• Current Optics and Photonics
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• v.2 no.5
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• pp.436-442
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• 2018

In a spatially interlaced stereoscopic (SIS) three-dimensional (3D) display to be realized by providing the observer a part of left-eye/right-eye images, a loss of information can be perceived due to the un-shown part of each image. In order to resolve that problem, an improved SIS 3D display is proposed to deliver the images without loss of information to the observer using a time-multiplexing scheme. However, that time-multiplexing SIS also has a problem of luminance distortion when the desired luminance is not shown due to an insufficient response of the liquid crystal cell. In this paper, we propose a new method by optimizing the image data to show correct luminance with minimum distortion.

• Journal of Navigation and Port Research
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• v.27 no.2
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• pp.145-153
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• 2003

The presence-feeling enhancement method of a Virtual Reality (VR) simulator is proposed in this paper. The method is to increase realistic human feeling by mutual synergy effect between stereoscopic image and three-dimensional (3D) sound. In order to test the influence of mutual synergy effect, subject assessment with five university students is carried out using VR ship simulator having PC monitor and LCD shutter glasses. It I found that the averaged scale value of image naturalness is increased by 0.5 from $I_{nat}$=3.1 to 3.6 when blending stereoscopic images with 3D sound, and the averaged score value of sound localization is increased by 10% from $A_{SL}$ = 70~75% to $A_{SL}$ = 80~85% when blending 3D sound with stereoscopic image. In conclusion, the results show that the proposed method is able to increase the presence feeling in the VR simulator.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.9 no.2
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• pp.728-741
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• 2015

Stereo vision has become an important technical issue in the field of 3D imaging, machine vision, robotics, image analysis, and so on. The depth map extraction from stereo video is a key technology of stereoscopic 3D video requiring stereo correspondence algorithms. This is the matching process of the similarity measure for each disparity value, followed by an aggregation and optimization step. Since it requires a lot of computational power, there are significant speed-performance advantages when exploiting parallel processing available on processors. In this situation, multi-core CPU may allow many parallel programming technologies to be realized in users computing devices. This paper proposes parallel implementations for calculating disparity map using a shared memory programming and exploiting the streaming SIMD extension technology. By doing so, we can take advantage both of the hardware and software features of multi-core processor. For the performance evaluation, we implemented a parallel SAD algorithm with OpenMP and SSE2. Their processing speeds are compared with non parallel version on stereoscopic streaming video. The experimental results show that both technologies have a significant effect on the performance and achieve great improvements on processing speed.

• Journal of the Society of Naval Architects of Korea
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• v.44 no.6
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• pp.579-589
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• 2007

Contrary to the conventional single-point measuring devices such as LDV, pitot-tube, hot-wire, etc., it would be possible to measure instantaneously 3-D flow fields with a stereoscopic PIV system. In this paper, we present an analysis algorithm for a stereoscopic PIV system using the normalized cross-correlation (NCC) and a 3-D calibration based reconstruction method. The evaluation method based on NCC is one of the most accurate correlation-based methods. We validated the developed algorithm through a benchmarking comparison with 3-D artificial SPIV images and calibration target images.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.33 no.10C
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• pp.813-819
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• 2008

In this paper, we implemented a real-time system which displays 3-dimensional (3D) stereoscopic image with stereo camera. The system consists of a set of stereo camera, FPGA board, and 3D stereoscopic LCD. Two CMOS image sensor were used for the stereo camera. FPGA which processes video data was designed with Verilog-HDL, and it can accommodate various resolutional videos. The stereoscopic image is configured by two methods which are side-by-side and up-down image configuration. After the left and right images are converted to the type for the stereoscopic display, they are stored into SDRAM. When the next frame is inputted into FPGA from two CMOS image sensors, the previous video data is output to the DA converter for displaying it. From this pipeline operation, the real-time operation is possible. After the proposed system was implemented into hardware, we verified that it operated exactly.

• Journal of the Institute of Electronics Engineers of Korea SD
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• v.48 no.10
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• pp.20-24
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• 2011

As various 3D contents have been developed recently, number of users who use 3D glasses in the cinema or their house has increased. However, since a stereoscopic image causes visual fatigue, developers also advise children and pregnant against watching it for hours. In this paper, we proposed measurement of level of visual fatigue degree by analyzing histogram obtained from a disparity-map. We used binocular disparity approach which is a fundamental factor occurred by a stereoscopic image. This research can be used as an user discomfort improvement method by referring to a stereoscopic image producing and compensation. To obtain a disparity-map, our proposed method used a census algorithm which is suitable for real-time processing.

