74
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• 2001

• 오토저널
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• 제23권3호
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• pp.18-20
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• 2001

• 대한치과의사협회지
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• 제52권11호
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• pp.656-669
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• 2014

This literature considers Pierre Fauchard's exploits under historical context of the enlightenment movement and development of the surgery during 18th century in France. <치과의사 Le Chirurgien Dentiste, ou Traite des dents>, a vast collection of the former and contemporary dental knowledge, technologies, and skills, established Modern Dentistry. To emphasize the professionality of dental treatment and actions involving it, Fauchard replaces the title 'dental expert' with 'stomatologist, or Le Chirurgien Dentiste' As professionalism tried to contribute to the public interest by sharing dental knowledge and technolgies, it had become a model for the dentists. Moreover, the professionalism has been accepted as an important value throughout the manufacture crafts era and the modern capitalist industrial society. Also the principles of liberty, equality, and tolerance founded during enlightenment movement, which is based on empirical positivism and rational reason, has become the legal basis of modern nations. In order to resolve the contradiction or conflict between 'liberty and equality' by 'tolerance for the public benefit', Korean dentists need develop professionalism.

• 대기
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• 제16권4호
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• pp.343-350
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• 2006

The rainfall amount measured by Chugugi at Gongju was found in "Gaksadeungnok". Gaksadeungnok is ancient documents from governmental offices in Joseon dynasty. Rainfall data at Gongju are restored for 18 years of 19th century. In 1871, total rainfall amount is 1,338 mm. It is different by about 11% in the amount compared with Seoul Chugugi rainfall in 1871 and Daejeon modern raingauge measurement result during the 30 years (1971-2000). Annual march of monthly rainfall data at Gongju is similar with that of Seoul. Based on the results, restored rainfall at Gongju is consistent with Seoul Chugugi rainfall data. The rainfall amount restored in this study is measured by Chugugi which was installed at Gongju, in Chung-Cheong province. Furthermore, Gaksadeungnok includes rainfall amount reports by agricultural tool measurement in addition to Chugugi measurement. These facts prove a network of rain gauge in Joseon dynasty.

• 복식
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• 제62권7호
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• pp.13-28
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• 2012

This study examines history of Korean peony patterns and characteristics of peony patterns on the fabric. It is classified according to expression methods, and it analyzes the characteristics of 71 kinds of peony woven on 66 Korean fabrics. First, it was observed that 38 of the 66 studied fabrics (57.6%) were relics from the 17th century, and from this it can be deduced that the peony patterns began to appear regularly around the latter half of the 16th century and were used habitually in the 17th century. Second, 71 kinds on 66 fabrics can be divided into Real Type, Design Type, and Abstraction Type according to expression methods. Among these types, 49 kinds of them are Real Types (69.0%), forming the greatest part and 19 kinds belonging to the Design Type (26.8%), and lastly, 3 kinds were under the Abstraction Type (4.2%). In particular, peony patterns of Design Types and Abstraction Types from the 17th century and from the 19th century to the 20th century were more prevalent, compared with those before the 16th century or the 18th century. Third, Real Types shown on the Korean fabrics are subdivided into 9 types, and the Real Type A among them, which describes to be as real as possible, is 12 kinds, the largest number of them. Therefore, real and natural pattern of peony is the favorite type in Korea, while rather emphasized pattern of peony is the more preferred pattern in China. And also Design Types are subdivided into 6 types again; There are 6 kinds of design type A, the largest part of Design Types. Patterns of Design Type A are most similar to real peony flowers, but more simplified than the Real Type A. This result also contrasted with the trend in China, where the Design Type C, expressed petals in detail was the favored pattern. Fourth, 9 kinds of unique types are found in Korean fabrics, especially Real Type M has not been shown on Chinese fabrics. Real type M, consisting of two parts, inner and outer, where two curve lines between two parts appear as antennas of a butterfly.

