• International Journal of Advanced Culture Technology
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• 제8권4호
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• pp.25-32
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• 2020

Currently, Korean museums use gamification in addition to various viewing methods, such as video and VR/AR. However, museums using museum gamification are still progressing to a special program level. The purpose of this paper is to make the contents of the museum easy to understand and to give the viewers fun. This paper goes beyond the existing museum gamification and proposes a museum story gamification that combines story elements with gamification. This proposal system collects information from each museum in cooperation with museums, art galleries, and exhibition halls and proceeds with related story games. Museum Story Gamification provides related stories according to the theme of the museum and allows viewers to select their own stories. Also, based on the story, you can directly select the difficulty level that suits you and play a personalized game. Unlike the general museum program, the methodology proposed in this paper allows visitors to experience the museum with various story contents. In addition, it will contribute to the development and implementation of programs with gamification in other tourism fields as well as museums.

• Earthquakes and Structures
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• 제22권3호
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• pp.319-330
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• 2022

Retrofit of soft-story buildings due to seismic loads using Gap-Inclined-Brace (GIB) system is considered a new retrofit technique that aims to maintain both strength and stiffness of structure. In addition, it provides more ductility and less P-delta effect, and subsequently better performance is observed. In this paper, the effect of the eccentricity between GIB and the retrofitted column due to installation on the efficiency of the retrofitting system is studied. In addition, a modification in the determination method of GIB properties is introduced to reduce the eccentricity effect. Also, the effect of GIB system on the seismic response of mid-rise buildings with different heights considering soft-story at various heights has been studied. A numerical model is developed to study the impact of such system on the response of retrofitted soft-story buildings under the action of seismic loads. To achieve that goal, this model is used to perform a numerical investigation, by considering five case study scenarios represent several locations of soft-story of two mid-rise reinforced concrete buildings. At first, Non-linear static pushover analysis was carried out to develop the capacity curves for case studies. Then, Non-linear time history analyses using ten earthquake records with five peak ground accelerations is performed for each case study scenario before and after retrofitting with GIB. The results show that large GIB eccentricity reduce the ultimate lateral resistance and deformation capacity of the retrofitting system. Moreover, the higher the retrofitted building, the more deformation capacity is observed but without significant increase in ultimate lateral resistance.

• Structural Engineering and Mechanics
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• 제68권5호
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• pp.621-632
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• 2018

Soft-story buildings have bottom stories much less rigid than the top stories and are susceptible to earthquake damage. Therefore, the seismic design specifications need strict design considerations in such cases. In this paper, a four-story building was investigated as a case study and the effects of X-braces elimination in its lower stories studied. In addition, the possibility of replacement of the X-braces in soft-stories with equivalent moment resisting frame inspected in two different phases. In first phase, the stiffness of X-braces and equivalent moment-resisting frames evaluated using classic equations. In final phase, diagonals removed from the lowest story to develop a soft-story and replaced with moment resisting frames. Then, the seismic stiffness variation of moment-resisting frame evaluated using nonlinear static and dynamic analyses. The results show that substitution of braced frames with an equivalent moment-resisting frame of the same stiffness increases story drift and reduces energy absorption capacity. However, it is enough to consider the needs of building codes, even using equivalent moment resisting frame instead of X-Braces, to avoid soft-story stiffness irregularity in seismic design of buildings. Besides, soft-story development in the second story may be more critical under strong ground excitations, because of interaction of adjacent stories.

• Earthquakes and Structures
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• 제26권1호
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• pp.17-30
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• 2024

Earthquakes can lead to substantial damage to buildings, with long-period ground motion being particularly destructive. The design of high-performance building structures has become a prominent focus of research. The double-story isolated structure is a novel type of isolated structure developed from base isolated structure. To delve deeper into the building performance of double-story isolated structures, the double-story isolated structure was constructed with the upper isolated layer located in different layers, alongside a base isolated structure for comparative analysis. Nonlinear elastoplastic analyses were conducted on these structures using different ground motion inputs, including ordinary ground motion, near-field impulsive ground motion, and far-field harmonic ground motion. The results demonstrate that the double-story isolated structure can extend the structural period further than the base isolated structure under three types of ground motions. The double-story isolated structure exhibits lower base shear, inter-story displacement, base isolated layer displacement, story shear, and maximum acceleration of the top layer, compared to the base isolated structure. In addition, the double-story isolated structure generates fewer plastic hinges in the frame, causes less damage to the core tube, and experiences smaller overturning moments, demonstrating excellent resistance to overturning and a shock-absorbing effect. As the upper isolated layer is positioned higher, the compressive stress on the isolated bearings of the upper isolated layer in the double-story isolated structure gradually decreases. Moreover, the compressive stress on the isolated bearings of the base isolated layer is lower compared to that of the base isolated structure. However, the shock-absorbing capacity of the double-story isolated structure is significantly increased when the upper isolated layer is located in the middle and lower section. Notably, in regions exposed to long-period ground motion, a double-story isolated structure can experience greater seismic response and reduced shock-absorbing capacity, which may be detrimental to the structure.

• 아동학회지
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• 제28권1호
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• pp.189-204
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• 2007

This research investigated the effect of story-plotting and oral narration activities using wordless picture books upon young children's linguistic creativity and expression. The subjects were 30 children of experimental group and another 30 in the control group at age five. The Korean Comprehensive Creativity Test for Young Children(K-CCTYC; Jeon, 2005) was used to measure linguistic creativity. In addition, Measure Tools for Linguistic Ability(Jang, 1981) was used to measure the linguistic expression. There were significant differences between the two groups in linguistic creativity including linguistic fluency, flexibility, and originality as well as linguistic expression.