• Journal of the HCI Society of Korea
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• v.8 no.2
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• pp.21-27
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• 2013

Recently, the use of floating hologram has increased in many different aspects, such as exhibitions, education, advertisements, and so on. Especially, the floating hologram that makes use of half-mirror is widely used. Nevertheless, half-mirror, unfortunately, cannot lead users to the perfect three dimensional hologram experience. Even though it can make the vision look to be up on the air, it does not have the capacity to display itself up on the air, which is the ultimate goal of hologram. In addition, it looks inconsistent when a real object is located behind the half-mirror in order to show the convergence of the two (object and the half-mirror). In this paper, we did the study on comparison of 3D space perception for the stereoscopic AR holography. At first, we applied stereoscopic technology to the half-mirror hologram system for the accurate and realistic AR environment. Then, the users can feel as if the real 3D object behind half-mirror and the reflected virtual image are converged much better in the 3D space. Furthermore, by using depth camera, the location and direction of graphics can be controlled to change depending on the user's point of view. This is the effective way to produce augmented stereoscopic images simply and accurately through half-mirror film without any additional devices. What we saw from the user test were applying 3D images and user interaction leads the users to have 3D spatial awareness and realism more effectively and accurately.

• Proceedings of the Korea Contents Association Conference
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• 2006.11a
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• pp.524-527
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• 2006

This paper discusses a method to efficiently remove the keystone distortion in images. The keystone distortion which generated during 2D image aquisition to realize 3D stereoscopic images is removed by the bilinear interpolation method. Usually, the keystone distortion in 2D images can remove by the optical equipment but the image processing is more effective than the optical equipment in consideration of efficiency or simplicity of the works. This method can be realized 3D stereoscopic image without the distortion.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.07a
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• pp.51-54
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• 2012

본 논문에서는 스테레오스코픽 비디오 응용 포맷(Stereoscopic video Application Format)을 기반으로 IP환경에서 3차원 광고, 홍보 및 교육 등에 직접적으로 적용될 수 있는 3D Push 서비스 시스템을 제안한다. 스테레오스코픽 비디오 응용 포맷은 모바일 및 고정형 환경에서 스테레오스코픽 비디오 저장 및 전송을 위한 파일 포맷으로서 다양한 3D 디바이스에 공통으로 적용될 수 있으며 국제표준(ISO/IEC 23000-11)으로 채택되었다. 제안한 시스템은 스테레오스코픽 콘텐츠를 토대로 프로그램 저작을 위한 저작 및 저장을 위한 저작도구, 저작된 프로그램을 스케줄링하고 각 클라이언트의 요청에 따라 전송 관리하는 서버 및 프로그램에 따라 자동 3D 디스플레이 및 사용자 인터랙션을 제공하는 플레이어로 구성된다. 또한, 제안하는 시스템은 국제표준을 토대로 다양한 3D 디바이스와 호환성을 제공하며 모바일 및 고화질 3차원 서비스를 제공할 수 있으며, 각 사이트 과금에 따라 3D 프리미엄 서비스 및 Non-tapeless기반의 원격관리 3D Push 서비스를 제공하는 장점을 가진다.

• Cartoon and Animation Studies
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• s.49
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• pp.697-712
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• 2017

In recent years, film and animation for cinematic release have embraced stereoscopic vision and the three-dimensional depth it creates for the viewer. The maturation of consumer-level virtual reality (VR) technology simultaneously spurred a wave of media productions set within 3D space, ranging from computer games to pornographic videos, to Academy Award-nominated animated VR short film Pearl. All of these works rely on stereoscopic fusion through stereopsis, that is, the perception of depth produced by the brain from left and right images with the amount of binocular parallax that corresponds to our eyes. They aim to emulate normal human vision. Within more experimental practices however, a fully rendered 3D space might not always be desirable. In my own abstract animation work, I tend to favour 2D flatness and the relative obfuscation of spatial relations it affords, as this underlines the visual abstraction I am pursuing. Not being able to immediately understand what is in front and what is behind can strengthen the desired effects. In 2015, Jeffrey Shaw challenged me to create a stereoscopic work for Animamix Biennale 2015-16, which he co-curated. This prompted me to question how stereoscopy, rather than hyper-defining space within three dimensions, might itself be used to achieve a confusion of spatial perception. And in turn, how abstract and experimental moving image practices can benefit from stereoscopy to open up new visual and narrative opportunities, if used in ways that break with, or go beyond stereoscopic fusion. Noteworthy works which exemplify a range of non-traditional, expanded approaches to binocular vision will be discussed below, followed by a brief introduction of the stereoscopic animation loop III=III which I created for Animamix Biennale. The techniques employed in these works might serve as a toolkit for artists interested in exploring a more experimental, expanded engagement with stereoscopy.