• 한국의류산업학회지
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• 제9권1호
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• pp.15-23
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• 2007

In the Middle Ages it was customary to cover up the hair, but the Renaissance brought uncovered coiffures with the revival of humanism. In those days, silk and linen veil, ribbon, string of pearl used for covering, wrapping round with the hair. During the Baroque period, the style of hair was to pursue the beauty of imbalance in form, reflecting the atmosphere of the time. Hurluberlu and Fontanges hairstyles were in fashion. Then in the Rococo period, huge, resplendent coiffures of exquisite beauty were invented as a symbol of power, and these modes of hairdo were a dominant force in the culture of personal adornment of that time. Pouf and enfant hairstyles were in fashion. As a reaction against the extravagance of the proceding modes, late 18th and early 19th centuries brought revival of simpler hairstyles of ancient Greece and Rome by the influence of neoclassicism. The latter half of the 1820's onwards saw he reappearance of voluminous coiffures as well as an enormous variation of knots with combinations of false knots and chignons. Late 19th through early 20th centuries was the period of beautifully waved hair, the style of which was an integration of Marcel waves and Art Nouveau. The 20th century saw the epoch-making invention of permanent waves using electricity. Concurrently, with an increasing participation of women in social affairs since pre-and post-World War I periods, as well as with Art Deco in full flourish, bobbed hair was created in pursuit of lightness and nimbleness, quickly showing the change of women's modes of life. Hair fashions thoroughly embody the aesthetic sense of each period, reflecting the landscape of contemporary society.

• 한국전통조경학회지
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• 제29권4호
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• pp.137-147
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• 2011

본 연구는 18세기 수원 신읍치와 화성 건설에서 나타난 수체계의 형성과정과 계획적 특성을 종합적으로 규명하는데 목적이 있다. 특히 본 연구에서는 화성 일대의 지형특성과 연계하여 형성된 자연형 수계가 화성건설과정에서 정비, 변화되는 과정에 내재되어 있는 계획적 의도를 이수와 치수의 관점에서 해석해보고자 한다. 본 연구는 화성 건설과정에서 나타나는 수체계를 다양한 계획요소와 연계하여 분석해보고 이를 통하여 물길에 내재되어 있는 계획적 의도를 추출하는 해석적 접근방법을 취하고 있다. 연구진행과정에서 18세기 화성건설과정에서 나타나는 수체계는 화성성역의궤에 실린 화성전도와 1911년 지적원도, 그리고 1917년에 제작된 1/10,000 지형도를 활용하여 추출하였다. 화성의 수체계가 지니는 계획적 특성을 도출한 결과 화성의 수체계가 지니는 계획적 특성은 다음과 같이 요약된다. 1. 수원천의 수계는 계획도시의 공간구조와 읍성의 좌향을 결정짓는 입지요소로 활용되었다. 2. 물길 정비를 통하여 계획적인 배수체계를 구축하였다. 3. 화성의 골격을 형성하는 도로체계와 토지이용구조는 물길과 연계하여 계획되었다. 4. 물길을 이용하여 주요 시설구역의 영역성을 확보하였다. 5. 치수와 조경시설로서 계획적인 연못(지(池))을 조성하였다. 6. 물길은 부분적으로 의도적인 비보요소로 활용되었다. 결국 18세기 화성에서 관찰되는 수체계는 도시입지, 도시구성체계, 도시골격요소로서 도로, 도시공간구조, 재해방지와 수질보호, 경관적 기능, 생활기반시설로서의 기능을 종합적으로 고려하여 계획요소와의 정합성을 확보하는 차원에서 자연수계를 의도적으로 정비하고 새로운 수계를 계획적으로 도입하는 과정을 통하여 구축되고 있음을 알 수 있다. 이것은 수체계가 18세기 화성이 지니는 계획적인 신도시로서의 성격을 잘 보여주고 있음을 반증하는 것이라 할 수 있다.