• 한국언어정보학회:학술대회논문집
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• 한국언어정보학회 2007년도 정기학술대회
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• pp.459-470
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• 2007

This study explores the textual characteristics, more precisely the quantity and diversity of nouns, of Japanese prime ministers' Diet addresses. In the field of stylistics, textual characteristics independent of the content have been examined with the aim on detecting the authors, genres, and chronological variations of texts. This study focuses instead on textual characteristics related to the content of texts, namely the quantity and diversity of nouns, because our aim is to analyze texts to better understand two political phenomena: (a) the difference between the two types of Diet addresses delivered by Japanese prime ministers, and (b) the perceived changes made to these addresses by two powerful prime ministers. It is a case study of the microscopic characterization of texts, which has become more and more important with the expansion in the scope of stylistics and the production of a wide variety of new types of texts following the advent of the Web.

• 비교문화연구
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• 제27권
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• pp.347-386
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• 2012

This article aims to establish the model of textual communication and its schema. To do this, we must identify the characteristics of textual communication, different from that of the oral, because the model of communication is usually done to show the structure of oral communication. Moreover, we must clarify the status text as '${\acute{e}}nonc{\acute{e}}$', that is to say product of the act of enunciation. The study of the text has now reached to achieve from the perspective of pragmatics, overcoming the structural point of view that dominates long text linguistics. And now, we need to enrich the theoretical basis of the pragmatics of text. Then the search of elements necessary to develop the model and pattern of textual communication can help to establish the elements used to form the theoretical basis. To clarify the characteristics of textual communication, we needed to explain the present communication by the position of reader and the point of view of textual reference. The schema that we proposed is not perfect, but there are still issues to think to complete it. For example, one must take into account the plurality of readers and reflect the relationship between interpretive texts in this schema, etc. This kind of problem is not only required to complete the schema but also to strengthen the basis of the theory of textual communication and the pragmatics of text.

• 음성과학
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• 제11권2호
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• pp.137-150
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• 2004

This paper investigates the prosodic characteristics of discourse boundaries in spontaneous conversation. In this study, the term 'conversation' is taken to refer to a kind of talk in which two or more participants alternate in speaking about particular topics. Such a definition implies that there are at least two sorts of structures in the conversation: textual structure and interactive structure. This requires us to consider not just the textual influences on prosody but also the impact of interactive context. The aim of this study is to find out the acoustic-prosodic means used by speakers to signal discourse boundaries in conversational interaction. The results show that the conflict between the structural level and the interactive level obliges the speakers to reorganize the prosodic variables according to the type of discourse boundaries.

• International Journal of Internet, Broadcasting and Communication
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• 제15권4호
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• pp.166-171
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• 2023

With significant advancements in the field of artificial intelligence, many novel algorithms and technologies have emerged. Currently, AI painting can generate high-quality images based on textual descriptions. However, it is often challenging to control details when generating images, even with complex textual inputs. Therefore, there is a need to implement additional control mechanisms beyond textual descriptions. Based on ControlNet, this passage describes a combined utilization of various local controls (such as edge maps and depth maps) and global control within a single model. It provides a comprehensive exposition of the fundamental concepts of ControlNet, elucidating its theoretical foundation and relevant technological features. Furthermore, combining methods and applications, understanding the technical characteristics involves analyzing distinct advantages and image differences. This further explores insights into the development of image generation patterns.

• 대한수학교육학회지:학교수학
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• 제12권4호
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• pp.605-617
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• 2010

본 연구는 한국과 미국의 중등 수학 교과서에 사용된 비문자적 표상의 특성과 역할을 다양성, 상황성, 연결성이라는 분석틀을 활용하여 탐구하였다. 비문자적 표상이란, 문자들로만 혹은 상징들로만 표현되지 않는, 교과서에 포함된 시각적 표상들로, 사진이나 그림과 같은 회화적 표상과 그래프 혹은 수학적 도형과 같은 수학적 표상들을 포함하고 있다. 수학 교수 학습에서의 시각적 표상의 중요성에도 불구하고, 기존 연구는 교과서에서 사용되는 비문자적 표상의 특성과 역할의 교육적 의미를 간과해 왔다. 본 연구에서 현재 사용되고 있는 수학교과서 18종(미국 5종, 한국 13종)을 분석한 결과, 비문자적 표상은 각각의 사회 문화적 상황에서 어떤 수학에 중점을 두고 어떻게 가르칠 것인가 하는데 대한 인식을 반영하고 있었다. 예를 들면, 미국 교과서는 회화적 표상과 상황성을 지닌 비문자적 표상이 주류를 이루어 수학의 활용에 초점을 두었던데 반해, 한국 교과서는 수학적 연결성이 강하고 추상적인 비문자적 표상이 주류를 이루어 수학적 표현과 엄밀성에 중점을 두었다. 이러한 비문자적 표상의 특성의 차이는 수학학습의 목적과 방법론에 따른 각 사회문화적 차이를 반영할 뿐만 아니라 이에 따른 다른 "학습기회 (opportunities to learn)"를 제공함으로써 학생들의 수학 학습에 대한 인식에도 영향을 줄 수 있는 가능성을 보여준다. 따라서 본 연구는 학습기회로서 비문자적 표상을 재인식하여야 하며 더 나아가 이에 대한 지속적인 연구와 교육과정 개발에의 반영이 필요함을 시사하고 있다.

