• Journal of Forest and Environmental Science
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• v.18 no.1
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• pp.73-86
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• 2001

Taking account of the structural variation on species composition according to the different topographic positions and aspects, the forest community attributes such as species composition, species diversity index, and similarity coefficient were comparatively analyzed for the three topographic positions and the four aspects in the natural deciduous forest of Mt. Gari area. The results are as follows 1. The most dominant species in the overstory were Quercus mongolica in the mid-slope, the ridge, and all aspects areas, however, the stands of the topographic positions were less similar than the stands of the aspects in species composition, because of the appearance of the specific domonant species such as Juglans mandshurica in the valley area and Pinus densiflora in the ridge area. 2. Among the three topographic positions, the mid-slope area had greatest species diversity index in overstory, but the index of the valley had greater value than those of mid-slope and ridge in mid-story and understory. The north-east area among the aspects had greatest the index in all canopy layers. However, The stands of the aspects showed more smaller variation than the stands of the topographic positions. 3. The ridge area showed greatest similarity coefficient value with the mid-slope area, but showed least similarity coefficient value with the valley. However, similarity coefficient among the topographic positions had much smaller value than similarity coefficient among the aspects.

• Korean Institute of Interior Design Journal
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• v.27 no.2
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• pp.143-153
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• 2018

The exhibition space is a concept that is used to extract only the function of exhibition in an art museum combined with various cultural facilities. It mediates works, audience, and space. Therefore, it is considered that the exhibition space will not only judge the space by the form of the building, but also the true meaning will appear when the exhibition, the space and the environment coexist. His exhibition space has a story from the outside to the inside and the exhibition. In this study, we try to understand the characteristics of his space by analyzing the way of organizing exhibition and exhibition in his exhibition space. As a result of analyzing the cases suggested on this thesis through this point of view, Ando Tadao represented characteristics of his own exhibition space by harmonizing the demand of each exhibition space with his architecture language. His exhibition space provides the experiential space in the harmony of the nature and artificiality as inpouring the nature into the complex traffic line. And, the exhibition is constituted as a result of fully considering the overall situation of the space environment. He tries uniting the space and art by interpreting the work in the space rather than arranging the works. Consequently, It gives visitors the direct space experience through the intentional traffic line and is becoming an exhibition space that can express the exhibition only in that space as constituting it differently in accordance with the character of work.

• 한국태양에너지학회:학술대회논문집
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• 2009.04a
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• pp.180-183
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• 2009

In this study, Urban Climate Simulation was performed by 3-Dimensional Urban Canopy Model. The characteristics of urban climate was analyzed combining artificial land coverage, building size, heat production from the air conditioning and topographic conditions as physical variables which affects urban climate characteristics. The results are as follows. (1)The aspects of the urban climatal change is derived to be related to the combination of the building coverage ratio, building height and shading area. (2)Whole heat generation was influenced by the convective sensible heat at the lower building height and by the artificial heat generation at the higher one over 20-story building influence to some extent of the building coverage ratio. The effect of the altitude is not more considerable than the other variables as below $1^{\circ}C$ of the air temperature.

• Journal of Plant Biology
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• v.15 no.1
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• pp.1-12
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• 1972

As part of the study of the structure and the successional trends of our temperate forests, a quantitative survey was made of the relatively well conserved forest stands on Mt. Kwanak, Seoul. Three community types were observed; the Pinus densiflora-Quercus mongolica community, the Pinus densiflora community, and the Quercus mongolica community. Evidence suggests that the dominance of Pinus densiflora and quercus mongolica will continue in the Pinus densiflora-Quercus mongolica community, however, in the Pinus densiflora community the dominant species, Pinus densiflora, is now being replaced by Quercus mongolica. The trend toward an increased in Acer pseudo-sieboldianum var. koreanum, Fraxinus rhynchophylla, Carpinus cordita, and Acer mono is observed in the Quercus mongolica community. An analysis of the overall composition of the forest reveals that the upper story is mostly occupied by Quercus mongolica and Pinus densiflora, the shrub layer by Rhododendron schlippenbachii and Lespedeza maximowiczii, and the herb layer by Spodiopogon cotulifer and Artemisia keiskeana. Quercus mongolica may cover most part of the forest, gradually excluding Pinus densiflora. Acer pseudo-sieboldianum var. koreanum, Fraxinus rhynchophylla, Carpinus coradata, and Acer mono are increasing in importance with the potentiality of developing into major canopy components. With the diversification of the physical habitat Cephalotaxus koreana and Magnolia sieboldii, the species which had almost completely been eliminated form the forest through the severe interferences, have reappeared.

• Journal of the Korean housing association
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• v.22 no.2
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• pp.131-139
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• 2011

This study is to examine architectural designers' views on the correlations between components and contextual principle of the roadside building facade with the roadside building facade on the border of Asian Culture Center in Gwangju which is expected to undergo a great change by public policies. For setting direction of the roadside building management at the region examined, height of facade, advertisement/signboard, security of continuity through surface pattern management, nodes building, array of height by story, awning/arcade and locality of advertisement/signboard should be induced to design with locality and consideration of local characteristics with silhouette, window and external colors is needed for discrimination from other cities. Regarding the realization method important thing was found that the planning and implementation of architectural design guidelines, architectural aesthetics of the pre-hearing enhancement, active citizen participation, and then additional landscape screening system, incentive schemes, landscape designation of landscape zone was found to be a major realization system.