• 한국초등과학교육학회지:초등과학교육
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• 제29권2호
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• pp.144-154
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• 2010

This study was conducted among elementary pre-service teachers who participated in creative story writing exercises related to science. It aimed at analyzing their perceptions, based on their own experiences in the story writing exercises, about story writing as a pedagogic method, to discover the implications on science education. First, creative story writing exercises were carried out over a period of eight weeks by 114 elementary pre-service teachers at a college of education, all of whom were non-science majors taking a course on earth science as a liberal arts elective. Afterward, an open-ended survey was conducted among them to discover their attitudes and opinions, both as students and as teachers-to-be. The majority of the subjects expressed a positive opinion about creative story writing as a pedagogic tool, stating that they would apply it in their future teaching by telling stories they wrote or having students write their own compositions. Pre-service teachers conclude a creative writing improves students' studying, leads interest and motivation. In addition, it linked with daily life and other school subjects. Creative story writing, when used at colleges of education, has didactic value as an empirical exercise for pre-service teachers who are not majoring in science.

• 영어영문학
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• 제55권2호
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• pp.293-314
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• 2009

Leslie Marmon Silko's Storyteller does not belong to a typical category of books, for it looks more like a family album with photographs, poems and Pueblo narratives as well as short stories authored by her. This 'book' without any chapters defies a traditional concept of books we are familiar with. In addition to refusing to be labelled as a conventional book, I argue, Storyteller defies the tradition of Western personal writing in that it shows the collective power of stories. That is, stories have the collective power which is impersonal beyond personal, internalized identity. It does not mean, however, the collective power comes from groups rather than individuals. It is not the conventional opposition of group and individual but that of group and collectiveness that matters here. I draw a distinction between group and collectiveness on the ground that the former actually groups individuals into categories with which individuals identify themselves. It is not group but collectiveness where stories find their power. "Storyteller," the first of eight short stories in the book, tells the story of an unnamed protagonist, a Yupik Eskimo girl, who takes revenge of her parents who died after drinking poisoned alcohol sold by a white storeman. There are four layers of stories in this short story. The first one is the old man's story of a blue glacier bear; the second one is a revenge story of the Yupik girl; the third one is a story told by the girl to the attorney after being arrested for the death of a storeman. And the final one is the story told to us by Silko, entitled "Storyteller." Although the structure of story within story resembles a technique of metafiction at a glance, it surely is a characteristic of Pueblo narratives in general, according to Silko. This kind of stories within stories refers to the collective power of story which, like a spider's web with many little threads radiating from the center and crisscrossing one another, is also a characteristic of stories on the Web today.

• 한국강구조학회 논문집
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• 제28권6호
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• pp.383-394
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• 2016

두본 연구에서는 축소된 3층의 강재 프레임 구조물에 실제 지진동 데이터를 사용하여 고등적인 3차원 유한요소 해석을 통해 거동을 예측하고 손상을 평가하고자 한다. 비선형 동적 해석에서 구조물의 연약층(Soft Story)의 효과와 비대칭성(Asymmetry)을 고려하기 위하여 기둥의 단면적을 축소 시켜 기둥을 손상시키고 집중 질량을 슬래브에 가하여 프레임 모델을 설계를 하였다. 해석 결과 분석을 통해 프레임 구조물의 손상은 중량의 대칭성 보다는 기둥의 손상과 연약층의 존재에 의해서 결정됨을 본 연구를 통하여 재확인할 수 있다.

• 정보과학회 컴퓨팅의 실제 논문지
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• 제24권3호
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• pp.138-144
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• 2018

본 고에서는 비디오로부터 coherent story를 학습하여 비디오 스토리를 재현할 수 있는 스토리 학습/재현 프레임워크를 제안한다. 이를 위해 연속 이벤트 순서를 감독학습 정보로 사용함으로써 각 에피소드들이 은닉 공간 상에서 궤적 형태를 가지도록 유도하여, 순서정보와 의미정보를 함께 다룰 수 있는 복합된 표현 공간을 구축하고자 한다. 이를 위해 유아용 비디오 시리즈를 학습데이터로 활용하였다. 이는 이야기 구성의 특성, 내러티브 순서, 복잡도 면에서 여러 장점이 있다. 여기에 연속 이벤트 임베딩을 반영한 인코더-디코더 구조를 구축하고, 은닉 공간 상의 시퀀스의 모델링에 양방향 LSTM을 학습시키되 여러 스텝의 서열 데이터 생성을 고려하였다. '뽀롱뽀롱 뽀로로' 시리즈 비디오로부터 추출된 약 200 개의 에피소드를 이용하여 실험결과를 보였다. 실험을 통해 에피소드들이 은닉공간에서 궤적 형태를 갖는 것과 일부 큐가 주어졌을 때 스토리를 재현하는 문제에 적용할 수 있음을 보였다.

• 한국멀티미디어학회논문지
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• 제18권8호
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• pp.988-995
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• 2015

In 2013, Academy Award for Best Animated Short Film was granted to Walt Disney's short animation, (2012). With various aspects of its excellence, I focus on the very effective use of digital lightings and underscores for storytelling as its success factors. In this respect, this paper aims at analyzing the roles of the visual factors, especially tone, contrast, etc. created by lightings, and audio factors, especially underscores, in the film's story development. I find that can be characterized by the well-built story structure with distinct three acts. The main stream of the story is expressed with the overall mood that is created by the fine adjustments of brightness of the main light, and contrast. And the direction and the intensity of the lighting successfully describe the emotions of the characters in each scene. In addition, I find that properly chosen and positioned underscores make the development of the story more dynamic and more harmonized.