• 한국언어정보학회지:언어와정보
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• 제12권2호
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• pp.95-114
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• 2008

This study aims at establishing a markup system for 17-19th century culinary manuscripts. To achieve this aim, we, in section 2, look into various theoretical considerations regarding encoding large-scale historical corpora. In section 3, we identify and analyze the characteristics of textual theme and structure of our source text. Section 4 proposes a markup scheme based on the XML standard for bibliographical and structural markups for the corpus as well as the grammatical annotations. We show that it is highly desirable to use XML-based markup system since it is extremely powerful and flexible in its expressiveness and scalable. The markup scheme we suggest is a modified and extended version of the TEI-P5 to accommodate the textual and linguistic characteristics of premodern Korean culinary manuscripts.

• 한국도서관정보학회지
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• 제35권4호
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• pp.65-84
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• 2004

본고는 김연수에 의하여 찬술된 <윤관 지석>에 관한 금석학적 연구이다 지석의 재질은 오석이며, 크기는 세로 25.0cm, 가로 31.0cm, 두께 2.5이다. 지석문은 양면에 해서체로 음각되어 있으며, 주로 윤관의 전기가 기록되어 있다.

• 한국도서관정보학회지
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• 제35권2호
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• pp.31-45
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• 2004

The purpose of this study is analyze physical and textual characteristics of the fold screen with Gosi(고시), tour ancient poems own by Beopjusa temple(법주사) in Mt. Sokrisan(속리산). The calligraphic specimen of this fold screen is written by King Seonjo(선조), and it seems to be made by between 1725 and 1758. On the view of physical point, the size of the fold screen is 190.0cm high, and 67.2cm wide each fold. And its format is made by 8 fold screen and its calligraphic style is a ‘cursive’ style. It was printed by wood block printing with chinese ink on the Geonji(견지). On the view of textual point, the fold screen of Gosi(고시) is consist of four ancient poems, and its content is describe to yearning for the appearance of the true gentleman possessed with high principles and virtue. And the four ancient poems is arranged by a well organized passage.

• 한국어교육
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• 제28권4호
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• pp.181-219
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• 2017

The purpose of this study is to review the functions of {됐어} and {X了} as a discourse marker on different levels, and to examine their similarities and differences. {됐어} has not been widely recognized as a discourse marker in the field of Korean linguistics and Korean language education. Therefore, in order to establish the identity of {됐어} as a discourse marker, the reasons that {됐어} can be regarded as discourse marker were explained prior to the contrastive analysis. As to the method of contrastive analysis for {됐어} and {X了}, they were analyzed on three main dimensions: that is, the textual dimension, the interpersonal dimension, and the metalinguistic dimension in the corpus consisting of scripts of Korean and Chinese sitcoms. The results are as follows. In the textual domain, {됐어} and {X了} have the function of closing the topic in common, while {X了} can indicate a new topic and transmit a topic. In terms of functions in the interpersonal domain, {됐어} and {X了} are commonly used to refuse a partner's proposal or request and to interrupt a partner's speech or action. Furthermore, in the interactional aspect, {됐어} and {X了} performs the function of expressing a response to a preceding utterance and taking the turn of speaking. The difference between them in the interpersonal domain is that {X了} performs the function of correcting a speaker's utterance. In the metalinguistic domain, {됐어} and {X了} are common in that they perform the function of expressing the dissatisfaction of the speaker, showing generosity and making a compromise with the addressee. {X了}'s distinguishing characteristics in this domain is that it can express the attitude of consoling the hearer.

• 복식문화연구
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• 제23권4호
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• pp.628-643
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• 2015

This study is to assist in developing creative designs based on the humor available in the fashion world of Moschino. For the research method, this writing examined literature on humor and Moschino's fashion world and analyzed Moschino's fashion collection, show window, Maison Moschino, and collaborative products to conduct an empirical analysis of humor shown to the fashion media. The research results are as follows. The humor in Moschino's fashion appeared in the form of surrealistic humor with the depaysement technique, deconstructive wit in clothing, such as distortion, change, or exaggeration, and textual humor, including brand symbols, logos, and graffiti. Collection pieces indicated the brand's confirmative identity based on humor with the surrealistic depaysement technique and deconstructive wit through irregular phenomena, such as change, distortion, exaggeration, and illusion in clothing form. Additionally, such attributes added to Moschino's wit and humor in decorative costume components as graphic images, graffiti, and brand symbols, including smile, love, and reversal. The show window display delivered surprises and smiles through the production of surrealistic space borrowed from various objects. In particular, performance with surrealistic images helped to show the characteristics of parodic humor. Maison Moschino was a surrealistic space for the concept of the fairy tale and for practical experience, thus working as a communication channel for humor and emotion. Collaborative products also clearly reflected the identity of the designer's own humor, which showed scarcity value as well as differentiation.