• Korean Institute of Interior Design Journal
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• v.17 no.2
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• pp.67-74
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• 2008

In Korea, multi-functional senior residential complexes have become very popular since the end of 1990 by integrating the functions of nursing homes and health care facilities, so that the elderly can maintain their regular healthy life and receive health care when needed depending on their aging stage. Accordingly, it is increasingly important to conduct research on such multi-functional residential facilities. In this study, 6 cases of Korean senior residential complexes and 6 cases of comparable Japanese facilities, which were built earlier than Korea, are compared, and the following results are derived from the comparison. 1. In terms of the shared space, the parallel type and the unified type are found to share more space among complex types. Especially, the low-story concentration type and the eccentric type are found to share space the most. 2. In Korea, an average shared rate is found to be 46.8%; and the rates of a supplied-space, a common-shared-space, and a maintenance-space are found to be 29.73%, 36.33%, and 32.93%, respectively. In Japan's case, an average shared space is found to be 22.31%; and the corresponding rates for the above 3 spaces.

• Proceedings of the Korea Contents Association Conference
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• 2008.05a
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• pp.166-169
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• 2008

There is necessity that Manhwa in culture contents industry must establish more systematic process to be activated as original contents. Also, through theoretical system and analysis standard, must have industrial mind that have drawn interest elements. This paper has purpose that wish to establish systematic process of Manhwa drawing component. So, that wish to improve industrial efficiency. By the result, I presented process of Manhwa production by basis creation, story composition, storytelling, frame-layout, and drawing and drew each component and the result that detail step by step.

• Cross-Cultural Studies
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• v.29
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• pp.233-256
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• 2012

This paper aims to look into various symbolic meanings of the body shown in the film, Avatar (2009, James Cameron), and to ponder over a variety of media strategies carried by the pursuit of the corporality shown in this film. In a nutshell, the body in Avatar is a symbol of primitiveness rather than civilization, and the body language is a fundamental and effective means of communication much better than verbal language. A variety of physical contacts that appeared in many scenes of the movie emphasizes the role of the body as a means of real communication. Also, in the composition of the film dominated by the confrontation of civilization, numerous creatures in the planet Pandora with a variety of colors as well as a number of agencies and large body sizes express primitive richness. The narrative of the film telling the story of a 'moving' body ultimately emphasizes the superiority of the body with respect to consciousness, unlike the narrative of conventional movies dealing with the problems of the body. In addition, the corporality pursued by this film implies several important media strategies. It may reveal a self-reflection of the material civilization and the imperialism, or, on the contrary, an attempt to conceal or dilute them. It may also represent a self-reflection of the overdeveloped media technology, or simply the dilution of it. Finally, it may be an attempt to recover the feeling of "presence", not fully supported by the 3D technology, by the identification of the spectator's body and the character's body.

• Journal of Integrative Natural Science
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• v.11 no.4
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• pp.212-225
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• 2018

This study is based on the purpose of organizing and planning a fundraising for Daum Kakao's 'storyfunding' during the recent crowdfunding that uses mobile-based Internet platforms to raise funds. Analysis by project subjects shows that one planner is more efficient if the ability of one planner, such as 'publishing', is important. However, there were many group A types of contents that require variety of expertise such as 'campaign' and 'journalism' after funding is completed. As a result of analysis by planning purposes, there were the most funds available to produce contents. This is a sign that there are many projects that match the basic purpose of story funding. There are also many other purposes for the purpose of raising public opinion for the project or the establishment of monuments, or for the support of people, animals, or animal rights groups. And there is a private equity fund to sell or promote products. Such quantitative research and analysis will accurately determine the current situation of crowdfunding and will provide basic data such as efficient human composition and goals setting to achieve the goals of crowdfunding in the future.

• Journal of the Korean Society of Clothing and Textiles
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• v.45 no.1
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• pp.200-216
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• 2021

This article considers short-form fashion videos as distinguished from fashion films, defines the concept, details the expressive characteristics of short-form fashion video, and reveals the method of producing it. For the methodology, a literature review was conducted to derive the concept and expression techniques. A case study was also performed to define the expressive characteristics. Five short-form fashion videos were also produced based on the results. The final results are as follows. First, short-form fashion video was defined as a fashion medium on the purpose of fashion communication within 60 seconds and classified by three digital image formats. Second, the result of analyzing the expression of the short-form fashion video shows the simplicity and reconstitution, characterization and remediation, borderless and expansion, and synesthesia trigger of the fashion image. Third, five short-form fashion videos were produced based on the theme of the digital garden. It shows that the short-form fashion video intensively expresses the content as a medium whose sensational expression is more prominent than the composition of the story by the short running time that reflects the taste of digital mainstream.